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Bibliography

by Krzysztof Cieszkowski and Assunta Ferrera, assisted by Anna Klosinska



an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler

1989

*   Brian Sewell: ‘Ivon Hitchens and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews that caused the rumpus, and other pieces.  London: Bloomsbury, 1994; pp.280-284. 

Brooks Adams: ‘Review of exhibitions: New York’ [incl. review of Knoedler exhib.], in Art in America, Jan. 1989, vol.77 no.1, pp.143-144.  

Margaret Moorman: ‘Reviews: Howard Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989, vol.88 no.1, p.129. 

Peggy Cyphers: ‘New York in review’ [incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989, vol.63 no.5, p.106. 

*   Patricia G. Walker: ‘Howard Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover, 1 Jan. 1989, p.16.  

*   Mirabel Cecil: ‘Howard’s way’, in World of Interiors, Feb. 1989, pp.70-79.  

*   Christopher Andreae: ‘Each Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.], in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11. 

*   Alistair Hicks: ‘Howard Hodgkin – the artist as collector’, in Antique, Summer 1989, pp.21-24.   

Jann Parry: ‘An eye for a dance’ [on HH’s designs for the Royal Ballet], in The Observer, 16 July 1989, p.39. 

*   Pauline Peters: ‘The collector’, in Telegraph Weekend Magazine, 28 Oct. 1989, pp.18-27.    

*   Colin Gleadell: ‘The art market: Auction trends in the Eighties’, in Art International, Winter 1989, vol.9, pp.72-75.  

*   Lynne Cooke: ‘Special report: British art in the Eighties’, in Journal of Art, Nov. 1989, vol.2, pp.24-26.  


1989

*   [Howard Hodgkin].  Museum Ludwig, Cologne, 1989. 

*   [Howard Hodgkin].  Joanne Chapwell Gallery, San Francisco, 1989. 

1989

Works on paper (1 work; illus. in col.).  Waddington Galleries, London, 1 – 25 Feb. 1989. 

Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960 (3 works).  Museum Ludwig, Cologne, 8 Apr. – 28 June 1989. 

Twentieth century works (1 work; illus. in col.).  Waddington Galleres, London, 26 Apr. – 20 May 1989. 

The 1980s: prints from the collection of Joshua P. Smith (2 works; illus.)National Gallery of Art, Washington, 17 Dec. 1989 – 8 Apr. 1990. 

1988

David Sylvester: ‘Colour dialogue’ [interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125. 

Margaret Sheffield: ‘Frame ups (& downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117).  

*   Andrew Graham-Dixon: ‘On the edge’, in The Independent, 5 Apr. 1988, p.13.  

*   William Feaver: ‘Whoosh in Venice’, in The Observer, 9 Apr. 1988, p.38.  

*   Geoffrey Newman: ‘Celebrations of radiance’, in Times Higher Education Supplement, 27 May 1988, p.15.  

*   Brian Sewell: ‘Art’, in Evening Standard, 9 Aug. 1988.  

*   David Sexton: ‘Howard’s way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65.  

Richard Dorment: ‘Drawn towards the light’ [review of Waddington exhib.], in Daily Telegraph, 26 Aug. 1988, p.12. 

Tim Hilton: ‘Beyond the boundary’ [review of Waddington exhib.], in The Guardian, 31 Aug. 1988, p.17. 

Peter Fuller: ‘Howard Hodgkin and Robert Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn 1988, vol.1 no.3, pp.76-77.  

*   William Feaver: ‘Hodgkin’s Venice: the greedy eye attracted’, in World of Interiors, Sept. 1988, p.173.  

Giles Auty: ‘Howard’s way’ [review of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261 no.8356, p.30. 

William Feaver: ‘Whoosh in Venice’ [review of Waddington exhib.], in The Observer, 4 Sept. 1988, p.38. 

Andrew Graham-Dixon: ‘Drawing on life’ [incl. review of Waddington exhib.], in The Independent, 6 Sept. 1988, p.16. 

William Packer: ‘Overlaid with witty eroticism’ [review of Waddington exhib.], in Financial Times, 6 Sept. 1988.  

Alistair Hicks: ‘Beneath the surface’ [incl. review of Waddington exhib.], in The Times, 6 Sept. 1988, p.16.  

Mark Currah: ‘Howard Hodgkin, Waddingtons’ [review of exhib.], in City Limits, 8-15 Sept. 1988, p.81. 

Larry Berryman: ‘Howard Hodgkin’ [review of Waddington exhib.], in Arts Review, 9 Sept. 1988, vol.40 no.18, p.616. 

Michael Shepherd: ‘Hodgkin’s Venetian hours’ [review of Waddington exhib.], in Sunday Telegraph, 11 Sept. 1988, p.19. 

Marina Vaizey: ‘British shows of strength’ [incl. review of Waddington exhib.], in Sunday Times, 11 Sept. 1988, p.C 11. 

Michael Archer: ‘Howard Hodgkin’ [review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120, pp.16-17. 

*   John Russell: ‘The poetic renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The New York Times, 14 Oct. 1988, p.C24. 


1988

*   [Howard Hodgkin].  Bjorn Olsson Gallery, Stockholm, 1988.   

Howard Hodgkin (13 works illustrated).  Waddington Galleries, London, 24 Aug. – 17 Sept. 1988; traveling to M. Knoedler & Co., New York, 8 Oct. – 3 Nov. 1988; 32p, 13 col. Illus. 

Howard Hodgkin: solo prints.  Solo Gallery, New York, 8 Nov. – 10 Dec. 1988 (PV card).

1988

*   1900 to now: Modern Art from Rhode Island Collections.  Museum of Art, Rhode Island School of Design, Providence (RI), 22 Jan. – 1 May 1988.  

Works on paper (1 work; illus. in col.).  Waddington Galleries, London, 1 – 25 Feb. 1989. 

The British picture (1 work; illus. in col.).  L.A. Louver, Venice (CA), 5 Feb. – 5 Mar. 1988. 

Twentieth century works (1 work; illus. in col.).  Waddington Galleries, London, 26 Apr. – 20 May 1989. 

1988: the world of art today (1 work; illus in col.).  Milwaukee Art Museum, 6 May – 28 Aug. 1988. 

A golden age: the artist works with paper: a selection of very fine prints and works on paper by JanetFish, Howard Hodgkin [et al.] (1 work; illus. in col.).  Meredith Long & Company, Houston, 19 July – 9 Sept. 1988. 

