Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
* Brian Sewell:
‘Ivon Hitchens
and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews
that caused the rumpus, and other pieces. London: Bloomsbury, 1994;
pp.280-284.
Brooks Adams:
‘Review of exhibitions:
New York’ [incl. review of Knoedler exhib.], in Art in America, Jan.
1989, vol.77 no.1, pp.143-144.
Margaret Moorman:
‘Reviews: Howard
Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989,
vol.88 no.1, p.129.
Peggy Cyphers:
‘New York in review’
[incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989,
vol.63 no.5, p.106.
* Patricia G.
Walker: ‘Howard
Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover,
1 Jan. 1989, p.16.
* Mirabel
Cecil: ‘Howard’s
way’, in World of Interiors, Feb. 1989, pp.70-79.
* Christopher
Andreae: ‘Each
Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.],
in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11.
* Alistair
Hicks: ‘Howard
Hodgkin – the artist as collector’, in Antique, Summer 1989,
pp.21-24.
Jann Parry: ‘An
eye for a dance’
[on HH’s designs for the Royal Ballet], in The
Observer, 16 July 1989, p.39.
* Pauline
Peters: ‘The
collector’, in Telegraph Weekend Magazine, 28 Oct. 1989,
pp.18-27.
* Colin
Gleadell: ‘The
art market: Auction trends in the Eighties’, in Art International,
Winter 1989, vol.9, pp.72-75.
* Lynne Cooke:
‘Special
report: British art in the Eighties’, in Journal of Art, Nov.
1989, vol.2, pp.24-26.
David Sylvester:
‘Colour dialogue’
[interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125.
Margaret
Sheffield: ‘Frame ups (&
downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117).
* Andrew
Graham-Dixon: ‘On
the edge’, in The Independent, 5 Apr. 1988, p.13.
* William
Feaver: ‘Whoosh
in Venice’, in The Observer, 9 Apr. 1988, p.38.
* Geoffrey
Newman: ‘Celebrations
of radiance’, in Times Higher Education Supplement, 27 May 1988,
p.15.
* Brian Sewell:
‘Art’,
in Evening Standard, 9 Aug. 1988.
* David Sexton:
‘Howard’s
way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65.
Richard Dorment:
‘Drawn towards the
light’ [review of Waddington exhib.], in Daily Telegraph, 26
Aug. 1988, p.12.
Tim Hilton:
‘Beyond the boundary’
[review of Waddington exhib.], in The
Guardian, 31 Aug. 1988, p.17.
Peter Fuller:
‘Howard Hodgkin and Robert
Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn
1988, vol.1 no.3, pp.76-77.
* William
Feaver: ‘Hodgkin’s
Venice: the greedy eye attracted’, in World of Interiors, Sept.
1988, p.173.
Giles Auty:
‘Howard’s way’ [review
of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261
no.8356, p.30.
William Feaver:
‘Whoosh in Venice’
[review of Waddington exhib.], in The
Observer, 4 Sept. 1988, p.38.
Andrew
Graham-Dixon: ‘Drawing on life’
[incl. review of Waddington exhib.], in The
Independent, 6 Sept. 1988, p.16.
William Packer:
‘Overlaid with witty
eroticism’ [review of Waddington exhib.], in Financial Times, 6
Sept. 1988.
Alistair Hicks:
‘Beneath the surface’
[incl. review of Waddington exhib.], in The Times, 6 Sept. 1988,
p.16.
Mark Currah:
‘Howard Hodgkin,
Waddingtons’
[review of exhib.], in City Limits, 8-15 Sept. 1988, p.81.
Larry Berryman:
‘Howard Hodgkin’
[review of Waddington exhib.], in Arts Review, 9 Sept. 1988,
vol.40 no.18, p.616.
Michael Shepherd:
‘Hodgkin’s Venetian
hours’ [review of Waddington exhib.], in Sunday Telegraph,
11 Sept. 1988, p.19.
Marina Vaizey:
‘British shows of
strength’
[incl. review of Waddington exhib.], in Sunday Times, 11 Sept.
1988, p.C 11.
Michael Archer:
‘Howard Hodgkin’
[review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120,
pp.16-17.
