Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
Lynn Barber:
‘Hodgkin’s true colours’
[interview], in The Observer Magazine, 31 Oct. 1999, pp.44-45,
47-48, 51.
James Hall:
‘Howard Hodgkin: Anthony
d’Offay’ [review of exhib.], in World of Interiors, Nov.
1999, vol.19 no.11, pp.172-173.
Martin Gayford:
‘What’s it all about,
Sir Howard?’ [review of dOffay exhib.], in The Independent,
1 Nov. 1999, p.10.
‘London’s only
old master’, in Evening Standard, 10 Nov. 1999.
Jonathan Jones:
‘Desperate pleasures’
[interview], in The Guardian, 11 Nov. 1999, pp.12-13.
John McEwen: ‘All
correct in heaven’
[incl. review of d’Offay exhib.], in Sunday
Telegraph, 19 Dec. 1999, p.11.
Richard Cork:
‘Raging, ageing bull’
[review of d’Offay exhib.], in The Times, 19 Nov. 1999, p.51;
repr. as ‘Howard Hodgkin’ in Richard Cork: Breaking down the
barriers: art in the 1990s, New Haven, London: Yale University
Press,
2003, pp.447-450.
‘Every daub has
its day’ [incl. review
of d’Offay exhib.], in The Observer Review, 21 Nov. 1999, p.11.
Martin Gayford:
‘Great memories’
[review of d’Offay exhib.], in Daily Telegraph, 1 Dec. 1999,
p.26.
Frances Spalding
‘Seductive tease
from an outsider’ [review of d’Offay exhib.], in The Mail on
Sunday, 5 Dec. 1999.
Paul Levy: ‘First
he took Manhattan’
[revew of New York exhib.], in The
Independent, 7 May 1998.
Terry Grimley:
‘Modern art tastes catch
up with British pacemaker’, in Birmingham Post, 27 July 1998.
* A. Woods:
‘The
place where silence becomes objects: interview with Howard Hodgkin’,
in Transcript, vol.3 no.2, Oct. 1998.
‘Die Farbe
fluchtiger Emotion: Howard
Hodgkins Gemalde in der Hayward Gallery, London’ [review of exhib.],
in Neue Zürcher Zeitung, 27 Jan. 1997.
Sasha Grishkin:
‘A leader among today’s
British painters’ [review of Hayward exhib.], in The Canberra Times,
7 Feb. 1997.
Brian Fallon:
‘Hodgkin gets his due’
[review of Hayward exhib.], in The Irish Times, 19 Feb. 1997,
p.12.
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of Hayward exhib.], in Art Review, Mar. 1997,
vol.49, pp.26-28, 30.
Norbert Lynton:
‘Howard Hodgkin: Tuppence
coloured’ [review of Hayward exhib.], in Modern Painters, Spring
1997, vol.10 no.1, pp.109-111.
Caroline Boucher:
‘Frankly Howard’
[report of talk given at Whitechapel Art Gallery], in The Observer,
13 July 1997, p.11.
* [Howard
Hodgkin]. Susan Sheehan Gallery, New York, 1997.
David Sweet:
‘Issues in architecture’,
in Art and Design, 1996, vol.4 no.2, pp.182-192.
Richard Shiff,
A.M. Homes: ‘The subject
in question: Richard Shiff reviews “Howard Hodgkin: paintings”’
[review of New York exhib.; & untitled interview with A.M. Homes],
in Artforum, Jan. 1996, vol.34 no.5, pp.62-67.
Mario Naves: ‘The
pleasure trade: Howard
Hodgkin at the Met’ [review of New York exhib.], in The New Criterion,
Jan. 1996, vol.14 no.5, pp.49-51.
Robert Hughes:
‘Delight for its own
sake’ [review of New York exhib.], in Time, 22 Jan. 1996, vol.147
no.4.
Frank Kermode: ‘A
likely story’ [review
of Fort Worth exhib. Catalogue & Graham-Dixon monograph], in London
Review of Books, 25 Jan. 1996, p.11.
David Anfam: ‘New
York and Fort Worth:
Howard Hodgkin’ [review of exhib.], in Burlington Magazine, vol.138,
pp.151-152.
Janet Tyson:
‘Painting the town’
[review of Fort Worth exhib.], in Star (Fort Worth), 29 Mar.
1996.