100 years of art in Britain (1 work; illus. in col.).  Leeds City Art Gallery, 4 Oct. 1988 – 15 Jan. 1989. 

The pastoral landscape: the legacy of Venice and the modern vision (1 work).  National Gallery of Art & Phillips Collection, Washington, 6 Nov. 1988 – 22 Jan. 1989; catalogue publ. as Places of delight: the pastoral landscape, Washington: Phillips Collection; London: Weidenfeld & Nicolson, 1988 

Corsham: a celebration: the Bath Academy of Art 1946-72 (1 work; illus.).  Victoria Art Gallery, Bath, 18 Dec. 1988 – 14 Jan. 1989; Brighton Polytechnic Gallery, 23 Jan. – 14 Feb. 1989; Michael Parkin Gallery, London, 22 Feb. – 24 Mar. 1989; publ. by Michael Parkin Gallery.   

1987
Asmund Thorkildsen: ‘En samtale med Howard Hodgkin’ [interview], in Kunst og Kultur, 1987, vol.70 no.4, pp.220-234.  

The Saint Louis Art Museum Annual Report 1986, 1987, pp.4-5, 36.  

David Sylvester: ‘Artist’s dialogue: Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar. 1987, vol.44 no.3, pp.54, 62, 66, 70, 74. 

Leslie Geddes-Brown: ‘Preparing faces for posterity: commissioning portraits’, in Country Life, 7 May 1987, no.1881 (19), pp.100-101.  

*   Frederick Lowe: ‘None but the brave deserves the fair’, in Yellow Silk, July 1987, vol.23, pp.41-42, 44.  

Timothy Hyman: ‘Mapping London’s other landscape’, in Art International, Autumn 1987, no.1, pp.51-61 (ref. pp.57, 60-61). 

LSU [= Lora S. Urbanelli]: ‘Howard Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct. 1987, vol.74 no.2 (‘Museum Notes 1987’), p.43. 


1987
Howard Hodgkin: gravuras 1977-83 (30  works).  Museu Nacional de Bellas Artes, Rio de Janeiro, 23 July – 16 Aug. 1987; organised by the British Council; poster, 9p, 2 illus (1 col); biog.; text by Teresa Gleadowe (parallel English/Portuguese text). 

1987

State of the art: ideas and images (1 work).  Institute of Contemporary Arts, London, 14 Jan. – 1 Mar. 1987; traveling to Laing Art Gallery, Newcastle, 13 Mar. – 26 Apr. 1987; Harris Museum and Art Gallery, Preston, 9 May – 21 June 1987; Cartwright Hall, Bradford, 27 June – 23 Aug. 1987; Sainsbury Centre for Visual Arts, Norwich, 1987. 

2D/3D: art and craft made and designed for the twentieth century (1 work; illus. in col.).  Laing Art Gallery, Newcastle upon Tyne, & Northern Centre for Contemporary Art, 14 Jan. – 8 Mar. 1987. 

British art in the 20th century: the Modern movement (3 works; illus. in col.).  Royal Academy of Arts, London, 15 Jan. – 5 Apr. 1987; publ. by Prestel-Verlag, Munich; ref. pp.91 (text by Robert Rosenblum), 382-384 (essay by Norman Rosenthal, ‘Three painters of this time: Hodgkin, Kitaj and Morley’) &.434 (text by Mary Rose Beaumont).  

Current affairs: British painting and sculpture in the 1980s (3 works; illus, 2 in col.).  Museum of Modern Art, Oxford, 1 – 29 Mar. 1987; tour organised by British Council, to Mücsarnok, Budapest, 24 Apr. – 31 May 1987; Národní Galerie, Prague, 19 June – 7 Aug. 1987; Zacheta, Warsaw, 14 Sept. – 31 Oct. 1987; text by David Elliott, p.20. 

Art of our time (4 works from The Saatchi Collection; illus. in col.).  Royal Scottish Academy, Edinburgh, 7 Aug. – 5 Sept. 1987; organised by The Saatchi Collection; text on HH by Alastair Hicks, pp.13-14. 

New dimensions in colour and texture: contemporary tapestries, textiles and paperworks.  Art for Offices and International Contemporary Art, The Galleries, London, 28 Oct. 1987 – (no catalogue; PV card).  

1986

*   Recent abstract painting.  John Good Gallery, New York, 9 Jan. – 8 Feb. 1986.  

20th century original prints.  Christopher Hull Gallery, London, 5 Feb. – 1 Mar. 1986 (no catalogue; PV card). 

Studies of the nude (1 work; illus. in col.).  Marlborough Fine Art, London, 19 Mar. – 2 May 1986. 

The window in twentieth-century art (1 work; illus in col.).  Neuberger Museum, State University of New York, Purchase (NY), 21 Sept. 1986 – 18 Jan. 1987; Contemporary Arts Museum, Houston, 24 Apr. – 29 June 1987. 

Looking into paintings, 2: Portraits (1 work; illus).  Arts Council touring exhibition, at Castle Gallery, Nottingham, 22 Nov. 1986 – 1 Jan. 1987; Shipley Art Gallery, Gateshead, 10 Jan. – 8 Feb. 1987; Cartwright Gallery, Bradford, 14 Feb. – 15 Mar. 1987; City Museum and Art Gallery, Plymouth, 21 Mar. – 26 Apr. 1987. 

1986
John Guy: ‘Desert Island objects: Howard Hodgkin selects’, in V & A Album, 1986, vol.5, pp.256-264.  

William Feaver: ‘London: allusions veiled and classical’ [review of Whitechapel exhib.], in Art News, Jan. 1986, vol.85 no.1, p.119. 

‘Un prix pour l’art’ [on award of the Turner Prize], in Connaissance des Arts, Jan. 1986, no.407, p.96. 

John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Jan. – Feb. 1986, vol.58 no.1, pp.6-10.  

G. Hedley: ‘Less haste, more Hodgkin’ [letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17 no.1, pp.16-18 (ref. p.17).  

Susan Fisher: ‘Dolan Maxwell Gallery, Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986, vol.13, p.60.  

Jed Perl: ‘Winter notebook: recent abstract painting’ [incl. review of John Good Gallery exhib.], in The New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58).  

Keith Clemens: ‘Artists and places nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8, pp.1, 12-14.  

Gregory Burn: [review of Odette Gilbert Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15, p.419. 