* John Russell:
‘The poetic
renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The
New York Times, 14 Oct. 1988, p.C24.
The Saint
Louis Art Museum Annual
Report 1986, 1987, pp.4-5, 36.
David Sylvester:
‘Artist’s dialogue:
Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar.
1987, vol.44 no.3, pp.54, 62, 66, 70, 74.
Leslie
Geddes-Brown: ‘Preparing faces
for posterity: commissioning portraits’, in Country Life, 7
May 1987, no.1881 (19), pp.100-101.
* Frederick
Lowe: ‘None
but the brave deserves the fair’, in Yellow Silk, July 1987,
vol.23, pp.41-42, 44.
Timothy Hyman:
‘Mapping London’s
other landscape’, in Art International, Autumn 1987, no.1,
pp.51-61 (ref. pp.57, 60-61).
LSU [= Lora S.
Urbanelli]: ‘Howard
Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct.
1987, vol.74 no.2 (‘Museum Notes 1987’), p.43.
William Feaver:
‘London: allusions
veiled and classical’ [review of Whitechapel exhib.], in Art News,
Jan. 1986, vol.85 no.1, p.119.
‘Un prix pour
l’art’ [on award
of the Turner Prize], in Connaissance des Arts, Jan. 1986,
no.407,
p.96.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Jan. – Feb. 1986, vol.58 no.1, pp.6-10.
G. Hedley: ‘Less
haste, more Hodgkin’
[letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17
no.1, pp.16-18 (ref. p.17).
Susan Fisher:
‘Dolan Maxwell Gallery,
Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986,
vol.13, p.60.
Jed Perl: ‘Winter
notebook: recent
abstract painting’ [incl. review of John Good Gallery exhib.], in The
New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58).
Keith Clemens:
‘Artists and places
nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8,
pp.1, 12-14.
Gregory Burn:
[review of Odette Gilbert
Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15,
p.419.
Susan Gill:
‘Howard Hodgkin: Knoedler’
[review of New York exhib.], in Art News, Sept. 1986, vol.85
no.7, pp.115-119.
Gregory Galligan:
‘A small thing but
painting: the new work of Howard Hodgkin’, in Arts Magazine,
Sept. 1986, vol.61 no.1, pp.65-67.
E. Heartney: ‘New
editions’ [new
prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref.
p.105).
M. Moorman:
[review of new prints], in Art News, Oct. 1986, vol.85 no.8,
p.105.
* Judith
Dunham: ‘Howard
Hodgkin’s accumulated memories’, in Print News, Winter 1986,
no.8, pp.4-7, 25.
‘I begin pictures
full of hope: four
questions posed to Howard Hodgkin’ [interview with Luciana Mottola],
in 891: international artists’ magazine, Dec. 1986, vol.3 no.7,
pp.12-15.
* Jane Addams
Allen: ‘After
‘Year of the French’, can contemporary be far behind?’, in The
Washington Times Magazine, 4 Jan. 1985.
* Shirley
Gonzales: ‘Hodgkin’s
trip into ‘deep space’’ [review of New Haven exhib.], in New
Haven Register, 20 Jan. 1985.
* Naomi Ilzuka:
‘Splashing
abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4.
William Feaver:
‘Inside Europe: England’,
in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58).
Kenneth Baker:
‘Too much and/or not
enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum,
Feb. 1985, vol.23 no.5, pp.60-61.
‘Un peintre
anglais en vue’ [review
of New Haven exhib.], in Connaissance des Arts, Feb. 1985,
no.396,
p.16.
* Vivien
Raynor: ‘At Yale,
the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.],
in The New York Times, 10 Feb. 1985, p.C24.
* Bernard
Hanson: ‘Hodgkin
on view at Yale’ [review of New Haven exhib.], in The Hartford
Courant, 24 Feb. 1985, p.49.
Gregory Galligan:
‘Howard Hodgkin:
forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar.
1985, vol.59 no.7, pp.122-125.
Eric Gibson: ‘The
Hodgkin paradox’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25.
John Coleman:
‘Omnibus: the new art’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35.
