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Bibliography

by Krzysztof Cieszkowski and Assunta Ferrera, assisted by Anna Klosinska



an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler

1989

*   Brian Sewell: ‘Ivon Hitchens and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews that caused the rumpus, and other pieces.  London: Bloomsbury, 1994; pp.280-284. 

Brooks Adams: ‘Review of exhibitions: New York’ [incl. review of Knoedler exhib.], in Art in America, Jan. 1989, vol.77 no.1, pp.143-144.  

Margaret Moorman: ‘Reviews: Howard Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989, vol.88 no.1, p.129. 

Peggy Cyphers: ‘New York in review’ [incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989, vol.63 no.5, p.106. 

*   Patricia G. Walker: ‘Howard Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover, 1 Jan. 1989, p.16.  

*   Mirabel Cecil: ‘Howard’s way’, in World of Interiors, Feb. 1989, pp.70-79.  

*   Christopher Andreae: ‘Each Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.], in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11. 

*   Alistair Hicks: ‘Howard Hodgkin – the artist as collector’, in Antique, Summer 1989, pp.21-24.   

Jann Parry: ‘An eye for a dance’ [on HH’s designs for the Royal Ballet], in The Observer, 16 July 1989, p.39. 

*   Pauline Peters: ‘The collector’, in Telegraph Weekend Magazine, 28 Oct. 1989, pp.18-27.    

*   Colin Gleadell: ‘The art market: Auction trends in the Eighties’, in Art International, Winter 1989, vol.9, pp.72-75.  

*   Lynne Cooke: ‘Special report: British art in the Eighties’, in Journal of Art, Nov. 1989, vol.2, pp.24-26.  


1988

David Sylvester: ‘Colour dialogue’ [interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125. 

Margaret Sheffield: ‘Frame ups (& downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117).  

*   Andrew Graham-Dixon: ‘On the edge’, in The Independent, 5 Apr. 1988, p.13.  

*   William Feaver: ‘Whoosh in Venice’, in The Observer, 9 Apr. 1988, p.38.  

*   Geoffrey Newman: ‘Celebrations of radiance’, in Times Higher Education Supplement, 27 May 1988, p.15.  

*   Brian Sewell: ‘Art’, in Evening Standard, 9 Aug. 1988.  

*   David Sexton: ‘Howard’s way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65.  

Richard Dorment: ‘Drawn towards the light’ [review of Waddington exhib.], in Daily Telegraph, 26 Aug. 1988, p.12. 

Tim Hilton: ‘Beyond the boundary’ [review of Waddington exhib.], in The Guardian, 31 Aug. 1988, p.17. 

Peter Fuller: ‘Howard Hodgkin and Robert Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn 1988, vol.1 no.3, pp.76-77.  

*   William Feaver: ‘Hodgkin’s Venice: the greedy eye attracted’, in World of Interiors, Sept. 1988, p.173.  

Giles Auty: ‘Howard’s way’ [review of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261 no.8356, p.30. 

William Feaver: ‘Whoosh in Venice’ [review of Waddington exhib.], in The Observer, 4 Sept. 1988, p.38. 

Andrew Graham-Dixon: ‘Drawing on life’ [incl. review of Waddington exhib.], in The Independent, 6 Sept. 1988, p.16. 

William Packer: ‘Overlaid with witty eroticism’ [review of Waddington exhib.], in Financial Times, 6 Sept. 1988.  

Alistair Hicks: ‘Beneath the surface’ [incl. review of Waddington exhib.], in The Times, 6 Sept. 1988, p.16.  

Mark Currah: ‘Howard Hodgkin, Waddingtons’ [review of exhib.], in City Limits, 8-15 Sept. 1988, p.81. 

Larry Berryman: ‘Howard Hodgkin’ [review of Waddington exhib.], in Arts Review, 9 Sept. 1988, vol.40 no.18, p.616. 

Michael Shepherd: ‘Hodgkin’s Venetian hours’ [review of Waddington exhib.], in Sunday Telegraph, 11 Sept. 1988, p.19. 

Marina Vaizey: ‘British shows of strength’ [incl. review of Waddington exhib.], in Sunday Times, 11 Sept. 1988, p.C 11. 

Michael Archer: ‘Howard Hodgkin’ [review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120, pp.16-17. 