Susan Gill: ‘Howard Hodgkin: Knoedler’ [review of New York exhib.], in Art News, Sept. 1986, vol.85 no.7, pp.115-119. 

Gregory Galligan: ‘A small thing but painting: the new work of Howard Hodgkin’, in Arts Magazine, Sept. 1986, vol.61 no.1, pp.65-67.  

E. Heartney: ‘New editions’ [new prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref. p.105). 

M. Moorman: [review of new prints], in Art News, Oct. 1986, vol.85 no.8, p.105. 

*   Judith Dunham: ‘Howard Hodgkin’s accumulated memories’, in Print News, Winter 1986, no.8, pp.4-7, 25. 

‘I begin pictures full of hope: four questions posed to Howard Hodgkin’ [interview with Luciana Mottola], in 891: international artists’ magazine, Dec. 1986, vol.3 no.7, pp.12-15.  


1986

*   Howard Hodgkin: prints.  Albright-Knox Art Gallery, Buffalo, 1986. 

Howard Hodgkin (17 works illustrated).  M. Knoedler & Co., New York, 10 May – 5 June 1986; 36p, 17 col ills. 

Howard Hodgkin collection for Designers Guild [4 fabrics designed by HH].  Designers Guild, London, 12 May 1986 - ; travelling to International Contemporary Art Fair, Olympia, London, 29 May – 1 June 1986; 1p. 

Howard Hodgkin: prints.  Odette Gilbert Gallery, London, 30 July – 13 Sept. 1986 (no catalogue; PV card).  

Howard Hodgkin: prints: 1966-1986.  Jan Turner Gallery, Los Angeles, 12 Sept. – 11 Oct. 1986, organised with Bernard Jacobson Gallery, London (no catalogue; PV card).   

1985

*   Made in India.  Museum of Modern Art, New York, 1985.  

The Turner Prize 1985 (1 work illus.)Tate Gallery, London, [17 Oct. – 1 Dec.] 1985 (HH announced the winner on 12 Nov. 1985). 

1985 Carnegie International (5 works; illus, 1 in col.).  Museum of Art, Carnegie Institute, Pittsburgh, 9 Nov. 1985 – 5 Jan. 1986. 

1985

*   Jane Addams Allen: ‘After ‘Year of the French’, can contemporary be far behind?’, in The Washington Times Magazine, 4 Jan. 1985. 

*   Shirley Gonzales: ‘Hodgkin’s trip into ‘deep space’’ [review of New Haven exhib.], in New Haven Register, 20 Jan. 1985. 

*   Naomi Ilzuka: ‘Splashing abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4.  

William Feaver: ‘Inside Europe: England’, in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58). 

Kenneth Baker: ‘Too much and/or not enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum, Feb. 1985, vol.23 no.5, pp.60-61. 

‘Un peintre anglais en vue’ [review of New Haven exhib.], in Connaissance des Arts, Feb. 1985, no.396, p.16. 

*   Vivien Raynor: ‘At Yale, the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.], in The New York Times, 10 Feb. 1985, p.C24.  

*   Bernard Hanson: ‘Hodgkin on view at Yale’ [review of New Haven exhib.], in The Hartford Courant, 24 Feb. 1985, p.49.  

Gregory Galligan: ‘Howard Hodgkin: forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar. 1985, vol.59 no.7, pp.122-125. 

Eric Gibson: ‘The Hodgkin paradox’, in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25. 

John Coleman: ‘Omnibus: the new art’, in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35.  

Jeff Perrone: ‘Entrees: diaretics: entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.], in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref. pp.80-81).  

*   Ursula Bode: ‘Gefallig verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.], in Hannoverische Allgemeine Zeitung, 24 Apr. 1985. 

*   Gisela Burkamp: ‘Durch und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische Landeszeitung, 30 Apr. 1985.  

David Sweet: ‘Howard Hodgkin at Yale Center for British Arts [sic] and Larry Poons at Andre Emmerich, New York’ [incl. review of New Haven exhib.], in Artscribe, May – June 1985, no.53 (i.e. 52), pp.52-53.   

Judith Higgins: ‘In a hot country’, in Art News, Summer 1985, vol.84 no.6, pp.56-65. 

*   Roberto Tassi: ‘Howard Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June 1985, pp.160-165.  

*   Christine Temin: ‘Hodgkin paints sensual emotions’, in The Boston Globe, 27 June 1985.  

Decorative vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78. 

*   Timothy Hyman: ‘Howard Hodgkin: making a riddle out of the solution’, in Art and Design, Sept. 1985, vol.1, pp.6-11.  

*   Edward Lucie-Smith: ‘Exhibitions’, in Illustrated London News, Sept. 1985, vol.273, p.76.  

*   William Feaver: ‘Art’, in Vogue (UK), Sept. 1985, vol.142, pp.46, 52.  

Laurence Marks: ‘Portrait of the artist as a compulsive collector’, in The Observer, 15 Sept. 1985, p.19. 

Michael Shepherd: ‘Hodgkin at the new Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept. 1985, p.15. 

*   William Packer: ‘An anniversary and return’, in Financial Times, 24 Sept. 1985, p.19.  

John Russell Taylor: ‘Toughness under the lyric grace’ [incl. review of Whitechapel & Tate exhibs.], in The Times, 24 Sept. 1985, p.9. 

Alistair Hicks: ‘Talking about art’ [review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985, vol.255 no.8203, pp.35-36. 

Marina Vaizey: ‘The intimate room within’ [review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985, p.42. 

John Russell: ‘London and Yale, Hodgkin at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct. 1985, vol.127 no.991, pp.729-730. 

Brian Sewell: ‘The mark of a hypnotist’ [review of Whitechapel & Tate exhibs.], in The London Standard, 3 Oct. 1985, p.23. 

John Spurling: ‘Dotted about the place’ [incl. review of Whitechapel & Tate exhibs.], in The New Statesman, 4 Oct. 1985, vol.110 no.2845,  p.32. 

Frances Spalding: ‘The nub of feeling’ [review of Whitechapel & Tate exhibs.], in Times Literary Supplement, 4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093). 

Richard Cork: ‘Howard’s way’ [review of Whitechapel exhib.], in The Listener, 10 Oct. 1985, vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New spirit, new sculpture, new money: art in the 1980s.  New Haven, London: Yale University Press, 2003; pp.180-183. 

Mary Rose Beaumont: ‘Howard Hodgkin: at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’ [review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20, p.515. 