Jeff Perrone:
‘Entrees: diaretics:
entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.],
in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref.
pp.80-81).
* Ursula Bode:
‘Gefallig
verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.],
in Hannoverische Allgemeine Zeitung, 24 Apr. 1985.
* Gisela
Burkamp: ‘Durch
und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische
Landeszeitung, 30 Apr. 1985.
David Sweet:
‘Howard Hodgkin at Yale
Center for British Arts [sic] and Larry Poons at Andre Emmerich, New
York’ [incl. review of New Haven exhib.], in Artscribe, May –
June 1985, no.53 (i.e. 52), pp.52-53.
Judith Higgins:
‘In a hot country’,
in Art News, Summer 1985, vol.84 no.6, pp.56-65.
* Roberto
Tassi: ‘Howard
Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June
1985, pp.160-165.
* Christine
Temin: ‘Hodgkin
paints sensual emotions’, in The Boston Globe, 27 June 1985.
Decorative
vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78.
* Timothy
Hyman: ‘Howard
Hodgkin: making a riddle out of the solution’, in Art and Design, Sept.
1985, vol.1, pp.6-11.
* Edward
Lucie-Smith: ‘Exhibitions’,
in Illustrated London News, Sept. 1985, vol.273, p.76.
* William
Feaver: ‘Art’,
in Vogue (UK), Sept. 1985, vol.142, pp.46, 52.
Laurence Marks:
‘Portrait of the artist
as a compulsive collector’, in The
Observer, 15 Sept. 1985, p.19.
Michael Shepherd:
‘Hodgkin at the new
Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept.
1985, p.15.
* William
Packer: ‘An anniversary
and return’, in Financial Times, 24 Sept. 1985, p.19.
John Russell
Taylor: ‘Toughness under
the lyric grace’ [incl. review of Whitechapel & Tate exhibs.],
in The Times, 24 Sept. 1985, p.9.
Alistair Hicks:
‘Talking about art’
[review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985,
vol.255 no.8203, pp.35-36.
Marina Vaizey:
‘The intimate room within’
[review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985,
p.42.
John Russell:
‘London and Yale, Hodgkin
at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct.
1985, vol.127 no.991, pp.729-730.
Brian Sewell:
‘The mark of a hypnotist’
[review of Whitechapel & Tate exhibs.], in The London Standard,
3 Oct. 1985, p.23.
John Spurling:
‘Dotted about the place’
[incl. review of Whitechapel & Tate exhibs.], in The
New Statesman, 4 Oct. 1985, vol.110 no.2845, p.32.
Frances Spalding:
‘The nub of feeling’
[review of Whitechapel & Tate exhibs.], in Times Literary
Supplement,
4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093).
Richard Cork:
‘Howard’s way’ [review of Whitechapel exhib.], in The Listener,
10 Oct. 1985,
vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New
spirit, new sculpture, new money: art in the 1980s. New Haven,
London: Yale University Press, 2003; pp.180-183.
Mary Rose
Beaumont: ‘Howard Hodgkin:
at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’
[review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20,
p.515.
Michael McNay:
‘Howard Hodgkin’ [review
of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10.
* Sally
Brampton: ‘Howard
Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86.
Andrew
Graham-Dixon: ‘The abstract
threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov.
1985, p.89, pp.28-29.
Anne McHardy: [on
the award of the Turner
Prize], in The Guardian, 13 Nov. 1985, p.32.
Alistair Hicks:
‘Galleries’ [incl.
comment on award of the Turner Prize], in The Times, 19 Nov.
1985, p.10.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10).
Charles Harrison:
‘Hodgkin’s moment’
[review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan.
1986, no.55, pp.62-64.
* Ally van der
Pauw: ‘Howard
Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec.
1985, pp.52-55.
* Oliver
Matthews: ‘Indian
paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.],
in Antique Collector, Mar. 1984, pp.58-59.
* Gijs Van
Hensbergen: ‘Howard’s
hues’, in Ritz, Mar. 1984, no.86, p.6.
Graham Hughes:
‘Four rooms: Anthony
Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review
of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4,
p.105.
James Burr: ‘The
most revealing things
we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr.