William Boyd:
‘Abstract with memories’
[review of Fort Worth exhib.], in Modern Painters, Spring 1996,
vol.9 no.2, pp.36-39 (repr. in Writers on Howard Hodgkin, 2006,
pp.119-130).
Drew Milne:
‘Whose line is it anyway?’
[on contemporary poems responding to modern paintings, incl. Wendy
Mulford’s
poem on HH’s ‘The Bay of Naples’], in Tate: the art magazine,
Spring 1996, no.8, pp.48-53 (ref. pp.51-52).
Brooks Adams:
‘Hodgkin’s subtexts’
[review of Fort Worth exhib.], in Art in America, May 1996,
vol.84, pp.90-97, 125.
NR [= Nan
Rosenthal]: ‘Howard Hodgkin:
“Venice, evening”’, in The Metropolitan Museum of Art Bulletin, Fall
1996, vol.54 no.2 (‘Recent acquisitions: a selection: 1995-1996’),
pp.64-65.
Carmela Thiele:
‘Sconer Abend, klarer
Morgen’, in Art: das Kunstmagazin, Sept. 1996, no.9, pp.100-101.
‘Howard’s way’,
in Elle Decoration,
Nov. 1996.
Martin Gayford:
‘The lonely artist’
[interview], in Daily Telegraph, 23 Nov. 1996.
Peter Parker:
‘The secret world concealed
inside the paintings of Britain’s greatest colourist: Interview: Howard
Hodgkin’, in The New Statesman, 29 Nov. 1996, vol.125 no.4312,
pp.39, 41.
James Cary
Parkes: ‘Abstractly fabulous’,
in Gay Times, Dec. 1996, pp.28-30
Martin Gayford:
‘Is that a guest or
a gun turret?’ [review of Hayward exhib.], in Harpers & Queen,
Dec. 1996.
Celia Lyttleton:
‘Knowing me, knowing
hue’ [review of Hayward exhib.], in The Tatler, Dec. 1996,
p.42.
Andrew
Graham-Dixon: ‘Portrait of the
artist as an older man’ [review of Hayward exhib.], in Vogue,
Dec. 1996, p.196.
Tim Hilton: ‘In
the coded realm of
the senses’, in The Independent on Sunday, 1 Dec. 1996, p.14.
Adrian Searle:
‘Remembrance of sunsets
past’ [review of Hayward exhib.], in The Guardian, 3 Dec. 1996,
p.10.
Isabel Carlisle:
‘Don’t look at me
askance’ [review of Hayward exhibs.], in The Times, 3 Dec.
1996, p.44.
Charlie Porter:
‘Abstracts have perfect
line of vision’ [review of Hayward exhib.], in The Express,
6 Dec. 1996.
William Packer:
‘Loaded brushstrokes’
[review of Hayward exhib.], in Financial Times, 7-8 Dec. 1996.
Tim Hilton: ‘A
world of his own’
[review of Hayward exhib.], in The
Independent on Sunday, 8 Dec. 1996, p.24.
Philip Hensher:
‘A passionate, colourful
past’ [review of Hayward exhib.], in The Mail on Sunday, 8
Dec. 1996.
William Feaver:
‘Howard Hodgkin shows
his colours (but not in a black and white newspaper, he doesn’t’
[review of Hayward exhib.], in The Observer Review, 8 Dec. 1996.
X.B.: ‘Howard
Hodgkin’ [review of
Hayward exhib.], in The Big Issue, 9-15 Dec. 1996, pp.29-30.
Bryan Robertson:
‘Light fantastic’
[review of Hayward exhib.], in The Independent, 10 Dec. 1996,
pp.4-5.
Richard Cork:
‘The master and all he
surveys’ [review of Hayward exhib.], in The Times, 10 Dec.
1996, p.33.
Richard Dorment:
‘When colour makes
life sweet’ [review of Hayward exhib.], in Daily Telegraph,
11 Dec. 1996, p.19.
Alasdair Steven:
[review of Hayward
exhib.],
in Hammersmith Chronicle, 12 Dec. 1996.
Martin Gayford:
‘Colour conundrum’
[review of Hayward exhib.], in The Spectator, 14-21 Dec. 1996,
vol.277 no.8787, pp.80, 82.
Ian Ellis:
‘Howard Hodgkin deserves
to be given some space’ [letter in response to review of 8 Dec. 1996],
in The Independent on Sunday, 15 Dec. 1996, p.18.