Michael McNay: ‘Howard Hodgkin’ [review of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10. 

*   Sally Brampton: ‘Howard Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86.  

Andrew Graham-Dixon: ‘The abstract threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov. 1985, p.89, pp.28-29.  

Anne McHardy: [on the award of the Turner Prize], in The Guardian, 13 Nov. 1985, p.32. 

Alistair Hicks: ‘Galleries’ [incl. comment on award of the Turner Prize], in The Times, 19 Nov. 1985, p.10.  

John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10).  

Charles Harrison: ‘Hodgkin’s moment’ [review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan. 1986, no.55, pp.62-64.  

*   Ally van der Pauw: ‘Howard Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec. 1985, pp.52-55.  


1985
*   [Howard Hodgkin].  Bernard Jacobson Gallery, London, 1985. 

Howard Hodgkin: opera grafica 1977-1983 (3 works).  Galleria Comunale d’Arte Moderna, Bologna, 1985; organised by the British Council.  Milan: Nuove edizioni Gabriele Mazzotta, 1985; 52p, 31 illus (13 col.); biog., exhibs.; introd. by Malcolm Hardy, British Council; text by Enrico Crispolti, Appunti sulla “poetica” di Hodgkin, pp.11-16; ISBN: 8820206382. 

Howard Hodgkin: works on paper: paintings created in India, 1978. Hand colored prints, 1977-83 (5 paintings & 24 prints).  L.A. Louver, Venice CA, 8 Jan. – 2 Feb. 1985; card, 4p. 

Howard Hodgkin: recent paintings.  Yale Center for British Art, New Haven (CT), 15 Jan. 1985 – (PV card). 

Howard Hodgkin: Bilder 1973 bis 1984 (37 works).  Kestner-Gesellschaft Hannover, 19 Apr. – 27 May 1985; biog., exhibs., bibl.; introd. by John McEwen, pp.15-22; interview with David Sylvester, pp.23-36 

Howard Hodgkin: prints 1977 to 1983 (25 works)Tate Gallery, London, 18 Sept. – 1 Dec. 1985; 60p, 60 illus (17 col.); introd. by Richard Morphet, pp.9-17; Complete catalogue of prints 1977-1985, compiled by Elizabeth Knowles, pp.51-59; A printing chronology, p.60; ISBN: 0946590303. 

Howard Hodgkin: ten paintings 1979-85.  Whitechapel Art Gallery, London, 20 Sept. – 3 Nov. 1985; 24p, 10 col illus.; introd. by Nicholas Serota; ISBN: 085488064X.  (published as supplement to 1984 Venice Biennale catalogue, for the Whitechapel Art Gallery showing of the Venice Biennale exhib.). 

1984

*   Form colour surface: painting about itself.  Barbara Krakow Gallery, Boston, 1984. 

Four rooms: an Arts Council touring exhibition devised by: Howard Hodgkin, Marc Camille Chaimowicz, Richard Hamilton, Anthony Caro (1 work by HH; 3 illus, 1 col.).  Liberty, London, 10 Feb. – 10 Mar. 1984; Central Art Gallery, Wolverhampton, 7 Apr. – 12 May 1984; Southampton Art Gallery, 26 May – 8 July 1984; Newport Museum and Art Gallery, 21 July – 25 Aug. 1984; Aberdeen Art Gallery, 8 Sept. – 7 Oct. 1984; Mappin Art Gallery, Sheffield, 20 Oct. – 18 Nov. 1984; organised by Arts Council of Great Britain; incl. extract from interview with HH for BBC ‘Arena’ programme, 1984, by Nigel Finch, p.11. 

An international survey of recent painting and sculpture (1 work; illus.).  Museum of Modern Art, New York, 17 May – 19 Aug. 1984.  

*   Summer selection.  M. Knoedler & Co., New York, July – Aug. 1984.  

The hard-won image: traditional method and subject in recent British art (2 works; illus., 1 in col.); Tate Gallery, London, 4 July – 9 Sept. 1984; text by Richard Morphet. 

The Turner Prize (2 works).  Tate Gallery, London, [26 Oct. – 2 Dec. 1984]. 

The British art show: old allegiences and new directions 1979-1984 (2 works)Arts Council touring exhibition, at Birmingham Museum and Art Gallery & Ikon Gallery, Birmingham, 2 Nov. – 22 Dec. 1984; Royal Scottish Academy, Edinburgh, 19 Jan. – 24 Feb. 1985; Mappin Art Gallery, Sheffield, 16 Mar. – 4 May 1985; Southampton Art Gallery, 18 May – 30 June 1985; publ. Orbis Publishing, London, 1984. 

The proper study: contemporary figurative paintings from Britain (4 works; illus, 1 in col.).  Lalit Kala Akademi, Delhi, 1 – 31 Dec. 1984; Jehangir Nicholson Museum of Modern Art, Bombay, 1 – 28 Feb. 1985; organised by the British Council; text on HH by John McEwen, p.72. 

1984
An artist’s commitment: Howard Hodgkin in conversation with Richard Cork.  London: Lecon Arts Enterprises, 1984; booklet containing audiotape and 24 col.slides.

*   Four rooms: Howard Hodgkin in conversation with Nigel Finch.  BBC televsion series ‘Arena’, 21 Feb. 1984.

 

*   Howard Hodgkin.  WETA – TV (Washington, D.C.), Channel 26, 11 & 14 Nov. 1984; sponsored by The Phillips Collection, Washington (D.C.).



1984

*   Oliver Matthews: ‘Indian paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.], in Antique Collector, Mar. 1984, pp.58-59.  

*   Gijs Van Hensbergen: ‘Howard’s hues’, in Ritz, Mar. 1984, no.86, p.6.  

Graham Hughes: ‘Four rooms: Anthony Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4, p.105.  

James Burr: ‘The most revealing things we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr. 1984, vol.266 no.119, p.300.  

Charlotte Ellis: ‘Four rooms’ [review of Liberty’s exhib.], in The Architectural Review, Apr. 1984, vol.175 no.1046, pp.62-63. 

Richard Shone: ‘Four rooms’ [review of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126 no.973, pp.244-247. 

John Russell: ‘Maximum emotion with a minimum of definition’ [review of New York exhib.], in The New York Times, 15 Apr. 1984, p.H33. 

John Russell: ‘The ‘emotional situations’ of Howard Hodgkin’ [review of New York exhib.], in International Herald Tribune, 21-22 Apr. 1984, p.6. 