1984, vol.266 no.119, p.300.
Charlotte Ellis:
‘Four rooms’ [review
of Liberty’s exhib.], in The Architectural Review, Apr. 1984,
vol.175 no.1046, pp.62-63.
Richard Shone:
‘Four rooms’ [review
of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126
no.973, pp.244-247.
John Russell:
‘Maximum emotion with
a minimum of definition’ [review of New York exhib.], in The New
York Times, 15 Apr. 1984, p.H33.
John Russell:
‘The ‘emotional situations’
of Howard Hodgkin’ [review of New York exhib.], in International
Herald Tribune, 21-22 Apr. 1984, p.6.
* Michael
Brenson: ‘Art:
Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.],
in The New York Times, 27 Apr. 1984, p.C23.
Christiane
Bergob: ‘Letter from London’
[incl. review of Liberty’s exhib.], in Kunstforum International,
Apr./May 1984, no.3-4, pp.312-314.
* Kay Larson:
[review of
New York exhib.], in New York Magazine, 28 May 1984, p.94.
Jane Withers
& Anthony Fawcett: ‘The
man on the flip side’, in The Times, 29 May 1984, p.12.
[32m. recorded
interview with HH at his
exhibition in the British Pavilion at the 1984 Venice Biennale’],
in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts
at the Venice Biennale 1984’), audio-cassette 1 side 1.
Anthony Fawcett,
Jane Withers: ‘Howard
Hodgkin at the Venice Biennale’, in Studio International, [Summer]
1984, vol.197 no.1005, pp.16-17.
Hannah Vowles:
‘Taking liberties: Four
rooms exhibition’ [review of Liberty’s exhibn.], in Studio
International, [Summer] 1984, vol.197 no.1005, pp.26-27.
Max Wykes-Joyce:
‘Howard Hodgkin: prints
made in New York’ [review of Bath exhib.], in Art and Artists,
June 1984, no.213, p.27.
* Alexandra
Pringle: ‘Art:
Howard’s blend of images and textures’, in Harpers & Queen, June
1984, p.189.
* Patrick
Kinmonth: ‘Howard
Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141.
* Marina
Vaizey: ‘Dancing
among the ruins’ [review of Venice exhib.], in Sunday Times, 10
June 1984, p.39.
John McEwen:
‘Finding form at fifty’,
in Sunday Times Magazine, 10 June 1984, pp.38-41.
* John Russell
Taylor: ‘Myth
taking on the cloak of reality’ [review of Venice exhib.], in The
Times, 12 June 1984, p.9.
* William
Feaver: ‘Copy,
parody, variation, fake’, in The
Observer, 17 June 1984, p.19.
* William
Packer: ‘Venice
through the looking glass’, in Financial Times, 19 June 1984,
p.19.
Dirceu Brisola:
‘Os eleitos de Veneza’
[incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984,
pp.134-135.
* Terence
Mullaly: ‘Abstracts
in abundance – and in a setting to suit’, in Daily Telegraph, 23
June 1984, p.11.
Judith Bumpus: ‘A
dream of Venice’
[interview], in Art and Artists, July 1984, no.214, pp.14-17.
Robert Hughes:
‘Gliding over a dying
reef: the Venice Biennale’ [review of exhib.], in Time, 2 July
1984, vol.214, pp.76-77.
* Manuela
Hoelterhoff: ‘The
Venice Biennale: no paradise for art’, The Wall Street Journal, 31
July 1984, p.32.
‘Howard Hodgkin
and Patrick Caulfield
in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1,
4-6.
[text], in Il
Giornale della Biennale:
Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30.
Paul Levy:
‘Venice vidi vici’ [incl.
review of Venice exhib.], in Harpers
& Queen, Aug. 1984, p.32.
Annelie Pohlen:
‘A few highlights but
no festival’ [review of Venice exhib.], in Artforum, Sept. 1984,
vol.23 no.1, pp.103-106.
John Yau: ‘Howard
Hodgkin’ [incl.
review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1,
p.117.
Milton Gendel:
‘Report from Venice:
cultured pearls at the Biennale’, in Art in America, Sept. 1984,
vol.72 no.8, pp.45-53 (ref. pp.48-49).
