Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
* Works of
the early 60s. M Knoedler Gallery, London, 1979.
To-day:
Brittiskt 60-
och 70-tal (3 works). Lunds Konsthall, 7 Apr. – 6 May 1979.
European
dialogue:
The Third Biennale of Sydney (2 works). Art Gallery of New
South Wales, Sydney, 14 Apr. – 27 May 1979.
Contemporary art for 17 Charterhouse Street [Central Selling Organisation, De Beers Consolidated Mines; works selected by the Contemporary Art Society] (1 work; illus.). Mall Galleries, London, 21 – 25
May 1979.
Narrative
paintings: figurative art
of two generations (1 work). Arnolfini, Bristol, 1 Sept. –
20 Oct. 1979; travelling to Institute
of Contemporary Arts, London, 26 Oct. – 25 Nov. 1979; City Museum
and Art Gallery, Stoke-on-Trent, 5 Jan. – 2 Feb. 1980; Fruit Market
Gallery, Edinburgh, 9 Feb. – 29 Mar. 1980; text by Timothy Hyman,
ref. pp.7-8.
This knot of
life: paintings and
drawings
by British artists (3 works). L.A. Louver Gallery, Venice
(CA), (part I:) 23 Oct. – 17 Nov. 1979.
Peter Moores
Liverpool Project 5:
The craft of art (9 works). Walker Art Gallery, Liverpool, 3
Nov. 1979 – 13 Feb. 1980.
* William
Packer: ‘Hodgkin’s
eye at the National Gallery’ [review of exhib.], in Financial Times, 23
June 1979, p.14.
John Spurling:
‘Hangmen’ [incl. review
of National Gallery exhib.], in New
Statesman, 29 June 1979, vol.97 no.2519, pp.963-964.
* Noel Riley:
‘Highlights:
Hodgkin’s eye’, in Antique Dealer and Collectors Guide, July
1979, p.63,
Richard Shone:
‘Current and forthcoming
exhibitions: London’ [review of National Gallery exhib.], in Burlington
Magazine, July 1979, vol.121 no.916, pp.455-459 (ref. p.456).
* Emmanuel
Cooper: ‘A personal
choice’ [review of National Gallery exhib.], in Morning Star, 2
July 1979, p.4.
* Edward
Lucie-Smith: ‘Getting
it all together’ [review of National Gallery exhib.], in Evening
Standard, 4 July 1979, p.32.
* Francis
Watson: ‘London
reviews: The artist’s eye’ [review of National Gallery exhib.],
in Arts Review, 6 July 1979, vol.31, p.357.
* Waldemar
Januszczak: ‘The
artist’s eye’ [review of National Gallery exhib.], in The
Guardian, 6 July 1979, p.8.
John McEwen:
‘Artist’s eye’ [review
of National Gallery exhib.], in The Spectator, 7 July 1979,
vol.243
no.7877, p.25.
* Andrew
McKenzie: ‘Painter’s
view of his work’, in Sheffield Morning Telegraph, 10 July 1979,
p.4.
Louis Collis
& Lavinia Learmont:
‘London’ [review of National Gallery exhib.], in Art and Artists, Aug.
1979, vol.14 no.4 (no.159), pp.42-48 (ref. p.42).
* Michael
Shepherd: ‘Hodgkin’s
eye’ [review of National Gallery exhib.], in What’s On in London, 10
Aug. 1979.
Suzanne Boorsch:
‘New editions’,
in Art News, Sept. 1979, vol.78 no.7, pp.42-43.
* William
Feaver: ‘Loitering
with deep intent’, in The Observer, 16 Sept. 1979, p.15.
Glenn Sujo:
‘Narrative painting, 2:
at Arnolfini’ [review of Bristol exhib.], in Art Monthly, Oct.
1979, no.30, pp.19-21.
Fenella Crichton:
‘England: London’
[review of National Gallery exhib.], in Pantheon, Oct.-Dec. 1979,
vol.37 no.4, p.326.
* Suzanne
Muchnic: ‘British
artists painting the town’, in Los Angeles Times, 9 Nov. 1979,
section IV, pp.1, 10.
Mixed
exhibition (3 works). Knoedler Gallery, London, Mar. 1978.
Groups (HH’s
name listed, but no works specified or illus.). Waddington
and Tooth Galleries, London, 4 – 28 Apr. 1978.
Critic’s
choice: an exhibition of
contemporary art selected by John McEwen (1 work). Institute
of Contemporary Arts, London, 7 Sept.
