Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
Lynn Barber:
‘Hodgkin’s true colours’
[interview], in The Observer Magazine, 31 Oct. 1999, pp.44-45,
47-48, 51.
James Hall:
‘Howard Hodgkin: Anthony
d’Offay’ [review of exhib.], in World of Interiors, Nov.
1999, vol.19 no.11, pp.172-173.
Martin Gayford:
‘What’s it all about,
Sir Howard?’ [review of dOffay exhib.], in The Independent,
1 Nov. 1999, p.10.
‘London’s only
old master’, in Evening Standard, 10 Nov. 1999.
Jonathan Jones:
‘Desperate pleasures’
[interview], in The Guardian, 11 Nov. 1999, pp.12-13.
John McEwen: ‘All
correct in heaven’
[incl. review of d’Offay exhib.], in Sunday
Telegraph, 19 Dec. 1999, p.11.
Richard Cork:
‘Raging, ageing bull’
[review of d’Offay exhib.], in The Times, 19 Nov. 1999, p.51;
repr. as ‘Howard Hodgkin’ in Richard Cork: Breaking down the
barriers: art in the 1990s, New Haven, London: Yale University
Press,
2003, pp.447-450.
‘Every daub has
its day’ [incl. review
of d’Offay exhib.], in The Observer Review, 21 Nov. 1999, p.11.
Martin Gayford:
‘Great memories’
[review of d’Offay exhib.], in Daily Telegraph, 1 Dec. 1999,
p.26.
Frances Spalding
‘Seductive tease
from an outsider’ [review of d’Offay exhib.], in The Mail on
Sunday, 5 Dec. 1999.
* New
painting. Anthony d’Offay Gallery, London, 1999.
Signature
pieces: contemporary British
prints and multiples (1 work; illus. in col.). Alan Cristea
Gallery, London, 5 Jan. – 6 Feb. 1999; text by Marco Livingstone,
p.24.
Paul Levy: ‘First
he took Manhattan’
[revew of New York exhib.], in The
Independent, 7 May 1998.
Terry Grimley:
‘Modern art tastes catch
up with British pacemaker’, in Birmingham Post, 27 July 1998.
* A. Woods:
‘The
place where silence becomes objects: interview with Howard Hodgkin’,
in Transcript, vol.3 no.2, Oct. 1998.
* [Howard
Hodgkin]. Haas & Fuchs, Berlin, 1998; text by Alan Woods.
* [Howard
Hodgkin]: works on paper. Staatliche Museum für Naturkunde und
Vorgeschichte Oldenburg, 1998.
Howard
Hodgkin: prints. Ingleby Gallery, Edinburgh, 5 Aug. – 12 Sept. 1998
(no catalogue;
PV card).
Howard Hodgkin
(13 works). Gagosian Gallery, New York, 1 May – 13 June 1998;
48p, 16 col. Illus.; biog., exhibs, bibl.; incl. texts by W. Somerset
Maugham (from The Alien Corn, 1931), p.5, James Fenton, poem In
Paris with you, p.7, & Doris Lockhart Saatchi, Max Gordon
1931-1990, pp.29-31; ISBN: 1880154226.
Howard Hodgkin
(11 etchings illustrated). Galerie Lutz & Thalmann, Zürich,
18 Sept. – 14 Nov. 1998; 32p., 13 illus (12 col.); biog., exhibs.,
bibl.; introd. by Gabriele Lutz (parallel German/English text); ISBN:
3952155810.
* Will
Ameringer Fine Art, New York, 1998.
* Galleria
Lawrence Rubin,
Milan, 1998.
Howard
Hodgkin, Pablo Picasso, Karel
Dierickx, Louis Soutter, Mark Tobey: drawings and prints (c.5 prints
by HH). Hachmeister Galerie, Münster, 13 Jan. –
12 Feb. 1998.
‘Die Farbe
fluchtiger Emotion: Howard
Hodgkins Gemalde in der Hayward Gallery, London’ [review of exhib.],
in Neue Zürcher Zeitung, 27 Jan. 1997.