*   Michael Brenson: ‘Art: Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.], in The New York Times, 27 Apr. 1984, p.C23. 

Christiane Bergob: ‘Letter from London’ [incl. review of Liberty’s exhib.], in Kunstforum International, Apr./May 1984, no.3-4, pp.312-314.   

*   Kay Larson: [review of New York exhib.], in New York Magazine, 28 May 1984, p.94.  

Jane Withers & Anthony Fawcett: ‘The man on the flip side’, in The Times, 29 May 1984, p.12. 

[32m. recorded interview with HH at his exhibition in the British Pavilion at the 1984 Venice Biennale’], in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts at the Venice Biennale 1984’), audio-cassette 1 side 1. 

Anthony Fawcett, Jane Withers: ‘Howard Hodgkin at the Venice Biennale’, in Studio International, [Summer] 1984, vol.197 no.1005, pp.16-17. 

Hannah Vowles: ‘Taking liberties: Four rooms exhibition’ [review of Liberty’s exhibn.], in Studio International, [Summer] 1984, vol.197 no.1005, pp.26-27. 

Max Wykes-Joyce: ‘Howard Hodgkin: prints made in New York’ [review of Bath exhib.], in Art and Artists, June 1984, no.213, p.27. 

*   Alexandra Pringle: ‘Art: Howard’s blend of images and textures’, in Harpers & Queen, June 1984, p.189.  

*   Patrick Kinmonth: ‘Howard Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141.  

*   Marina Vaizey: ‘Dancing among the ruins’ [review of Venice exhib.], in Sunday Times, 10 June 1984, p.39.  

John McEwen: ‘Finding form at fifty’, in Sunday Times Magazine, 10 June 1984, pp.38-41. 

*   John Russell Taylor: ‘Myth taking on the cloak of reality’ [review of Venice exhib.], in The Times, 12 June 1984, p.9.  

*   William Feaver: ‘Copy, parody, variation, fake’, in The Observer, 17 June 1984, p.19.  

*   William Packer: ‘Venice through the looking glass’, in Financial Times, 19 June 1984, p.19.  

Dirceu Brisola: ‘Os eleitos de Veneza’ [incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984, pp.134-135. 

*   Terence Mullaly: ‘Abstracts in abundance – and in a setting to suit’, in Daily Telegraph, 23 June 1984, p.11.  

Judith Bumpus: ‘A dream of Venice’ [interview], in Art and Artists, July 1984, no.214, pp.14-17. 

Robert Hughes: ‘Gliding over a dying reef: the Venice Biennale’ [review of exhib.], in Time, 2 July 1984, vol.214, pp.76-77. 

*   Manuela Hoelterhoff: ‘The Venice Biennale: no paradise for art’, The Wall Street Journal, 31 July 1984, p.32.  

‘Howard Hodgkin and Patrick Caulfield in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1, 4-6. 

[text], in Il Giornale della Biennale: Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30.  

Paul Levy: ‘Venice vidi vici’ [incl. review of Venice exhib.], in Harpers & Queen, Aug. 1984, p.32. 

Annelie Pohlen: ‘A few highlights but no festival’ [review of Venice exhib.], in Artforum, Sept. 1984, vol.23 no.1, pp.103-106. 

John Yau: ‘Howard Hodgkin’ [incl. review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1, p.117. 

Milton Gendel: ‘Report from Venice: cultured pearls at the Biennale’, in Art in America, Sept. 1984, vol.72 no.8, pp.45-53 (ref. pp.48-49).  

William Feaver: ‘Venice: remembrance of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136 (ref. p.136). 

Edward Lucie-Smith: ‘Critic’s diary’ [incl. review of British Museum exhib.], in Art Review, Sept. 1994, vol.46, pp.15-17. 

Liana Bortolon: ‘I misteriosi giardini di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984, vol.57 no.2271, pp.32-35. 

Prudence Carlson: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1984, vol.72 no.9, pp.192-193.  

Paul Richard: ‘Shining light: at the Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4. 

Jane Addams Allen: ‘Howard Hodgkin: letting it flow’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984, pp.C1-C2. 

*   Edward J. Sozanski: ‘Magnetic works of vibrant color’ [review of Washington exhib.], in The Philadelphia Enquirer, 23 Oct. 1984, p.4D.  

Pamela Kessler: ‘Forty storied paintings by Howard Hodgkin’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984. 

John McEwen: ‘Late bloomer’ [review of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68, 70, 73-74, 121. 

*   Gordon Burn: ‘The Tate’s bold stroke for British art’, in Sunday Times Magazine, 11 Nov. 1984, p.45.  

Bobbier Massie: ‘A palette of emotions’ [review of Washington exhib.], in The Washington Weekly, 12 Nov. 1984. 

Leone Lawrence: ‘Howard Hodgkin’ [review of Washington exhib.], in New Art Examiner, Dec. 1984, p.56. 

Mark Stevens: ‘A palette of emotions’ [review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82. 

*   Richard Lacayo: ‘Returning to the frame game’ [review of Washington exhib.], in Time, 3 Dec. 1984, p.72.  

Mary S. Cohen: ‘The general effect is one of celebration’ [review of Washington exhib.], in The Christian Science Monitor, 31 Dec. 1984, vol.77, pp.22-23. 

Michael Clark: ‘Howard Hodgkin, The Phillips Collection’ [review of Washington exhib.], in Washington Review, Dec. 1984 – Jan. 1985, p.26. 


1984

Howard Hodgkin: recent work (12 works).  M.K. Knoedler, New York, 21 Apr. – 10 May 1984; list of works, 1p. 

Howard Hodgkin: prints made in New York.  Festival Gallery, Bath, 24 May – 16 June 1984 (PV card). 

Howard Hodgkin: forty paintings, 1973-84.  British Pavilion, XLI Venice Biennale, 10 June – 23 Sept. 1984 (20 works); organised by The British Council & Whitechapel Art Gallery, London; enlarged exhibition (40 works) travelling to The Phillips Collection, Washington, 13 Oct. – 16 Dec. 1984; Yale Center for British Art, New Haven (CT), 16 Jan. – 17 Mar. 1985; Kestner-Gesellschaft Hannover, 19 Apr. – 27 May 1985; Whitechapel Art Gallery, London, June – Aug. 1985 (subsequently rescheduled to 20 Sept. – 3 Nov. 1985); 112p, 45 illus (41 col.); biog., exhibs., bibl.; introd. by John McEwen, pp.9-13; interview with David Sylvester, pp.97-106; ISBN: 0854880631; also 2p. poster/leaflet supplement for Venice Biennale with text by Teresa Gleadowe. 