– 7 Oct. 1978.
Howard
Hodgkin: hand-coloured
lithographs;
Alistair Crawford: paintings & etchings (4 works by HH). Ian
Birksted Gallery, London, 25 Nov. – 14
Dec. 1978.
Tim Hilton:
‘Anthologist’ [review
of ICA exhib.], in The Spectator, 16 Sept. 1978, vol.241 no.7837,
p.25.
Linda Lee Bolton:
‘Howard Hodgkin’
[incl. review of Riverside exhib.], in Arts Review, 13 Oct. 1978,
vol.30 no.20, p.551.
* Waldemar
Januszczak: ‘A
train that has run out of steam but refuses to stop for more coal’,
in The Guardian, 29 Nov. 1978, p.12.
John McEwen:
‘Four British painters’
[i.e. John Hoyland, John Walker, Stephen Buckley & HH], in Artforum,
Dec. 1978, vol.17 no.4, pp.50-55.
Timothy Hyman:
‘Howard Hodgkin
interviewed
by Timothy Hyman’, in Artscribe, Dec. 1978, no.15, pp.25-28.
* William
Feaver: ‘A matter
of ways and means’, in The Observer, 3 Dec. 1978.
John McEwen:
‘Abstract prizes’ [incl.
review of Liverpool exhib.], in The
Spectator, 9 Dec. 1978, vol.241 no.7849, pp.36-37.
* William
Packer: ‘Critics
choice at the ICA’, in Financial Times, 16 Dec. 1978.
* [Howard
Hodgkin: Indian
views: exhibition of prints]. British Council touring exhibition,
in India, Malaysia & Columbia,
1978.
Hayward
Annual: current British
art selected by Michael Compton, Howard Hodgkin and William Turnbull (6
works in part 2; 4 illus.). Hayward Gallery, London, 25 May – 4
July 1977 (part one) & 20
July – 4 Sept. 1977 (part two).
British
artists of the Sixties, from
the collections of the Tate Gallery (1 work). Tate Gallery,
London, 1 June 1977 - .
British
painting 1952-1977 (2 works; illus.). Royal Academy of Arts,
London, 24 Sept.
– 20 Nov. 1977.
* Richard Cork:
‘The fresh
emerges which may help to change British art ...’, in The
Guardian, 20 July 1977, p.10.
* Norbert
Lynton, Francis
Golding, Paul Overy: ‘How newspaper critics paint art’, in The
Guardian, 23 July 1977, p.6.
* William
Feaver: ‘Full
house’, in The Observer, 24 July 1977, p.24.
* Michael
Shepherd: ‘The
better half’, in Sunday Telegraph, 24 July 1977, p.14.
* Edward
Lucie-Smith: ‘Squeaks
from the South Bank’, in Evening Standard, 28 July 1977, p.16.
John McEwen:
‘Hardy annual’ [review
of Hayward exhib.], in The Spectator, 30 July 1977, vol.239
no.7778,
p.28.
* Marina
Vaizey: ‘The best
of British’, in Sunday Times, 31 July 1977, p.39.
Malcolm
Quantrill: ‘London letter’
[incl. review of Tate exhib.], in Art International, July –
Aug. 1977, vol.21 no.4, pp.68-72 (ref. p.69).
Frances Spalding,
Janey Daley: ‘Hayward
Annual part II: two views’ [reviews of exhib.], in Arts Review, 5
Aug. 1977, vol.29 no.16, pp.508-509.
Tim Hilton:
‘South Bank-ruptcy’ [review
of Hayward exhib.], in Times Literary Supplement, 5 Aug. 1977,
no.3934, p.960.
Richard Shone:
‘Gallery: painting and
performance’ [incl. review of Hayward exhib.], in Architectural
Review, Sept. 1977, vol.162 no.967, pp.184-186 (ref. p.184).
James Faure
Walker: ‘Ways of disclosing:
mapping the Hayward Annual’ [review of exhib.], in Artscribe,
Sept. 1977, no.8, pp.20-26.
* Bruce
Bernard: ‘Personalities
of British painting’, in Sunday Times Magazine, 4 Sept. 1977,
pp.34-41.
* John Russell:
‘Tenacity
keeps British art alive’, in The New York Times, 25 Sept. 1977,
p.D33.
Noel Frackman:
‘Howard Hodgkin / Stanley
Boxer [et al.]’ [incl. review of New York exhib.], in Arts
Magazine, Nov. 1977, vol.52 no.3, p.29.