*   John Russell: ‘The poetic renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The New York Times, 14 Oct. 1988, p.C24. 


1987
Asmund Thorkildsen: ‘En samtale med Howard Hodgkin’ [interview], in Kunst og Kultur, 1987, vol.70 no.4, pp.220-234.  

The Saint Louis Art Museum Annual Report 1986, 1987, pp.4-5, 36.  

David Sylvester: ‘Artist’s dialogue: Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar. 1987, vol.44 no.3, pp.54, 62, 66, 70, 74. 

Leslie Geddes-Brown: ‘Preparing faces for posterity: commissioning portraits’, in Country Life, 7 May 1987, no.1881 (19), pp.100-101.  

*   Frederick Lowe: ‘None but the brave deserves the fair’, in Yellow Silk, July 1987, vol.23, pp.41-42, 44.  

Timothy Hyman: ‘Mapping London’s other landscape’, in Art International, Autumn 1987, no.1, pp.51-61 (ref. pp.57, 60-61). 

LSU [= Lora S. Urbanelli]: ‘Howard Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct. 1987, vol.74 no.2 (‘Museum Notes 1987’), p.43. 


1986
John Guy: ‘Desert Island objects: Howard Hodgkin selects’, in V & A Album, 1986, vol.5, pp.256-264.  

William Feaver: ‘London: allusions veiled and classical’ [review of Whitechapel exhib.], in Art News, Jan. 1986, vol.85 no.1, p.119. 

‘Un prix pour l’art’ [on award of the Turner Prize], in Connaissance des Arts, Jan. 1986, no.407, p.96. 

John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Jan. – Feb. 1986, vol.58 no.1, pp.6-10.  

G. Hedley: ‘Less haste, more Hodgkin’ [letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17 no.1, pp.16-18 (ref. p.17).  

Susan Fisher: ‘Dolan Maxwell Gallery, Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986, vol.13, p.60.  

Jed Perl: ‘Winter notebook: recent abstract painting’ [incl. review of John Good Gallery exhib.], in The New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58).  

Keith Clemens: ‘Artists and places nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8, pp.1, 12-14.  

Gregory Burn: [review of Odette Gilbert Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15, p.419. 

Susan Gill: ‘Howard Hodgkin: Knoedler’ [review of New York exhib.], in Art News, Sept. 1986, vol.85 no.7, pp.115-119. 

Gregory Galligan: ‘A small thing but painting: the new work of Howard Hodgkin’, in Arts Magazine, Sept. 1986, vol.61 no.1, pp.65-67.  

E. Heartney: ‘New editions’ [new prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref. p.105). 

M. Moorman: [review of new prints], in Art News, Oct. 1986, vol.85 no.8, p.105. 

*   Judith Dunham: ‘Howard Hodgkin’s accumulated memories’, in Print News, Winter 1986, no.8, pp.4-7, 25. 

‘I begin pictures full of hope: four questions posed to Howard Hodgkin’ [interview with Luciana Mottola], in 891: international artists’ magazine, Dec. 1986, vol.3 no.7, pp.12-15.  


1985

*   Jane Addams Allen: ‘After ‘Year of the French’, can contemporary be far behind?’, in The Washington Times Magazine, 4 Jan. 1985. 

*   Shirley Gonzales: ‘Hodgkin’s trip into ‘deep space’’ [review of New Haven exhib.], in New Haven Register, 20 Jan. 1985. 

*   Naomi Ilzuka: ‘Splashing abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4.  

William Feaver: ‘Inside Europe: England’, in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58). 

Kenneth Baker: ‘Too much and/or not enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum, Feb. 1985, vol.23 no.5, pp.60-61. 

‘Un peintre anglais en vue’ [review of New Haven exhib.], in Connaissance des Arts, Feb. 1985, no.396, p.16. 

*   Vivien Raynor: ‘At Yale, the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.], in The New York Times, 10 Feb. 1985, p.C24.  

*   Bernard Hanson: ‘Hodgkin on view at Yale’ [review of New Haven exhib.], in The Hartford Courant, 24 Feb. 1985, p.49.  

Gregory Galligan: ‘Howard Hodgkin: forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar. 1985, vol.59 no.7, pp.122-125. 

Eric Gibson: ‘The Hodgkin paradox’, in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25. 