Sasha Grishkin:
‘A leader among today’s
British painters’ [review of Hayward exhib.], in The Canberra Times,
7 Feb. 1997.
Brian Fallon:
‘Hodgkin gets his due’
[review of Hayward exhib.], in The Irish Times, 19 Feb. 1997,
p.12.
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of Hayward exhib.], in Art Review, Mar. 1997,
vol.49, pp.26-28, 30.
Norbert Lynton:
‘Howard Hodgkin: Tuppence
coloured’ [review of Hayward exhib.], in Modern Painters, Spring
1997, vol.10 no.1, pp.109-111.
Caroline Boucher:
‘Frankly Howard’
[report of talk given at Whitechapel Art Gallery], in The Observer,
13 July 1997, p.11.
* [Howard
Hodgkin]. Susan Sheehan Gallery, New York, 1997.
Hockney to
Hodgkin: British master
prints 1960-1980 (2 works). New Orleans Museum of Art, 1997;
text by Pat Gilmour.
Contemporary
prints (2 works; illus, 1 in col.). Yvonne Andrews, Thomas Dane,
London,
[1997 ?].
Masterpieces
of modern printmaking (1 work; illus. in col.). Alan Cristea
Gallery, London, 23 June
– 1 Aug. 1997; text, p.30.
David Sweet:
‘Issues in architecture’,
in Art and Design, 1996, vol.4 no.2, pp.182-192.
Richard Shiff,
A.M. Homes: ‘The subject
in question: Richard Shiff reviews “Howard Hodgkin: paintings”’
[review of New York exhib.; & untitled interview with A.M. Homes],
in Artforum, Jan. 1996, vol.34 no.5, pp.62-67.
Mario Naves: ‘The
pleasure trade: Howard
Hodgkin at the Met’ [review of New York exhib.], in The New Criterion,
Jan. 1996, vol.14 no.5, pp.49-51.
Robert Hughes:
‘Delight for its own
sake’ [review of New York exhib.], in Time, 22 Jan. 1996, vol.147
no.4.
Frank Kermode: ‘A
likely story’ [review
of Fort Worth exhib. Catalogue & Graham-Dixon monograph], in London
Review of Books, 25 Jan. 1996, p.11.
David Anfam: ‘New
York and Fort Worth:
Howard Hodgkin’ [review of exhib.], in Burlington Magazine, vol.138,
pp.151-152.
Janet Tyson:
‘Painting the town’
[review of Fort Worth exhib.], in Star (Fort Worth), 29 Mar.
1996.
William Boyd:
‘Abstract with memories’
[review of Fort Worth exhib.], in Modern Painters, Spring 1996,
vol.9 no.2, pp.36-39 (repr. in Writers on Howard Hodgkin, 2006,
pp.119-130).
Drew Milne:
‘Whose line is it anyway?’
[on contemporary poems responding to modern paintings, incl. Wendy
Mulford’s
poem on HH’s ‘The Bay of Naples’], in Tate: the art magazine,
Spring 1996, no.8, pp.48-53 (ref. pp.51-52).
Brooks Adams:
‘Hodgkin’s subtexts’
[review of Fort Worth exhib.], in Art in America, May 1996,
vol.84, pp.90-97, 125.
NR [= Nan
Rosenthal]: ‘Howard Hodgkin:
“Venice, evening”’, in The Metropolitan Museum of Art Bulletin, Fall
1996, vol.54 no.2 (‘Recent acquisitions: a selection: 1995-1996’),
pp.64-65.
Carmela Thiele:
‘Sconer Abend, klarer
Morgen’, in Art: das Kunstmagazin, Sept. 1996, no.9, pp.100-101.
‘Howard’s way’,
in Elle Decoration,
Nov. 1996.
Martin Gayford:
‘The lonely artist’
[interview], in Daily Telegraph, 23 Nov. 1996.