Donald B. Kuspit:
‘Howard Hodgkin at
Emmerich’ [review of exhib.], in Art in America, Nov.-Dec.
1977, vol.65 no.6, pp.134-135.
Leo Rubinfein:
‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Dec. 1977, vol.16,
p.68.
* ‘Emmerich in
Zürich:
Hodgkin und Hockney’, in Basler Zeitung, 31 Dec. 1977, vol.30
no.327.
Howard
Hodgkin:
complete prints (31 works). Museum of Modern Art, Oxford, 12
June – 10 July 1977; 5p, 3 illus;
exhibs.; introd. by Penelope Marcus.
* Howard
Hodgkin: new
paintings. André Emmerich Gallery, New York, 15 Sept. –
5 Oct. 1977.
* Peintres
et sculpteurs
britanniques. Centre Culturel de la Ville de Toulouse, 1976..
John Moores
Liverpool Exhibition 10 (1 work; illus.; winner of Second Prize).
Walker Art Gallery, Liverpool, 6 May – 8 Aug. 1976.
* William
Feaver: ‘Hodgkin’s
intelligence tests’ [review of Oxford exxhib.], in The Observer, 21
Mar. 1976, p.30.
William Packer:
‘Keith Vaughan and
Howard Hodgkin’ [incl. review of Oxford exhib.], in Financial Times,
30 Mar. 1976, p.3.
Paul Overy:
‘Josef Albers: round and
round the square’ [incl. review of Oxford exhib.], in The Times, 30
Mar. 1976, p.14.
Lynda Morris:
‘Hodgkin and Caulfield’
[incl. review of Oxford exhib.], in The Listener, 1 Apr. 1976,
vol.95 no.2451, p.417.
Marina Vaizey:
‘Kaleidoscopes’ [incl.
review of Oxford exhib.], in Sunday Times, 4 Apr. 1976, p.39.
James Burr:
‘Round the galleries: bold
banalities’ [review of Serpentine exhib.], in Apollo, May.
1976, vol.103 no.171, p.444.
Bryan Robertson:
‘Art’ [incl. review
of Serpentine & Waddington exhibs.], in Harpers & Queen,
May 1976, p.76.
William Feaver:
‘Arte Milanese’ [incl.
review of Oxford exhib.], in Vogue (UK), May 1976, vol.133 no.7
(no.2130), p.16.
* William
Feaver: ‘Over
and out’, in Observer, 9 May 1976, p.27.
Paul Overy:
‘Moores the pity: time
to change the rules?’ [review of Liverpool exhib.], in The Times, 11
May 1976, p.13.
* Jane
Clifford: ‘Exhibition
shows patrons generosity’, in Daily Telegraph, 13 May 1976,
p.6.
Harold Osborne:
‘Howard Hodgkin’
[review of Serpentine exhib.], in Arts Review, 14 May 1976,
vol.28
no.10, p.239.
John McEwen:
‘Winning’ [incl. review
of Waddington, Serpentine & Liverpool exhibs.], in The Spectator,
15 May 1976, vol.236 no.7716, p.29.
Richard Cork:
‘Every blob counts!’
[review of Serpentine exhib.], in Evening Standard, 20 May 1976;
repr. as ‘Howard Hodgkin’ in Richard Cork: Everything seemed
possible: art in the 1970s’, New Haven, London: Yale University
Press, 2003, pp.221-224.
Marina Vaizey:
‘British understatement’,
in Sunday Times, 23 May 1976, p.35.
Caroline Tisdall:
‘Howard Hodgkin’
[review of Serpentine exhib.], in The
Guardian, 27 May 1976.
Barbara Wright:
‘John Moores Liverpool
Exhibition 10’, in Arts Review, 28 May 1976, vol.28 no.11, p.264.
Richard Morphet:
‘Howard Hodgkin’
[review of Oxford exhib.], in Studio International, May/June
1976, vol.191 no.981, p.297.
Bernard Denvir
& Lavinia Learmont:
‘London’ [review of Serpentine exhib.], in Art and Artists,
June 1976, vol.11 no.3, pp.40-41.
Fenella Crichton:
‘London letter’,
in Art International, Summer 1976, vol.20 no.6, p.14.
Jasia Reichardt:
‘Howard Hodgkin and
portraiture’ [review of Newcastle exhib.], in Architectural Design, July
1976, vol.46 no.7, p.444.