William Feaver:
‘Venice: remembrance
of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136
(ref. p.136).
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of British Museum exhib.], in Art Review, Sept.
1994, vol.46, pp.15-17.
Liana Bortolon:
‘I misteriosi giardini
di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984,
vol.57 no.2271, pp.32-35.
Prudence Carlson:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1984, vol.72 no.9, pp.192-193.
Paul Richard:
‘Shining light: at the
Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington
exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4.
Jane Addams
Allen: ‘Howard Hodgkin:
letting it flow’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984, pp.C1-C2.
* Edward J.
Sozanski: ‘Magnetic
works of vibrant color’ [review of Washington exhib.], in The
Philadelphia
Enquirer, 23 Oct. 1984, p.4D.
Pamela Kessler:
‘Forty storied paintings
by Howard Hodgkin’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984.
John McEwen:
‘Late bloomer’ [review
of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68,
70, 73-74, 121.
* Gordon Burn:
‘The Tate’s
bold stroke for British art’, in Sunday Times Magazine, 11 Nov.
1984, p.45.
Bobbier Massie:
‘A palette of emotions’
[review of Washington exhib.], in The Washington Weekly, 12 Nov.
1984.
Leone Lawrence:
‘Howard Hodgkin’
[review of Washington exhib.], in New Art Examiner, Dec. 1984,
p.56.
Mark Stevens: ‘A
palette of emotions’
[review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82.
* Richard
Lacayo: ‘Returning
to the frame game’ [review of Washington exhib.], in Time, 3 Dec.
1984, p.72.
Mary S. Cohen:
‘The general effect
is one of celebration’ [review of Washington exhib.], in The
Christian
Science Monitor, 31 Dec. 1984, vol.77, pp.22-23.
Michael Clark:
‘Howard Hodgkin, The
Phillips Collection’ [review of Washington exhib.], in Washington
Review, Dec. 1984 – Jan. 1985, p.26.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Jan. – Feb. 1983, vol.13
no.6, pp.216-220 (ref. p.218).
John McEwen:
‘Howard Hodgkin: Indian
leaves’ [review of Tate & Jacobson exhibs.], in Studio
International,
Jan.-Feb. 1983, vol.196 no.998, p.57.
Ruth Bass:
‘Howard Hodgkin’ [review
of New York exhib.], in Art News, Feb. 1983, vol.82 no.2, p.146.
Richard
Armstrong: ‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Mar. 1983, vol.21 no.7,
p.71.
Robert Cran:
‘Hodgkin’s choice: an
exhibition of Indian drawings’ [review of Hayward exhib.], in Art
International, Sept. – Oct. 1983, vol.26 no.4, pp.27-28.
Renate Puvogel:
’13 britische Künstler:
eine Ausstellung über Malerei’ [incl. review of Aachen exhib.], in Das
Kunstwerk, Apr. 1982, vol.35 no.2, pp.67-68.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1982, vol.13
no.1, pp.21-25 (ref. p.22).
William Feaver:
‘Aspects of British
art today’ [review of Tokyo exhib.], in Flash Art, Summer 1982,
vol.16 no.108, p.71.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, July – Aug. 1982, vol.13
no.3, pp.97-101 (ref. p.98).
* Roger Bevan:
‘Howard
Hodgkin: Indian leaves’ [review of Tate exhib.], in Event, 22
Sept. 1982.
Frances Spalding:
‘Howard Hodgkin’
[review of Tate & Jacobson exhibs.], in Arts Review, 24 Sept.
1982, vol.34 no.20, p.484.
William Feaver:
‘Leaves from India’
[incl. review of Tate exhib.], in The
Observer, 26 Sept. 1982, p.32.
Marina Vaizey:
‘The spirit of India’
[incl. review of Tate exhib.], in Sunday Times, 26 Sept. 1982,
p.31.
Leslie
Geddes-Brown: ‘Painter of
perfection:
Leslie Geddes-Brown talks to Howard Hodgkin’, in Sunday Times,
26 Sept. 1982, p.31.
John Russell
Taylor: ‘Tradition remaining
strong and rich’ [incl. review of Tate & Bernard Jacobson exhibs.],
in The Times, 28 Sept. 1982, p.8.