Peter Parker:
‘The secret world concealed
inside the paintings of Britain’s greatest colourist: Interview: Howard
Hodgkin’, in The New Statesman, 29 Nov. 1996, vol.125 no.4312,
pp.39, 41.
James Cary
Parkes: ‘Abstractly fabulous’,
in Gay Times, Dec. 1996, pp.28-30
Martin Gayford:
‘Is that a guest or
a gun turret?’ [review of Hayward exhib.], in Harpers & Queen,
Dec. 1996.
Celia Lyttleton:
‘Knowing me, knowing
hue’ [review of Hayward exhib.], in The Tatler, Dec. 1996,
p.42.
Andrew
Graham-Dixon: ‘Portrait of the
artist as an older man’ [review of Hayward exhib.], in Vogue,
Dec. 1996, p.196.
Tim Hilton: ‘In
the coded realm of
the senses’, in The Independent on Sunday, 1 Dec. 1996, p.14.
Adrian Searle:
‘Remembrance of sunsets
past’ [review of Hayward exhib.], in The Guardian, 3 Dec. 1996,
p.10.
Isabel Carlisle:
‘Don’t look at me
askance’ [review of Hayward exhibs.], in The Times, 3 Dec.
1996, p.44.
Charlie Porter:
‘Abstracts have perfect
line of vision’ [review of Hayward exhib.], in The Express,
6 Dec. 1996.
William Packer:
‘Loaded brushstrokes’
[review of Hayward exhib.], in Financial Times, 7-8 Dec. 1996.
Tim Hilton: ‘A
world of his own’
[review of Hayward exhib.], in The
Independent on Sunday, 8 Dec. 1996, p.24.
Philip Hensher:
‘A passionate, colourful
past’ [review of Hayward exhib.], in The Mail on Sunday, 8
Dec. 1996.
William Feaver:
‘Howard Hodgkin shows
his colours (but not in a black and white newspaper, he doesn’t’
[review of Hayward exhib.], in The Observer Review, 8 Dec. 1996.
X.B.: ‘Howard
Hodgkin’ [review of
Hayward exhib.], in The Big Issue, 9-15 Dec. 1996, pp.29-30.
Bryan Robertson:
‘Light fantastic’
[review of Hayward exhib.], in The Independent, 10 Dec. 1996,
pp.4-5.
Richard Cork:
‘The master and all he
surveys’ [review of Hayward exhib.], in The Times, 10 Dec.
1996, p.33.
Richard Dorment:
‘When colour makes
life sweet’ [review of Hayward exhib.], in Daily Telegraph,
11 Dec. 1996, p.19.
Alasdair Steven:
[review of Hayward
exhib.],
in Hammersmith Chronicle, 12 Dec. 1996.
Martin Gayford:
‘Colour conundrum’
[review of Hayward exhib.], in The Spectator, 14-21 Dec. 1996,
vol.277 no.8787, pp.80, 82.
Ian Ellis:
‘Howard Hodgkin deserves
to be given some space’ [letter in response to review of 8 Dec. 1996],
in The Independent on Sunday, 15 Dec. 1996, p.18.
John McEwen:
‘Tortoise outruns soulless
hare’ [incl. review of Hayward exhib.], in Sunday Telegraph,
15 Dec. 1996, p.9.
Waldemar
Januszczak: ‘Too bright for
his own good’ [review of Hayward exhib.], in Sunday Times,
15 Dec. 1996, Arts pp.8-9.
Sarah Kent:
‘Framed!’ [review of
Hayward exhib.], in Time Out, 18 Dec. 1996 – 1 Jan. 1997,
no.1374,
p.53.
Brian Sewell:
‘Stop me if you’ve
seen this one before’ [review of Hayward exhib.], in Evening Standard,
19 Dec. 1996, p.45.
‘Propelling the
past into the present’
[review of Hayward exhib.], in Highbury and Islington Express,
20 Dec. 1996, p.30.
‘Exhibition of
the week: Howard Hodgkin’
[review of Hayward exhib.], in The Week, 21 Dec. 1996, p.22.