Indian paintings and drawings from the artist’s collection or selected by the artist - 1983
Indian drawing: an exhibition chosen by Howard Hodgkin (52 works).  Hayward Gallery, London, 10 Feb. – 17 Apr. 1983; organised & publ. by Arts Council of Great Britain; travelling to Wolverhampton Art Gallery, 23 Apr. – 21 May 1983; Herbert Art Gallery, Coventry, 4 June – 10 July 1983; Bolton Museum and Art Gallery, 16 July – 20 Aug. 1983; Graves Art Gallery, Sheffield, 27 Aug. – 2 Oct. 1983; ix, [54]p, 53 illus (9 col); bibl.; texts by HH, Introduction to the exhibition, pp.v-vi, & Terence McInerney, Indian drawing, pp.vii-ix; catalogue entries initialed by HH (38 of the 52) & TM; ISBN: 0728703505. 

1983

*   Some recent acquisitions.  Museum of Modern Art, New York, 1983. 

The Granada Collection: recent British paintings and drawings (1 work; illus. in col.).  Whitworth Art Gallery, Manchester, 15 Jan. – 26 Feb. 1983. 

*   Acquisition priorities: aspects of postwar painting in Europe.  Solomon R. Guggenheim Museum, New York, 20 May – 4 Sept. 1983. 

Three little books about painting: 2: Movement (1 work; illus in col.).  Graves Art Gallery, Sheffield, 19 Nov. – 18 Dec. 1983; Laing Art Gallery, Newcastle, 4 – 29 Jan. 1984; Bolton Museum and Art Gallery, 10 Mar. – 7 Apr. 1984; organised by Arts Council of Great Britain. 

*   Painting: Gregory Amenhoff, Howard Hodgkin, Melissa Miller, Katherine Porter, Joan Thorne, Susan Whynne.  List Art Center, Brown University, Providence (RI), 3 – 30 Dec. 1983.   

1983
Ann Schoenfeld: ‘Howard Hodgkin’ [review of New York exhib.], in Arts Magazine, Jan. 1983, vol.57 no.5, p.42. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Jan. – Feb. 1983, vol.13 no.6, pp.216-220 (ref. p.218).  

John McEwen: ‘Howard Hodgkin: Indian leaves’ [review of Tate & Jacobson exhibs.], in Studio International, Jan.-Feb. 1983, vol.196 no.998, p.57. 

Ruth Bass: ‘Howard Hodgkin’ [review of New York exhib.], in Art News, Feb. 1983, vol.82 no.2, p.146. 

Richard Armstrong: ‘Howard Hodgkin’ [review of New York exhib.], in Artforum, Mar. 1983, vol.21 no.7, p.71.  

Robert Cran: ‘Hodgkin’s choice: an exhibition of Indian drawings’ [review of Hayward exhib.], in Art International, Sept. – Oct. 1983, vol.26 no.4, pp.27-28.  


Books on the artist - 1982-2006
Howard Hodgkin: Indian leaves, with a portrait of the artist by Bruce Chatwin.  London, New York: Petersburg Press, 1982; 56p, 36 col. Illus.; texts by Bruce Chatwin, A portrait of the artist, pp.5-17 (reprinted as ‘Howard Hodgkin: Indian leaves’ in Writers on Howard Hodgkin, 2006, pp.57-67), & by HH, Artist’s notes, pp.51-53; ISBN: 0902825143.

Andrew Graham-Dixon: Howard Hodgkin.  London: Thames and Hudson, 1994; 192p, 114 illus. (96 col.); biog., exhibs., bibl.; incl. selection of Artist’s statements, pp.178-179; ISBN: 0500277699.

Michael Auping, John Elderfield, Susan Sontag, with a catalogue raisonné by Maria Price: Howard Hodgkin paintings.  London: Thames and Hudson, in association with The Modern Art Museum of Fort Worth, Texas, 1995; 216p, 354 illus (81 col.); published on the occasion of exhibition at the Metropolitan Museum of Art, New York; The Modern Art Museum of Fort Worth, Texas; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf; & Hayward Gallery, London; biog., exhibs., bibl.; text by Michael Auping, The long view, pp.9-32; text of correspondence between John Elderfield & the artist, An exchange, pp.65-80; text by Susan Sontag, About Hodgkin, pp.105-112 (repr. in Susan Sontag: Where the stress falls: essays.  London: Jonathan Cape, 2002, pp.151-160); Catalogue raisonné of oil paintings, compiled by Maria Price, pp.137-200; ISBN: 0500092567.

Andrew Graham-Dixon: Howard Hodgkin.   London: Thames and Hudson, 2001 (revised and expanded edition); 232p, 143 illus (121 col.); biog., exhibs., bibl.; incl. expanded selection of Artist’s statements, pp.214-217; ISBN: 0500092982.

Liesbeth Heenk: Howard Hodgkin Prints: a catalogue raisonné.   London: Thames and Hudson, 2003; 240p, 209 illus (83 col.); biog., exhibs., bibl.; introd. by Nan Rosenthal, ‘To make the most of an image …’, pp.7-24; interview, A conversation with Howard Hodgkin, pp.125-151; ISBN: 0500093091 (paperback edition, Howard Hodgkin: the complete prints, 2006; ISBN: 0500284393).