* Richard
Cork: ‘Fragments
and figments’ [review of Tate exhib.], in The Standard, 14
Oct. 1982, p.23.
Andrew Motion:
‘Illusions of freedom’
[review of Tate exhib. & of ‘Indian leaves’ book], in Times
Literary Supplement, 22 Oct. 1982, no.4151, p.1160.
Geeta Kapur:
‘Hodgkin’s Indian leaves’
[review of Tate exhib.], in Art Monthly, Nov. 1982, no.61, p.10.
* John Russell:
‘Art: works
of Hodgkin displayed at Knoedler’s’ [review of New York exhib.],
in The New York Times, 19 Nov. 1982, p.C28.
* Robert
Hughes: ‘A peeper
into Paradise’ [review of Knoedler exhib.], in Time, 29 Nov.
1982, p.88; repr. in Nothing if not critical: selected essays
on art and artists, London: Collins Harvill, 1990, pp.281-285.
David Bindman:
‘The good old avant-garde’
[review of Royal Academy exhib.], in Times Literary Supplement, 23
Jan. 1981, no.4060, p.82.
Bernard Levin:
‘Mammoth footprints
seen in Piccadilly’ [review of Royal Academy exhib.], in The Times, 28
Jan. 1981, p.14.
Richard Cork:
‘Report from London:
‘The artist’s eye’’, in Art
in America, Feb. 1981, vol.69, pp.43-55 (ref. pp.44-45, 47).
James Faure
Walker: ‘Awkward moments’
[review of Royal Academy exhib.], in Artscribe, Feb. 1981, no.27,
pp.12-15 (ref. p.12).
* Eunice de
Souza: ‘Pursuing
culture’, in Economic Times, 22 Feb. 1981, p.3.
David Sweet: ‘The
decline of
composition’,
in Artscribe, Mar. 1981, no.28, pp.18-23 (ref. p.23).
Richard Shone:
‘London: A new spirit
in painting at the Royal Academy’ [review of exhib.], in Burlington
Magazine, Mar. 1981, vol.123 no.936, pp.182-185 (ref. pp.182, 185).
Pat Gilmour:
‘Howard Hodgkin’ [on
HH’s prints], in The Print Collector’s Newsletter, Mar. –
Apr. 1981, vol.12 no.1, pp.1-5.
Palmer D. French:
‘Diluted abstractions:
Richard Phipps, Howard Hodgkin’ [incl. review of San Francisco exhib.],
in Artweek, 25 Apr. 1981, vol.12 no.16, p.8.
William Feaver:
‘A ‘New spirit’
– or just a tired ghost?’ [review of Royal Academy exhib.], in Art
News, May 1981, vol.80 no.5, pp.114-118 (ref. pp.115-116).
* Hilton
Kramer: ‘Howard
Hodgkin’, in The New York Times, 8 May 1981, p.C18.
Roberta Smith:
‘Fresh paint?’ [review
of Royal Academy exhib.], in Art in America, Summer 1981, vol.69
no.6, pp.70-79 (ref. pp.72-73, 77).
Jesse Murry:
‘Reflections of Howard
Hodgkin’s theatre of memory’, in Arts Magazine, June 1981, vol.55
no.10, pp.154-157.
Edward
Lucie-Smith: ‘Howard Hodgkin:
the wild card in the post-modernist pack talks to Edward Lucie-Smith’,
in Quarto, July 1981, no.19, pp.15-17.
Ted Castle: ‘The
paint dream’ [incl.
review of Knoedler & Jacobson exhibs.], in Art Monthly, July/Aug.
1981, no.48, pp.11-13.
Deborah C.
Phillips: ‘New editions’
[review of Jacobson exhib.], in Art News, Sept. 1981, vol.80
no.7, p.161.
Kathryn Howarth:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1981, vol.69 no.8, pp.145-146.
Deborah C.
Phillips: ‘Howard Hodgkin’
[review of New York exhib.], in Art News, Nov. 1981, vol.80 no.9,
pp.200-202.