Adam Nicolson:
‘Howard’s way’ [revew
of Hayward exhib.], in Sunday Telegraph Magazine, 29 Dec. 1996,
p.46.
Howard
Hodgkin: prints (c.25 works). Hachmeister Galerie, Münster, 24 Feb.
– 28 Mar.
1996.
* Portrait
of the artist. Anthony d’Offay Gallery, London, 1996.
Brancusi to
Beuys: works from the Ted Power Collection (3 works; illus, 1 in
col.). Tate Gallery, London, 19 Nov. 1996
– 16 Feb. 1997.
Siri Huntoon:
‘Translating past into
painting’ [review of Graham-Dixon monograph], in Art News,
Feb. 1995, vol.94, p.75.
Lynn Barber: ‘An
abstraction of
opposites’,
in Art Review, Mar. 1995, vol.47, pp.28-29.
Andrew Deacker:
‘Art from the heart:
Howard Hodgkin’s intimate, luminous paintings turn heads at the Met’
[review of New York exhib.], in Diversion, Oct. 1995, pp.170-172,
175-176.
George Melrod:
‘Post-Pop pizzazz’,
in Art and Antiques, Nov. 1985, vol.18 no.10, pp.39-40.
Joanna Pitman:
‘Showing his colours’
[interview], in The Times Magazine, 4 Nov. 1995, pp.8-9, 11,
13, 15.
* Howard
Hodgkin: prints
1977-95. Jim Kempner Fine Art, New York, 1995.
Howard
Hodgkin: graphics. Smith Andersen Gallery, Palo Alto (CA), 1995 (no
catalogue)
Carborundum
etchings (1987-1994) by
Howard Hodgkin. Belloc Lowndes Fine Art, Chicago, 25 May 1995
- ; folded card, 6p, 4 col. Illus.; biog., exhibs.
Howard Hodgkin
paintings (80 works illustrated). Metropolitan Museum of
Art, New York, 30 Oct. 1995 - 28 Jan. 1996;
travelling
to Modern Art Museum of Fort Worth (TX), 31 Mar. – 14 July 1996;
Kunstverein
für die Rheinlande und Westfalen, Düsseldorf, 17 Aug. – 13 Oct.
1996; [Hayward Gallery, London, 5 Dec. 1996 – 23 Feb. 1997].
Fort Worth (TX): Modern Art Museum of Fort Worth; London: Thames and
Hudson, 1995; 216p, 354 illus (81 col.); biog., bibl.; text by Michael
Auping, A long view, pp.9-32; text of correspondence between
John Elderfield & the artist, An exchange, pp.65-80; text
by Susan Sontag, About Hodgkin, pp.105-112 (repr. in Writers
on Howard Hodgkin, 2006, pp.97-109); catalogue raisonné
of oil paintings, edited by Marla Price, pp.137-200; ISBN (Thames &
Hudson ed.): 0500092567.
* Where you
were even
now. Kunsthalle Winterthur, 1995.
The Boltons
Collection of British
contemporary art (4 works). The Boltons Collection of British
Contemporary Art, [1995 ?].
Peter Blake,
Patrick Caulfield, Howard
Hodgkin: paintings from the 60’s and 70’s (5 works; illus. in
col.). Waddington Galleries, London, 22 Feb.
– 25 Mar. 1995.
William Feaver:
‘Anthony d’Offay,
London, exhibit’ [review of d’Offay exhib.], in Art News, vol.93,
p.73.
Richard Shone:
‘London and New York:
Howard Hodgkin’ [review of Knoedler exhib.], in Burlington Magazine, Jan.
1994, vol.136 no.1090, pp.45-46.
Jeffrey Kastner:
‘Anthony d’Offay
Gallery, London’ [review of d’Offay exhib.], in Flash Art, Jan./Feb.
1994, vol.27 no.174, p.103.