John Coleman: ‘Omnibus: the new art’, in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35.  

Jeff Perrone: ‘Entrees: diaretics: entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.], in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref. pp.80-81).  

*   Ursula Bode: ‘Gefallig verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.], in Hannoverische Allgemeine Zeitung, 24 Apr. 1985. 

*   Gisela Burkamp: ‘Durch und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische Landeszeitung, 30 Apr. 1985.  

David Sweet: ‘Howard Hodgkin at Yale Center for British Arts [sic] and Larry Poons at Andre Emmerich, New York’ [incl. review of New Haven exhib.], in Artscribe, May – June 1985, no.53 (i.e. 52), pp.52-53.   

Judith Higgins: ‘In a hot country’, in Art News, Summer 1985, vol.84 no.6, pp.56-65. 

*   Roberto Tassi: ‘Howard Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June 1985, pp.160-165.  

*   Christine Temin: ‘Hodgkin paints sensual emotions’, in The Boston Globe, 27 June 1985.  

Decorative vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78. 

*   Timothy Hyman: ‘Howard Hodgkin: making a riddle out of the solution’, in Art and Design, Sept. 1985, vol.1, pp.6-11.  

*   Edward Lucie-Smith: ‘Exhibitions’, in Illustrated London News, Sept. 1985, vol.273, p.76.  

*   William Feaver: ‘Art’, in Vogue (UK), Sept. 1985, vol.142, pp.46, 52.  

Laurence Marks: ‘Portrait of the artist as a compulsive collector’, in The Observer, 15 Sept. 1985, p.19. 

Michael Shepherd: ‘Hodgkin at the new Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept. 1985, p.15. 

*   William Packer: ‘An anniversary and return’, in Financial Times, 24 Sept. 1985, p.19.  

John Russell Taylor: ‘Toughness under the lyric grace’ [incl. review of Whitechapel & Tate exhibs.], in The Times, 24 Sept. 1985, p.9. 

Alistair Hicks: ‘Talking about art’ [review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985, vol.255 no.8203, pp.35-36. 

Marina Vaizey: ‘The intimate room within’ [review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985, p.42. 

John Russell: ‘London and Yale, Hodgkin at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct. 1985, vol.127 no.991, pp.729-730. 

Brian Sewell: ‘The mark of a hypnotist’ [review of Whitechapel & Tate exhibs.], in The London Standard, 3 Oct. 1985, p.23. 

John Spurling: ‘Dotted about the place’ [incl. review of Whitechapel & Tate exhibs.], in The New Statesman, 4 Oct. 1985, vol.110 no.2845,  p.32. 

Frances Spalding: ‘The nub of feeling’ [review of Whitechapel & Tate exhibs.], in Times Literary Supplement, 4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093). 

Richard Cork: ‘Howard’s way’ [review of Whitechapel exhib.], in The Listener, 10 Oct. 1985, vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New spirit, new sculpture, new money: art in the 1980s.  New Haven, London: Yale University Press, 2003; pp.180-183. 

Mary Rose Beaumont: ‘Howard Hodgkin: at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’ [review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20, p.515. 

Michael McNay: ‘Howard Hodgkin’ [review of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10. 

*   Sally Brampton: ‘Howard Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86.  

Andrew Graham-Dixon: ‘The abstract threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov. 1985, p.89, pp.28-29.  

Anne McHardy: [on the award of the Turner Prize], in The Guardian, 13 Nov. 1985, p.32. 

Alistair Hicks: ‘Galleries’ [incl. comment on award of the Turner Prize], in The Times, 19 Nov. 1985, p.10.  

John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10).  

Charles Harrison: ‘Hodgkin’s moment’ [review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan. 1986, no.55, pp.62-64.  

*   Ally van der Pauw: ‘Howard Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec. 1985, pp.52-55.  


1984

*   Oliver Matthews: ‘Indian paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.], in Antique Collector, Mar. 1984, pp.58-59.  

*   Gijs Van Hensbergen: ‘Howard’s hues’, in Ritz, Mar. 1984, no.86, p.6.  

Graham Hughes: ‘Four rooms: Anthony Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4, p.105.  

James Burr: ‘The most revealing things we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr. 1984, vol.266 no.119, p.300.  