John McEwen:
‘Tortoise outruns soulless
hare’ [incl. review of Hayward exhib.], in Sunday Telegraph,
15 Dec. 1996, p.9.
Waldemar
Januszczak: ‘Too bright for
his own good’ [review of Hayward exhib.], in Sunday Times,
15 Dec. 1996, Arts pp.8-9.
Sarah Kent:
‘Framed!’ [review of
Hayward exhib.], in Time Out, 18 Dec. 1996 – 1 Jan. 1997,
no.1374,
p.53.
Brian Sewell:
‘Stop me if you’ve
seen this one before’ [review of Hayward exhib.], in Evening Standard,
19 Dec. 1996, p.45.
‘Propelling the
past into the present’
[review of Hayward exhib.], in Highbury and Islington Express,
20 Dec. 1996, p.30.
‘Exhibition of
the week: Howard Hodgkin’
[review of Hayward exhib.], in The Week, 21 Dec. 1996, p.22.
Adam Nicolson:
‘Howard’s way’ [revew
of Hayward exhib.], in Sunday Telegraph Magazine, 29 Dec. 1996,
p.46.
Siri Huntoon:
‘Translating past into
painting’ [review of Graham-Dixon monograph], in Art News,
Feb. 1995, vol.94, p.75.
Lynn Barber: ‘An
abstraction of
opposites’,
in Art Review, Mar. 1995, vol.47, pp.28-29.
Andrew Deacker:
‘Art from the heart:
Howard Hodgkin’s intimate, luminous paintings turn heads at the Met’
[review of New York exhib.], in Diversion, Oct. 1995, pp.170-172,
175-176.
George Melrod:
‘Post-Pop pizzazz’,
in Art and Antiques, Nov. 1985, vol.18 no.10, pp.39-40.
Joanna Pitman:
‘Showing his colours’
[interview], in The Times Magazine, 4 Nov. 1995, pp.8-9, 11,
13, 15.
William Feaver:
‘Anthony d’Offay,
London, exhibit’ [review of d’Offay exhib.], in Art News, vol.93,
p.73.
Richard Shone:
‘London and New York:
Howard Hodgkin’ [review of Knoedler exhib.], in Burlington Magazine, Jan.
1994, vol.136 no.1090, pp.45-46.
Jeffrey Kastner:
‘Anthony d’Offay
Gallery, London’ [review of d’Offay exhib.], in Flash Art, Jan./Feb.
1994, vol.27 no.174, p.103.
Eric Gibson:
‘Howard Hodgkin’ [review
of Knoedler exhib.], in The New Criterion, Mar.1994, vol.12,
pp.41-42.
Lilly Wei:
‘Howard Hodgkin’s mandarin
pastimes’ [review of d’Offay & Knoedler exhibs.], in Art
in America, Apr. 1994, vol.82, pp.92-97.
Naves Mario: ‘The
British invasion
of New York’ [incl. review of Knoedler exhib.], in New Art Examiner, May
1994, vol.21, pp.33-35.
Jon Stock:
‘Jewels in his crown’
[interview on the occasion of British Museum exhib.], in Daily
Telegraph,
25 May 1994, p.19.
Richard Dorment:
‘Bump and grind of
Indian art’ [review of British Museum exhib.], in Daily Telegraph,
25 May 1994, p.19.
Iain Gale: ‘Small
is beautiful’ [review
of British Museum exhib.], in The Independent, 26 May 1994,
pp.10-11.
Sheila Canby:
‘New Mughal and Deccani
paintings in the Howard Hodgkin collection’ {review of British Museum
exhib.], in Apollo, June 1994, vol. 139 no.338, pp.61-62.
A. Bellerio:
‘India: antiche miniature
e dipinti’ [review of Verona exhib.], in F.M.R., June 1994,
no.86, pp.8-10.
* ‘Howard’s
way’, in Harper’s & Queen, July 1994, p.20.
Andrew
Graham-Dixon: ‘The way it was’,
in World of Interiors, July 1994, pp.86-89.
* Marco
Livingstone: ‘Howard’s
way’, in Vogue (UK), July 1994, p.26.
Sue Hubbard:
‘Brief history of paint’
[review of Serpentine exhib.], in The
New Statesman and Society, 1 July 1994, vol.7 no.309 (vol.123
no.4191),
pp.32-33.
A.S. Byatt: ‘The
colour of feeling’
[review of Graham-Dixon monograph], in The
Independent on Sunday, 10 July 1994, pp.30-31.