Enrique Juncosa (editor): Writers on Howard Hodgkin.  Dublin: Irish Museum of Modern Art; London: Tate Publishing, 2006; contents: Enrique Juncosa: ‘Foreword’ & ‘Angkor Wat’, pp.6-9, pp.11-23; Colm Toíbín: ‘Howard Hodgkin’, pp.37-56; Bruce Chatwin: ‘Howard Hodgkin: Indian leaves’, pp.56-67 (previously publ. as ‘A portrait of the artist’ in Howard Hodgkin: Indian leaves, Petersburg Press, 1982, pp.5-17); James Fenton: ‘Remembering the Aurochs’, pp.69-81 (previously publ. in Howard Hodgkin, Anthony d’Offay Gallery, 1999-2000, pp.7-15), and ‘In Paris with you’, pp.83-85 (previously publ. in Out of Danger, Penguin Books, 1994); Susan Sontag: ‘About Hodgkin’, pp.97-109 (previously publ. in Howard Hodgkin paintings, Modern Art Museum of Fort Worth, Thames & Hudson, 1995, pp.105-112); Bruce Bernard: ‘Paintings 1975-1996, pp.111-117 (previously publ. in Howard Hodgkin: paintings 1975-1996, Hayward Gallery, 1996-1997);  William Boyd: ‘Abstract with memories’, pp.119-130 (previously publ. in Modern Painters, Spring 1996, vol.9 no.2, pp.36-39); Julian Barnes: ‘Words for H.H.’, pp.144-154 (previously publ. in Howard Hodgkin, Gagosian Gallery, New York, 2003, pp.99-100); Anthony Lane: ‘True colors: Howard Hodgkin returns to New York’, pp.155-162 (previously publ. in The New Yorker, 24 Nov. 2003); Alan Hollinghurst: ‘Howard Hodgkin’, pp.163-170 (previously publ.in Modern Painters, Spring 2004, vol.17 no.1, pp.116-118); chronology, pp.185-199; ISBN: 1854376748.

Marla Price: Howard Hodgkin Paintings: catalogue raisonné.  London, New York: Thames and Hudson, 2006; 384p, over 450 col. illus.; introd. by John Elderfield; ISBN: 0500093296 (June 2006).

1982

*   Painting: American and European.   L A Louver Gallery, Venice (CA), 1982. 

A private vision: contemporary art from the Graham Gund Collection (1 work; illus. in col.)Museum of Fine Arts, Boston, 9 Feb. – 4 Apr. 1982. 

Aspects of British art today (7 works; 6 illus., 3 in col.).  Metropolitan Art Museum, Tokyo, 27 Feb. – 11 Apr. 1982; Tochigi Prefectural Museum of Fine Arts, Utsonomiya, 24 Apr. – 30 May 1982; National Museum of Art, Osaka, 12 June – 25 July 1982; Hokkaido Museum of Modern Art, Sapporo, 9 Sept. – 9 Oct. 1982; organised by British Council. 

Big prints: an Arts Council exhibition of prints by European and American artists (2 works; illus, 1 in col.)Southampton Art Gallery, 17 Apr. – 23 May 1982; Fruitmarket Gallery, Edinburgh, 29 May – 26 June 1982; Central Museum and Art Gallery, Dudley, 21 Aug. – 25 Sept. 1982; Cooper Gallery, Barnsley, 1 Jan. – 6 Feb. 1983; Wolverhampton Art Gallery, 12 Feb. – 19 Mar. 1983.

1982
*   Howard Hodgkin: in conversation with David Sylvester.  Landseer / Arts Council of Great Britain, 1982, 37 mins.; dir. Judy Marle, camera Nick Gifford; broadcast on London Weekend Television, 1982; interview with David Sylvester repr. in David Sylvester: London recordings, London: Chatto & Windus, 2003, pp. ix, 88-115.

1982
*   ‘The Harveys Collection’, in Arnolfini Review, Feb. 1982, p.8.  

Renate Puvogel: ’13 britische Künstler: eine Ausstellung über Malerei’ [incl. review of Aachen exhib.], in Das Kunstwerk, Apr. 1982, vol.35 no.2, pp.67-68. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, Mar. – Apr. 1982, vol.13 no.1, pp.21-25 (ref. p.22).  

William Feaver: ‘Aspects of British art today’ [review of Tokyo exhib.], in Flash Art, Summer 1982, vol.16 no.108, p.71. 

‘Prints & photographs published’, in The Print Collector’s Newsletter, July – Aug. 1982, vol.13 no.3, pp.97-101 (ref. p.98).  

*   Roger Bevan: ‘Howard Hodgkin: Indian leaves’ [review of Tate exhib.], in Event, 22 Sept. 1982.  

Frances Spalding: ‘Howard Hodgkin’ [review of Tate & Jacobson exhibs.], in Arts Review, 24 Sept. 1982, vol.34 no.20, p.484.  

William Feaver: ‘Leaves from India’ [incl. review of Tate exhib.], in The Observer, 26 Sept. 1982, p.32. 

Marina Vaizey: ‘The spirit of India’ [incl. review of Tate exhib.], in Sunday Times, 26 Sept. 1982, p.31. 

Leslie Geddes-Brown: ‘Painter of perfection: Leslie Geddes-Brown talks to Howard Hodgkin’, in Sunday Times, 26 Sept. 1982, p.31. 

John Russell Taylor: ‘Tradition remaining strong and rich’ [incl. review of Tate & Bernard Jacobson exhibs.], in The Times, 28 Sept. 1982, p.8. 

*   Richard Cork:  ‘Fragments and figments’ [review of Tate exhib.], in The Standard, 14 Oct. 1982, p.23. 

Andrew Motion: ‘Illusions of freedom’ [review of Tate exhib. & of ‘Indian leaves’ book], in Times Literary Supplement, 22 Oct. 1982, no.4151, p.1160. 

Geeta Kapur: ‘Hodgkin’s Indian leaves’ [review of Tate exhib.], in Art Monthly, Nov. 1982, no.61, p.10. 

*   John Russell: ‘Art: works of Hodgkin displayed at Knoedler’s’ [review of New York exhib.], in The New York Times, 19 Nov. 1982, p.C28. 

*   Robert Hughes: ‘A peeper into Paradise’ [review of Knoedler exhib.], in Time, 29 Nov. 1982, p.88; repr. in Nothing if not critical: selected essays on art and artists, London: Collins Harvill, 1990, pp.281-285. 


1982

Howard Hodgkin: forty-five paintings 1949-1975.  Museum of Modern Art, Oxford, 14 Mar. – 18 Apr. 1982 (PV card). 

Howard Hodgkin: recent prints.  Bernard Jacobson, London, 18 Sept. – 9 Oct. 1982 (no catalogue; PV card).  

Howard Hodgkin’s Indian leaves (15 works)Tate Gallery, London, 22 Sept. – 7 Nov. 1982; 16p, 4 col. Illus.; text by Michael Compton, Howard Hodgkin’s Indian leaves, pp.6-13; ISBN: 0905005880. 

*   Howard Hodgkin: recent paintings.  M. Knoedler & Co., New York, 13 Nov. – 9 Dec. 1982. 

1981

A new spirit in painting (5 works; illus, 2 in col.)Royal Academy of Arts, London, 15 Jan. – 18 Mar. 1981. 