Eric Gibson:
‘Howard Hodgkin’ [review
of Knoedler exhib.], in The New Criterion, Mar.1994, vol.12,
pp.41-42.
Lilly Wei:
‘Howard Hodgkin’s mandarin
pastimes’ [review of d’Offay & Knoedler exhibs.], in Art
in America, Apr. 1994, vol.82, pp.92-97.
Naves Mario: ‘The
British invasion
of New York’ [incl. review of Knoedler exhib.], in New Art Examiner, May
1994, vol.21, pp.33-35.
Jon Stock:
‘Jewels in his crown’
[interview on the occasion of British Museum exhib.], in Daily
Telegraph,
25 May 1994, p.19.
Richard Dorment:
‘Bump and grind of
Indian art’ [review of British Museum exhib.], in Daily Telegraph,
25 May 1994, p.19.
Iain Gale: ‘Small
is beautiful’ [review
of British Museum exhib.], in The Independent, 26 May 1994,
pp.10-11.
Sheila Canby:
‘New Mughal and Deccani
paintings in the Howard Hodgkin collection’ {review of British Museum
exhib.], in Apollo, June 1994, vol. 139 no.338, pp.61-62.
A. Bellerio:
‘India: antiche miniature
e dipinti’ [review of Verona exhib.], in F.M.R., June 1994,
no.86, pp.8-10.
* ‘Howard’s
way’, in Harper’s & Queen, July 1994, p.20.
Andrew
Graham-Dixon: ‘The way it was’,
in World of Interiors, July 1994, pp.86-89.
* Marco
Livingstone: ‘Howard’s
way’, in Vogue (UK), July 1994, p.26.
Sue Hubbard:
‘Brief history of paint’
[review of Serpentine exhib.], in The
New Statesman and Society, 1 July 1994, vol.7 no.309 (vol.123
no.4191),
pp.32-33.
A.S. Byatt: ‘The
colour of feeling’
[review of Graham-Dixon monograph], in The
Independent on Sunday, 10 July 1994, pp.30-31.
Andrew Billen:
‘The Life interview’,
in The Observer, Life, 10 July 1994, pp.10-14.
Andrew
Graham-Dixon: ‘Remembrance of
things past’ [reprint of ch.2 of Graham-Dixon monograph], in The
Independent, 19 July 1994, section II p.23.
Julian Bell: ‘The
great unpretender:
stripes, splodges, stipples and waves: the indescribable splendours
of Howard Hodgkin’ [review of Graham-Dixon monograph], in Times
Literary Supplement, 22 July 1994, no.4764, p.16.
Marina Vaizey:
‘Passion for the physical’
[incl. review of Graham-Dixon monograph], in The Times, 28 July
1994, p.41.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1995, vol.36 no.3, pp.103-112 (ref. pp.104-105).
David Sylvester:
‘An artist whose métier
is black and white’ [review of Graham-Dixon monograph], in Daily
Telegraph, 6 Aug. 1994, p.6.
NR {= Nan
Rosenthal]: ‘Howard Hodgkin:
“When did we go to Morocco?”’, in The Metropolitan Museum of
Art Bulletin, Fall 1994, vol.52 no.2 (‘Recent acquisitions: a
selection: 1993-1994’), p.78.
Alan Ross:
‘Painted memoirs’ [review
of Graham-Dixon monograph), in London Magazine, Oct. – Dec. 1994,
vol.34 nos.7/8, pp.138-139.
Andrew Motion:
‘Once more with feeling’
[review of Graham-Dixon monograph], in Modern Painters, Winter
1994, vol.7 no.4, pp.83-85.
* Jim Lewis:
‘Howard Hodgkin’,
in Harper’s Bazaar, Dec. 1994, pp.182-187.
* [Howard Hodgkin]. Dimock Gallery, The George Washington University, Washington (DC), 1994.
The silent
partner: re-viewing the
picture frame (1 work). University Gallery, University of
Essex, Colchester, 13 June – 1 July
1994.