Andrew Billen:
‘The Life interview’,
in The Observer, Life, 10 July 1994, pp.10-14.
Andrew
Graham-Dixon: ‘Remembrance of
things past’ [reprint of ch.2 of Graham-Dixon monograph], in The
Independent, 19 July 1994, section II p.23.
Julian Bell: ‘The
great unpretender:
stripes, splodges, stipples and waves: the indescribable splendours
of Howard Hodgkin’ [review of Graham-Dixon monograph], in Times
Literary Supplement, 22 July 1994, no.4764, p.16.
Marina Vaizey:
‘Passion for the physical’
[incl. review of Graham-Dixon monograph], in The Times, 28 July
1994, p.41.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1995, vol.36 no.3, pp.103-112 (ref. pp.104-105).
David Sylvester:
‘An artist whose métier
is black and white’ [review of Graham-Dixon monograph], in Daily
Telegraph, 6 Aug. 1994, p.6.
NR {= Nan
Rosenthal]: ‘Howard Hodgkin:
“When did we go to Morocco?”’, in The Metropolitan Museum of
Art Bulletin, Fall 1994, vol.52 no.2 (‘Recent acquisitions: a
selection: 1993-1994’), p.78.
Alan Ross:
‘Painted memoirs’ [review
of Graham-Dixon monograph), in London Magazine, Oct. – Dec. 1994,
vol.34 nos.7/8, pp.138-139.
Andrew Motion:
‘Once more with feeling’
[review of Graham-Dixon monograph], in Modern Painters, Winter
1994, vol.7 no.4, pp.83-85.
* Jim Lewis:
‘Howard Hodgkin’,
in Harper’s Bazaar, Dec. 1994, pp.182-187.
* John Russell:
‘In New
Delhi, pursued by an enormous tree’, in The
New York Times, 28 Mar. 1993, p.33.
Heidi Burklin:
‘Howard Hodgkin: Glut
von Bordeaux auf der Zunge’, in Art: das Kunstmagazin, July 1993,
no.7, pp.18-24.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1993, vol.24 no.3, pp.107-111 (ref. pp.108-109).
Tom Lubbock:
‘Howard Hodgkin: for me’,
in Modern Painters, Autumn 1993, vol.6 no.3, pp.34-37.
* Paul Levy:
‘What’s
new from Freud and Hodgkin’, in The
Wall Street Journal, 18 Sept. 1993.
Edward
Lucie-Smith: ‘In profile: Howard
Hodgkin’ [interview, on occasion of d’Offay exhib.], in Art Review,
Oct. 1993, vol.45, pp.4-6.
John McEwen:
‘Colour too deep for
comfort’,
in Sunday Telegraph, 10 Oct. 1993, Review p.6.
Andrew
Graham-Dixon: ‘Truants of the
memory’, in The Independent Magazine, 16 Oct. 1993, pp.38-43,
45.
Laurence Marks:
‘Every one on board’
[interview], in The Observer, 17 Oct. 1993, Arts section p.8.
John Russell
Taylor: ‘Howard Hodgkin’
[review of d’Offay exhib.], in The Times, 22 Oct. 1993, p.35.
Esther Harris:
‘Artspeak’ [letter
in response to review in 16 Oct. 1993 issue], in The Independent
Magazine, 23 Oct. 1993.
Michael Champion:
‘Pretentious –
nous?’ [letter in response to review in 16 Oct. 1993 issue], in The
Independent Magazine, 23 Oct. 1993.
James Hall:
‘Souvenirs of life’ [review
of d’Offay exhib.], in The Guardian, 25 Oct. 1993, pp.4, 6.
Brian Sewell:
‘The mark of a lesser
spotted leopard’ [incl. review of d’Offay exhib.], in Evening
Standard, 28 Oct. 1993, pp.28-29; repr. as ‘Howard Hodgkin’
in The reviews that caused the rumpus, and other pieces. London:
Bloomsbury, 1994; pp.284-286; repr. in An alphabet of
villains. London: Bloomsbury, 1995; pp.107-109.
Giles Smith: ‘”A
stripe is a stripe,
a splodge is a splodge”’ [interview], in The Independent, Weekend,
30 Oct. 1993, p.52.
* Tim Hilton:
‘Obscure
objects of desire’ [review of d’Offay exhib.], in The
Independent on Sunday, 31 Oct. 1993, p.35.
Celia Lyttelton:
‘Howard’s way’
[revew of d’Offay exhib.], in The Tatler, Nov. 1993, p.24.