Landscape: the printmaker’s view (1 work)Tate Gallery, London, May – June 1981. 

Alistair Smith: a personal selection (1 work).  Ulster Museum, Belfast, 29 May – 23 Aug. 1981. 

*   Group show: Summer 1981.  M. Knoedler & Co., New York, July – Aug. 1981.  

New concepts for a new art: Toyama now (3 works; illus, 1 in col.).  Museum of Modern Art, Toyama, 5 July – 23 Sept. 1981. 

Prints by six British painters: Stephen Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John Walker (8 works by HH)Tate Gallery, London, Nov. 1981 – Feb. 1982; text by Elizabeth Underhill; incl. list of all of HH’s editioned & published prints to date. 

13 britische Künstler: eine Ausstellung über Malerei (4 works; 3 illus, 1 in col.).  Neue Galerie – Sammlung Ludwig, Aachen, 5 Dec. 1981 – 16 Feb. 1982; travelling to Kunstverein Mannheim, 28 Feb. – 4 Apr. 1982; Kunstverein Braunschweig, 6 Aug. – 19 Sept. 1982.  

A mansion of many chambers: Beauty and other works: an Arts Council Collection exhibition of special purchases and loans selected by Dr. David Brown, Assistant Keeper of the Modern Collection at the Tate Gallery (1 work; illus.).  [Cartwright Hall, Bradford, 12 Dec. 1981 – 17 Jan. 1982; Oldham Art Gallery, 24 Apr. – 29 May 1982; Gardner Centre Gallery, Brighton, 9 June – 7 July 1982; Minories, Colchester, 17 July – 22 Aug. 1982; Mappin Art Gallery, Sheffield, 28 Aug. – 3 Oct. 1982; Worcester City Art Gallery, 20 Nov. 1982 – 1 Jan. 1983]; organised by Arts Council of Great Britain. 

1981
*   Conversations with artists: Edward Lucie-Smith talke to Howard Hodgkin.  BBC Radio 3, 1 Feb. 1981.

*  Howard Hodgkin.  London Weekend Television (The South Bank Show), 29 Mar. 1981.

1981
*   Richard Cork: ‘Audacious, outspoken: a spur for things to come’, in Evening Standard, 15 Jan. 1981, p.19.  

David Bindman: ‘The good old avant-garde’ [review of Royal Academy exhib.], in Times Literary Supplement, 23 Jan. 1981, no.4060, p.82.  

Bernard Levin: ‘Mammoth footprints seen in Piccadilly’ [review of Royal Academy exhib.], in The Times, 28 Jan. 1981, p.14.  

Richard Cork: ‘Report from London: ‘The artist’s eye’’, in Art in America, Feb. 1981, vol.69, pp.43-55 (ref. pp.44-45, 47). 

James Faure Walker: ‘Awkward moments’ [review of Royal Academy exhib.], in Artscribe, Feb. 1981, no.27, pp.12-15 (ref. p.12).  

*   Eunice de Souza: ‘Pursuing culture’, in Economic Times, 22 Feb. 1981, p.3.  

David Sweet: ‘The decline of composition’, in Artscribe, Mar. 1981, no.28, pp.18-23 (ref. p.23).  

Richard Shone: ‘London: A new spirit in painting at the Royal Academy’ [review of exhib.], in Burlington Magazine, Mar. 1981, vol.123 no.936, pp.182-185 (ref. pp.182, 185). 

Pat Gilmour: ‘Howard Hodgkin’ [on HH’s prints], in The Print Collector’s Newsletter, Mar. – Apr. 1981, vol.12 no.1, pp.1-5.  

Palmer D. French: ‘Diluted abstractions: Richard Phipps, Howard Hodgkin’ [incl. review of San Francisco exhib.], in Artweek, 25 Apr. 1981, vol.12 no.16, p.8.  

William Feaver: ‘A ‘New spirit’ – or just a tired ghost?’ [review of Royal Academy exhib.], in Art News, May 1981, vol.80 no.5, pp.114-118 (ref. pp.115-116).  

*   Hilton Kramer: ‘Howard Hodgkin’, in The New York Times, 8 May 1981, p.C18.  

Roberta Smith: ‘Fresh paint?’ [review of Royal Academy exhib.], in Art in America, Summer 1981, vol.69 no.6, pp.70-79 (ref. pp.72-73, 77). 

Jesse Murry: ‘Reflections of Howard Hodgkin’s theatre of memory’, in Arts Magazine, June 1981, vol.55 no.10, pp.154-157. 

Edward Lucie-Smith: ‘Howard Hodgkin: the wild card in the post-modernist pack talks to Edward Lucie-Smith’, in Quarto, July 1981, no.19, pp.15-17. 

Ted Castle: ‘The paint dream’ [incl. review of Knoedler & Jacobson exhibs.], in Art Monthly, July/Aug. 1981, no.48, pp.11-13.  

Deborah C. Phillips: ‘New editions’ [review of Jacobson exhib.], in Art News, Sept. 1981, vol.80 no.7, p.161. 

Kathryn Howarth: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1981, vol.69 no.8, pp.145-146. 

Deborah C. Phillips: ‘Howard Hodgkin’ [review of New York exhib.], in Art News, Nov. 1981, vol.80 no.9, pp.200-202.   


1981

Howard Hodgkin (12 works).  M. Knoedler & Co., New York, 25 Apr. – 12 May 1981; 24p, 14 illus (13 col); biog., exhibs., bibl.; text by Lawrence Gowing, Howard Hodgkin, pp.5-8.. 

Howard Hodgkin: recent prints (11 works)Melbourne University Art Gallery, 1 Dec. 1981 – 31 Mar. 1982; Tasmanian School of Arts, Hobart, Apr. – May 1982; Contemporary Art Society of Adelaide, 4 – 30 May 1982; Art Gallery of West Australia, Perth, 15 June – 20 July 1982; Newcastle Regional Gallery, 1 – 31 Aug. 1982; University of Queensland Art Museum, Brisbane, Oct. – Dec. 1982; organised by University of Queensland Art Museum; 3p, 11 illus (1 col.); biog., exhibs., colls.; introd. by Stephen Rainbird. 

*   [Howard Hodgkin].  Macquarie Galleries, Sydney, 1981. 

*   [Howard Hodgkin: prints].  Bernard Jacobson, Los Angeles; travelling to Bernard Jacobson, London.