Charlotte Ellis: ‘Four rooms’ [review of Liberty’s exhib.], in The Architectural Review, Apr. 1984, vol.175 no.1046, pp.62-63. 

Richard Shone: ‘Four rooms’ [review of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126 no.973, pp.244-247. 

John Russell: ‘Maximum emotion with a minimum of definition’ [review of New York exhib.], in The New York Times, 15 Apr. 1984, p.H33. 

John Russell: ‘The ‘emotional situations’ of Howard Hodgkin’ [review of New York exhib.], in International Herald Tribune, 21-22 Apr. 1984, p.6. 

*   Michael Brenson: ‘Art: Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.], in The New York Times, 27 Apr. 1984, p.C23. 

Christiane Bergob: ‘Letter from London’ [incl. review of Liberty’s exhib.], in Kunstforum International, Apr./May 1984, no.3-4, pp.312-314.   

*   Kay Larson: [review of New York exhib.], in New York Magazine, 28 May 1984, p.94.  

Jane Withers & Anthony Fawcett: ‘The man on the flip side’, in The Times, 29 May 1984, p.12. 

[32m. recorded interview with HH at his exhibition in the British Pavilion at the 1984 Venice Biennale’], in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts at the Venice Biennale 1984’), audio-cassette 1 side 1. 

Anthony Fawcett, Jane Withers: ‘Howard Hodgkin at the Venice Biennale’, in Studio International, [Summer] 1984, vol.197 no.1005, pp.16-17. 

Hannah Vowles: ‘Taking liberties: Four rooms exhibition’ [review of Liberty’s exhibn.], in Studio International, [Summer] 1984, vol.197 no.1005, pp.26-27. 

Max Wykes-Joyce: ‘Howard Hodgkin: prints made in New York’ [review of Bath exhib.], in Art and Artists, June 1984, no.213, p.27. 

*   Alexandra Pringle: ‘Art: Howard’s blend of images and textures’, in Harpers & Queen, June 1984, p.189.  

*   Patrick Kinmonth: ‘Howard Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141.  

*   Marina Vaizey: ‘Dancing among the ruins’ [review of Venice exhib.], in Sunday Times, 10 June 1984, p.39.  

John McEwen: ‘Finding form at fifty’, in Sunday Times Magazine, 10 June 1984, pp.38-41. 

*   John Russell Taylor: ‘Myth taking on the cloak of reality’ [review of Venice exhib.], in The Times, 12 June 1984, p.9.  

*   William Feaver: ‘Copy, parody, variation, fake’, in The Observer, 17 June 1984, p.19.  

*   William Packer: ‘Venice through the looking glass’, in Financial Times, 19 June 1984, p.19.  

Dirceu Brisola: ‘Os eleitos de Veneza’ [incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984, pp.134-135. 

*   Terence Mullaly: ‘Abstracts in abundance – and in a setting to suit’, in Daily Telegraph, 23 June 1984, p.11.  

Judith Bumpus: ‘A dream of Venice’ [interview], in Art and Artists, July 1984, no.214, pp.14-17. 

Robert Hughes: ‘Gliding over a dying reef: the Venice Biennale’ [review of exhib.], in Time, 2 July 1984, vol.214, pp.76-77. 

*   Manuela Hoelterhoff: ‘The Venice Biennale: no paradise for art’, The Wall Street Journal, 31 July 1984, p.32.  

‘Howard Hodgkin and Patrick Caulfield in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1, 4-6. 

[text], in Il Giornale della Biennale: Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30.  

Paul Levy: ‘Venice vidi vici’ [incl. review of Venice exhib.], in Harpers & Queen, Aug. 1984, p.32. 

Annelie Pohlen: ‘A few highlights but no festival’ [review of Venice exhib.], in Artforum, Sept. 1984, vol.23 no.1, pp.103-106. 

John Yau: ‘Howard Hodgkin’ [incl. review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1, p.117. 

Milton Gendel: ‘Report from Venice: cultured pearls at the Biennale’, in Art in America, Sept. 1984, vol.72 no.8, pp.45-53 (ref. pp.48-49).  

William Feaver: ‘Venice: remembrance of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136 (ref. p.136). 

Edward Lucie-Smith: ‘Critic’s diary’ [incl. review of British Museum exhib.], in Art Review, Sept. 1994, vol.46, pp.15-17. 