Richard Cork:
‘Painting from memory’
[review of d’Offay exhib.], in The Times, 2 Nov. 1993, p.41.
Daniel Farson:
‘Knight errant’ [incl.
review of d’Offay exhib.], in The Mail on Sunday Review, 7
Nov. 1993, p.34.
David Lillington:
‘Howard Hodgkin’
[review of d’Offay exhib.], in Time Out, 17-24 Nov. 1993, p.40.
* Martin
Filler: ‘Howard Hodgkin
is tired of being a minor artist’, in The New YorkTimes, 5 Dec.
1993, p.43.
* H R Crane
& Steven
Vita: ‘Interview’, in Veery (Chicago: The Foxglove Company),
1992, no.2, pp.1-2.
Raimund Stecker:
‘Venezianische Emotionen
– Howard Hodgkin, ein nicht nur englischer Maler’, in Die
Kunst-Bulletin, Jan. 1992, no.1, pp.19-25.
Heather Guthrie:
‘Focus on the artist’,
in Eastern Daily Press, 3 Feb. 1992.
Barbara MacAdam:
‘Speaking of the
unspeakable’
[review of book ‘The way we live now’], in Art News, Mar. 1992,
vol.91 no.3, p.20.
Zoe Heller:
‘Howard’s way’, in Harper’s & Queen, Apr. 1992, pp.152-156.
* Maggie
Parham: ‘Art for
AIDS sake’ [review of book ‘The way we live now’], in Evening
Standard Magazine, 8 May 1992, pp.76-77.
David Lee: ‘BBC
billboard project’,
in Arts Review, July 1992, vol.44, pp.234-235.
Andrew
Graham-Dixon: ‘Sudden shafts
of reality’ [on HH’s collection of Indian art], in The Independent,
27 Oct. 1992, p.14.
Frances Spalding:
‘An interview with
Howard Hodgkin’ [about Margery Fry & her house in Holland Park],
in The Charleston Magazine, Winter 1992 – Spring 1993, no.6,
pp.26-33.
Ulrich Wiesner:
‘Report from Europe:
new catalogues’ [incl. review of monograph by Topsfield & Beach],
in Oriental Art, Winter 1992/3, vol.38 no.4, pp.269-272 (ref.
pp.269-271).
* Tom Lubbock:
‘Howard
Hodgkin: small paintings 1975-89’ [review of British Council exhib.],
in Alba, Jan. – Feb. 1991, p.29.
Robert G.
Edelman: ‘Howard Hodgkin’
[review of Knoedler exhib.], in Art News, Feb. 1991, vol.90 no.2,
p.134.
Robert C. Morgan:
‘Howard Hodgkin’
[review of Knoedler exhib.], in Arts Magazine, Feb. 1991, vol.65
no.6, p.78.
Andrew
Graham-Dixon: ‘Heavy rain’,
in The Independent Magazine, 16 Feb. 1991, pp.36-37.
* Geordie
Greig: ‘The fine
art of healing’, in Sunday Times Magazine, 10 Mar. 1991,
pp.42-46.
* Aidan Dunne:
‘The Howard
way to make a breadboard sensual’, in The Sunday Tribune, 31 Mar.
1991, p.22.
Rosemary Simmons:
‘Master-class: Howard
Hodgkin: new hand-coloured prints’, in Printmaking Today, Spring
1991, no.2, pp.1, 7-8.
* Brian Fallon:
‘The colour
of saying’, in The Irish Times, 2 Apr. 1991, p.8.
Marina Vaizey: ‘A
map of the modern’
[incl. review of Waddington exhib.], in Sunday Times, 7 Apr.
1991.
‘Where they eat’
[HH’s choice of
restaurants], in Time Out, 17-24 Apr. 1991, p.36.
Cathy Courtenay:
‘Artist’s books:
‘The way we live now’’ [review of artist’s book], in Art
Monthly, May 1991, no.146, p.27.
Geoffrey Newman:
‘Rain man’, in Times Higher Education Supplement, 2 Aug. 1991.
* Robert
Hughes: ‘Aftershock
of the new’, in The Observer Magazine, 25 Aug. 1991, pp.22-25.
* James Hall:
‘The essence
of Paris’, in The Independent Magazine, 31 Aug. 1991, pp.42-45.
John Pollex:
‘Altered forms’, in Ceramic Review, Nov. – Dec. 1991, no.132,
pp.16-21.