*
Paintmarks. Kettle’s Yard, Cambridge, 17 July – 4 Sept. 1994;
travelling to
Southampton City Art Gallery, 29 Sept. – 6 Nov. 1994; Mead Gallery,
University of Warwick, 12 Nov. – 10 Dec. 1994.
* Arts Section: Entertainment UK: Howard Hodgkin. ITV (Arts Section), 26, 28 & 30 Oct. 1993; dir.Fiona Adam, prod. Elaine Gallagher.
* Howard Hodgkin. BBC2 (The Late Show), 26 & 30 Oct. 1993; dir. Bernadette O’Brien.
* Howard Hodgkin. BBC Radio 3 (Nightwaves), 28 Oct. 1993; interview with Christopher Cook.
* John Russell:
‘In New
Delhi, pursued by an enormous tree’, in The
New York Times, 28 Mar. 1993, p.33.
Heidi Burklin:
‘Howard Hodgkin: Glut
von Bordeaux auf der Zunge’, in Art: das Kunstmagazin, July 1993,
no.7, pp.18-24.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1993, vol.24 no.3, pp.107-111 (ref. pp.108-109).
Tom Lubbock:
‘Howard Hodgkin: for me’,
in Modern Painters, Autumn 1993, vol.6 no.3, pp.34-37.
* Paul Levy:
‘What’s
new from Freud and Hodgkin’, in The
Wall Street Journal, 18 Sept. 1993.
Edward
Lucie-Smith: ‘In profile: Howard
Hodgkin’ [interview, on occasion of d’Offay exhib.], in Art Review,
Oct. 1993, vol.45, pp.4-6.
John McEwen:
‘Colour too deep for
comfort’,
in Sunday Telegraph, 10 Oct. 1993, Review p.6.
Andrew
Graham-Dixon: ‘Truants of the
memory’, in The Independent Magazine, 16 Oct. 1993, pp.38-43,
45.
Laurence Marks:
‘Every one on board’
[interview], in The Observer, 17 Oct. 1993, Arts section p.8.
John Russell
Taylor: ‘Howard Hodgkin’
[review of d’Offay exhib.], in The Times, 22 Oct. 1993, p.35.
Esther Harris:
‘Artspeak’ [letter
in response to review in 16 Oct. 1993 issue], in The Independent
Magazine, 23 Oct. 1993.
Michael Champion:
‘Pretentious –
nous?’ [letter in response to review in 16 Oct. 1993 issue], in The
Independent Magazine, 23 Oct. 1993.
James Hall:
‘Souvenirs of life’ [review
of d’Offay exhib.], in The Guardian, 25 Oct. 1993, pp.4, 6.
Brian Sewell:
‘The mark of a lesser
spotted leopard’ [incl. review of d’Offay exhib.], in Evening
Standard, 28 Oct. 1993, pp.28-29; repr. as ‘Howard Hodgkin’
in The reviews that caused the rumpus, and other pieces. London:
Bloomsbury, 1994; pp.284-286; repr. in An alphabet of
villains. London: Bloomsbury, 1995; pp.107-109.
Giles Smith: ‘”A
stripe is a stripe,
a splodge is a splodge”’ [interview], in The Independent, Weekend,
30 Oct. 1993, p.52.
* Tim Hilton:
‘Obscure
objects of desire’ [review of d’Offay exhib.], in The
Independent on Sunday, 31 Oct. 1993, p.35.
Celia Lyttelton:
‘Howard’s way’
[revew of d’Offay exhib.], in The Tatler, Nov. 1993, p.24.
Richard Cork:
‘Painting from memory’
[review of d’Offay exhib.], in The Times, 2 Nov. 1993, p.41.
Daniel Farson:
‘Knight errant’ [incl.
review of d’Offay exhib.], in The Mail on Sunday Review, 7
Nov. 1993, p.34.
David Lillington:
‘Howard Hodgkin’
[review of d’Offay exhib.], in Time Out, 17-24 Nov. 1993, p.40.