Liana Bortolon: ‘I misteriosi giardini di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984, vol.57 no.2271, pp.32-35. 

Prudence Carlson: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1984, vol.72 no.9, pp.192-193.  

Paul Richard: ‘Shining light: at the Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4. 

Jane Addams Allen: ‘Howard Hodgkin: letting it flow’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984, pp.C1-C2. 

*   Edward J. Sozanski: ‘Magnetic works of vibrant color’ [review of Washington exhib.], in The Philadelphia Enquirer, 23 Oct. 1984, p.4D.  

Pamela Kessler: ‘Forty storied paintings by Howard Hodgkin’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984. 

John McEwen: ‘Late bloomer’ [review of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68, 70, 73-74, 121. 

*   Gordon Burn: ‘The Tate’s bold stroke for British art’, in Sunday Times Magazine, 11 Nov. 1984, p.45.  

Bobbier Massie: ‘A palette of emotions’ [review of Washington exhib.], in The Washington Weekly, 12 Nov. 1984. 

Leone Lawrence: ‘Howard Hodgkin’ [review of Washington exhib.], in New Art Examiner, Dec. 1984, p.56. 

Mark Stevens: ‘A palette of emotions’ [review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82. 

*   Richard Lacayo: ‘Returning to the frame game’ [review of Washington exhib.], in Time, 3 Dec. 1984, p.72.  

Mary S. Cohen: ‘The general effect is one of celebration’ [review of Washington exhib.], in The Christian Science Monitor, 31 Dec. 1984, vol.77, pp.22-23. 

Michael Clark: ‘Howard Hodgkin, The Phillips Collection’ [review of Washington exhib.], in Washington Review, Dec. 1984 – Jan. 1985, p.26. 


1983
Ann Schoenfeld: ‘Howard Hodgkin’ [review of New York exhib.], in Arts Magazine, Jan. 1983, vol.57 no.5, p.42. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Jan. – Feb. 1983, vol.13 no.6, pp.216-220 (ref. p.218).  

John McEwen: ‘Howard Hodgkin: Indian leaves’ [review of Tate & Jacobson exhibs.], in Studio International, Jan.-Feb. 1983, vol.196 no.998, p.57. 

Ruth Bass: ‘Howard Hodgkin’ [review of New York exhib.], in Art News, Feb. 1983, vol.82 no.2, p.146. 

Richard Armstrong: ‘Howard Hodgkin’ [review of New York exhib.], in Artforum, Mar. 1983, vol.21 no.7, p.71.  

Robert Cran: ‘Hodgkin’s choice: an exhibition of Indian drawings’ [review of Hayward exhib.], in Art International, Sept. – Oct. 1983, vol.26 no.4, pp.27-28.  


1982
*   ‘The Harveys Collection’, in Arnolfini Review, Feb. 1982, p.8.  

Renate Puvogel: ’13 britische Künstler: eine Ausstellung über Malerei’ [incl. review of Aachen exhib.], in Das Kunstwerk, Apr. 1982, vol.35 no.2, pp.67-68. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Mar. – Apr. 1982, vol.13 no.1, pp.21-25 (ref. p.22).  

William Feaver: ‘Aspects of British art today’ [review of Tokyo exhib.], in Flash Art, Summer 1982, vol.16 no.108, p.71. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, July – Aug. 1982, vol.13 no.3, pp.97-101 (ref. p.98).  

*   Roger Bevan: ‘Howard Hodgkin: Indian leaves’ [review of Tate exhib.], in Event, 22 Sept. 1982.  

Frances Spalding: ‘Howard Hodgkin’ [review of Tate & Jacobson exhibs.], in Arts Review, 24 Sept. 1982, vol.34 no.20, p.484.  

William Feaver: ‘Leaves from India’ [incl. review of Tate exhib.], in The Observer, 26 Sept. 1982, p.32. 

Marina Vaizey: ‘The spirit of India’ [incl. review of Tate exhib.], in Sunday Times, 26 Sept. 1982, p.31. 

Leslie Geddes-Brown: ‘Painter of perfection: Leslie Geddes-Brown talks to Howard Hodgkin’, in Sunday Times, 26 Sept. 1982, p.31. 