* Martin
Filler: ‘Howard Hodgkin
is tired of being a minor artist’, in The New YorkTimes, 5 Dec.
1993, p.43.
* H R Crane
& Steven
Vita: ‘Interview’, in Veery (Chicago: The Foxglove Company),
1992, no.2, pp.1-2.
Raimund Stecker:
‘Venezianische Emotionen
– Howard Hodgkin, ein nicht nur englischer Maler’, in Die
Kunst-Bulletin, Jan. 1992, no.1, pp.19-25.
Heather Guthrie:
‘Focus on the artist’,
in Eastern Daily Press, 3 Feb. 1992.
Barbara MacAdam:
‘Speaking of the
unspeakable’
[review of book ‘The way we live now’], in Art News, Mar. 1992,
vol.91 no.3, p.20.
Zoe Heller:
‘Howard’s way’, in Harper’s & Queen, Apr. 1992, pp.152-156.
* Maggie
Parham: ‘Art for
AIDS sake’ [review of book ‘The way we live now’], in Evening
Standard Magazine, 8 May 1992, pp.76-77.
David Lee: ‘BBC
billboard project’,
in Arts Review, July 1992, vol.44, pp.234-235.
Andrew
Graham-Dixon: ‘Sudden shafts
of reality’ [on HH’s collection of Indian art], in The Independent,
27 Oct. 1992, p.14.
Frances Spalding:
‘An interview with
Howard Hodgkin’ [about Margery Fry & her house in Holland Park],
in The Charleston Magazine, Winter 1992 – Spring 1993, no.6,
pp.26-33.
Ulrich Wiesner:
‘Report from Europe:
new catalogues’ [incl. review of monograph by Topsfield & Beach],
in Oriental Art, Winter 1992/3, vol.38 no.4, pp.269-272 (ref.
pp.269-271).
* [Howard
Hodgkin]. Kerlin Gallery, London, 1992.
Howard
Hodgkin: prints (c.30 works) . Hachmeister Galerie, Münster,
Mar. –
Apr. 1992.
* Ready
steady go: painting
of the Sixties from the Arts Council Collection. South Bank Centre
touring exhibition, 21 Jan. – 23 Feb. 1992; travelling
to Stockport, Wakefield, Burnley, Ipswich, Coventry, Nottingham,
Wrexham,
Swansea, Dudley & Bath (to Oct. 1993).
The poetic
trace: aspects of British
abstraction since 1945 (1 work; illus. in col.). Adelson Galleries,
New York, 12 May – 30 June 1992.
* A benefit
reception
and exhibition of centennial prints in honor of the 100th
anniversary of the Modern Art Museum of Fort Worth. Charles Cowles
Gallery, New York, 1992.
* Singular
and plural,
recent accessions, drawings and prints: 1945 to 1991. Museum of
Fine Arts, Houston, 1992.
Susan Sontag [text], Howard Hodgkin [illustrations]: The way we live now. London: Jonathan Cape, 1991; 32p, 5 col. Illus. Fasimile commercial edition of Karsten Schubert limited edition (“All royalties from this edition of The Way We Live Now are being given to AIDS charities in the United Kingdom and the United States” – p.5); ISBN: 0224029169.
Julian Barnes: Evermore ; pictures by Howard Hodgkin, text by Julian Barnes. London: Palawan Press, 1996; 1) standard edition of 150 signed & numbered copies, with 6 original etchings, in hand painted blue wrappers, enclosed in cardboard box & sleeve, selling at £750; 2) special blue edition of 50 signed & numbered copies, comprising the etchings of the standard edition, with each page of the book hand-painted, & 2 individual prints, signed by the artist; enclosed in sleeve and portfolio box in silver bookcloth; selling at £1500.