John Russell Taylor: ‘Tradition remaining strong and rich’ [incl. review of Tate & Bernard Jacobson exhibs.], in The Times, 28 Sept. 1982, p.8. 

*   Richard Cork:  ‘Fragments and figments’ [review of Tate exhib.], in The Standard, 14 Oct. 1982, p.23. 

Andrew Motion: ‘Illusions of freedom’ [review of Tate exhib. & of ‘Indian leaves’ book], in Times Literary Supplement, 22 Oct. 1982, no.4151, p.1160. 

Geeta Kapur: ‘Hodgkin’s Indian leaves’ [review of Tate exhib.], in Art Monthly, Nov. 1982, no.61, p.10. 

*   John Russell: ‘Art: works of Hodgkin displayed at Knoedler’s’ [review of New York exhib.], in The New York Times, 19 Nov. 1982, p.C28. 

*   Robert Hughes: ‘A peeper into Paradise’ [review of Knoedler exhib.], in Time, 29 Nov. 1982, p.88; repr. in Nothing if not critical: selected essays on art and artists, London: Collins Harvill, 1990, pp.281-285. 


1981
*   Richard Cork: ‘Audacious, outspoken: a spur for things to come’, in Evening Standard, 15 Jan. 1981, p.19.  

David Bindman: ‘The good old avant-garde’ [review of Royal Academy exhib.], in Times Literary Supplement, 23 Jan. 1981, no.4060, p.82.  

Bernard Levin: ‘Mammoth footprints seen in Piccadilly’ [review of Royal Academy exhib.], in The Times, 28 Jan. 1981, p.14.  

Richard Cork: ‘Report from London: ‘The artist’s eye’’, in Art in America, Feb. 1981, vol.69, pp.43-55 (ref. pp.44-45, 47). 

James Faure Walker: ‘Awkward moments’ [review of Royal Academy exhib.], in Artscribe, Feb. 1981, no.27, pp.12-15 (ref. p.12).  

*   Eunice de Souza: ‘Pursuing culture’, in Economic Times, 22 Feb. 1981, p.3.  

David Sweet: ‘The decline of composition’, in Artscribe, Mar. 1981, no.28, pp.18-23 (ref. p.23).  

Richard Shone: ‘London: A new spirit in painting at the Royal Academy’ [review of exhib.], in Burlington Magazine, Mar. 1981, vol.123 no.936, pp.182-185 (ref. pp.182, 185). 

Pat Gilmour: ‘Howard Hodgkin’ [on HH’s prints], in The Print Collector’s Newsletter, Mar. – Apr. 1981, vol.12 no.1, pp.1-5.  

Palmer D. French: ‘Diluted abstractions: Richard Phipps, Howard Hodgkin’ [incl. review of San Francisco exhib.], in Artweek, 25 Apr. 1981, vol.12 no.16, p.8.  

William Feaver: ‘A ‘New spirit’ – or just a tired ghost?’ [review of Royal Academy exhib.], in Art News, May 1981, vol.80 no.5, pp.114-118 (ref. pp.115-116).  

*   Hilton Kramer: ‘Howard Hodgkin’, in The New York Times, 8 May 1981, p.C18.  

Roberta Smith: ‘Fresh paint?’ [review of Royal Academy exhib.], in Art in America, Summer 1981, vol.69 no.6, pp.70-79 (ref. pp.72-73, 77). 

Jesse Murry: ‘Reflections of Howard Hodgkin’s theatre of memory’, in Arts Magazine, June 1981, vol.55 no.10, pp.154-157. 

Edward Lucie-Smith: ‘Howard Hodgkin: the wild card in the post-modernist pack talks to Edward Lucie-Smith’, in Quarto, July 1981, no.19, pp.15-17. 

Ted Castle: ‘The paint dream’ [incl. review of Knoedler & Jacobson exhibs.], in Art Monthly, July/Aug. 1981, no.48, pp.11-13.  

Deborah C. Phillips: ‘New editions’ [review of Jacobson exhib.], in Art News, Sept. 1981, vol.80 no.7, p.161. 

Kathryn Howarth: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1981, vol.69 no.8, pp.145-146. 

Deborah C. Phillips: ‘Howard Hodgkin’ [review of New York exhib.], in Art News, Nov. 1981, vol.80 no.9, pp.200-202.