Indian paintings and drawings from the collection of Howard Hodgkin (42 works). British Museum, London, 27 May – 21 Aug. 1991; Arthur M. Sackler Gallery, Smithsonian Institution, Washington, 15 Sept. 1991 – 12 Jan. 1992; Museum Zeitberg, Zürich, 21 June – 11 Oct. 1992 (as The artist as collector); Ashmolean Museum, Oxford, 20 Oct, 1992 – 7 Feb. 1993; monograph by Andrew Topsfield & Milo Cleveland Beach as catalogue; bibl.; text by HH, Notes on the collection, pp.9-11.
* Tom Lubbock:
‘Howard
Hodgkin: small paintings 1975-89’ [review of British Council exhib.],
in Alba, Jan. – Feb. 1991, p.29.
Robert G.
Edelman: ‘Howard Hodgkin’
[review of Knoedler exhib.], in Art News, Feb. 1991, vol.90 no.2,
p.134.
Robert C. Morgan:
‘Howard Hodgkin’
[review of Knoedler exhib.], in Arts Magazine, Feb. 1991, vol.65
no.6, p.78.
Andrew
Graham-Dixon: ‘Heavy rain’,
in The Independent Magazine, 16 Feb. 1991, pp.36-37.
* Geordie
Greig: ‘The fine
art of healing’, in Sunday Times Magazine, 10 Mar. 1991,
pp.42-46.
* Aidan Dunne:
‘The Howard
way to make a breadboard sensual’, in The Sunday Tribune, 31 Mar.
1991, p.22.
Rosemary Simmons:
‘Master-class: Howard
Hodgkin: new hand-coloured prints’, in Printmaking Today, Spring
1991, no.2, pp.1, 7-8.
* Brian Fallon:
‘The colour
of saying’, in The Irish Times, 2 Apr. 1991, p.8.
Marina Vaizey: ‘A
map of the modern’
[incl. review of Waddington exhib.], in Sunday Times, 7 Apr.
1991.
‘Where they eat’
[HH’s choice of
restaurants], in Time Out, 17-24 Apr. 1991, p.36.
Cathy Courtenay:
‘Artist’s books:
‘The way we live now’’ [review of artist’s book], in Art
Monthly, May 1991, no.146, p.27.
Geoffrey Newman:
‘Rain man’, in Times Higher Education Supplement, 2 Aug. 1991.
* Robert
Hughes: ‘Aftershock
of the new’, in The Observer Magazine, 25 Aug. 1991, pp.22-25.
* James Hall:
‘The essence
of Paris’, in The Independent Magazine, 31 Aug. 1991, pp.42-45.
John Pollex:
‘Altered forms’, in Ceramic Review, Nov. – Dec. 1991, no.132,
pp.16-21.
* [Howard
Hodgkin]. Brooke Alexander Editions, New York, 1991.
* [Howard
Hodgkin]. Waddington Graphics, London, 1991.
* [Howard
Hodgkin]. Locks Gallery, Philadelphia, 1991.
* [Howard
Hodgkin]. Castlefield Gallery, Manchester, 1991.
Howard Hodgkin
(24 works). Ikeda & Lokker, London, 1991; 51p, 24 col illus.;
biog., exhibs.; introd. & catalogue by Yoko Ikeda & Raymond
Lokker (parallel English/Japanese text).
‘The way we live now’ [HH’s hand-coloured etchings and working
proofs for the limited edition publication]. Karsten Schubert
Gallery, London, 27 Mar. – 20 Apr. 1991 (no catalogue).
* Smith
collects contemporary. Smith College Museum of Art, Northampton
(MA), 1991.
The absent
presence: the uninhabited
interior in 19th and 20th
century British art (1 work; illus. in col.). Graves Art Gallery,
Sheffield, 19 Jan. – 2 Mar. 1991; Geffrye Museum, London, 21 Mar.
– 2 June 1991.
British art
from 1930 (1 work; illus. in col.). Waddington Galleries, London,
27 Feb.
– 23 Mar. 1991.
* Not Pop:
what the others
were doing. Bernard Jacobson Gallery, London, 10 Sept. –
8 Oct. 1991.