John McEwen:
‘Howard Hodgkin at the
Serpentine Gallery’ [review of London exhib.], in Art in America, July/Aug.
1976, vol.64 no.4, pp.110, 113.
Toni del Renzio:
‘Pop’, in Art
and Artists, Aug. 1976, vol.11 no.5, pp.14-19 (ref. pp.18-19).
William Feaver:
‘The view from Europe:
England: Involvement, assiduity and an openness of mind’, in Art
News, Oct. 1976, vol.75 no.8, pp.33-35.
Howard
Hodgkin:
forty-five paintings 1949-1975. Museum of Modern Art, Oxford, 14
Mar. – 18 Apr. 1976; organised by
Arts Council of Great Britain; travelling to Serpentine Gallery, London,
1 – 31 May 1976; Turnpike Gallery, Leigh (Lancs.), 5 – 26 June 1976;
Laing Art Gallery, Newcastle upon Tyne, 3 July – 8 Aug. 1976; Aberdeen
Art Gallery, 14 Aug. – 4 Sept. 1976; Graves Art Gallery, Sheffield,
11 Sept. – 3 Oct. 1976; 76p., 49 illus (46 col.); biog., exhibs.,
bibl.; introd. by Richard Morphet, pp.5-22.
Howard Hodgkin
prints. Tate Gallery, London, 4 May – 13 June 1976; 2p dupl.
typescript
(“Description
approved by the artist and based on a tape made at the Tate Gallery
April 1, 1976.”).
* The
British are coming:
contemporary British art. De Cordova Museum, Lincoln (MA), 1975.
* Third
Triennale India. Lalit Kala Akademi, New Delhi, 1975..
Art Fair, CAS:
Contemporary Art Society (1 work). Mall Galleries, London,
15 – 23 Jan. 1975.
* British
art mid-70s:
Englische Kunst Mitte der Siebzigerjahre. Jahrhunderthalle
Hoechst, 26 Mar. – 25 Apr. 1975; travelling to Forum Leverkusen, 7
– 28 May 1975.
British
Exhibition Art
6’75 Basel (1 work, illus.). Schweizer Mustermesse, Basel,
18 – 23 June 1975.
Timothy Hyman:
‘Howard Hodgkin’ [letter
clarifying errors in article in issue of May – June 1975], in Studio
International, July – Aug. 1975, vol.190 no.976, p.88.
William Feaver:
‘All this and real
beer, too’ [incl. review of Bristol exhib.], in The
Observer, 19 Oct. 1975.
John McEwen:
‘Howard Hodgkin’ [review
of Bristol exhib.], in The Spectator, 8 Nov. 1975, no.7689,
p.611.
An exhibition
of contemporary British
painters and sculptors (1 work; illus.). Lefevre Gallery,
London, 18 Apr. – 18 May 1974.
A collector’s
choice: an exhibition
of contemoporary artists (1 work). Peterloo Gallery, Manchester,
3 – 22 May 1974.
John Moores
Liverpool Exhibition 9 (1 work). Walker Art Gallery,
Liverpool, 13 June – 15
Sept. 1974.
“The Last
Festival”:
Peter Blake’s selection exhibition (2 works). Festival
Gallery, Linley House, Bath, 23 Aug.
– 14 Sept. 1974.
* New image
in painting:
1st International Biennial Exhibition of
Figurative
Painting. Tokyo Department Store, Tokyo, 6 – 18 Sept. 1974;
touring to Hanshin & Osaka.
* Marina
Vaizey: ‘The arts:
signs of life’, in Sunday Times, 29 Sept. 1974, p.35.
* Richard Cork:
‘Trapped
in the old-boy net’, in Evening Standard, 10 Oct. 1974, pp.24-25.
* Exhibition
of work by
David Hockney and Howard Hodgkin. Ashgate Gallery, Farnham, 1973.
La peinture
anglaise aujourd’hui (4 works; 2 illus.). Musée d’Art moderne de la
ville de Paris,
7 Feb. – 11 Mar. 1973; organised by British Council.
* Marina
Vaizey: ‘British
allsorts’, in Financial Times, 19 Feb. 1972, p.173.
* Hilton
Kramer: ‘Howard
Hodgkin’ [review of New York exhib.], in The New York Times, 24
Feb. 1973, p.25.
Gerrit Henry:
‘Reviews and previews’
[incl. review of New York exhib.], in Art News, Mar. 1973, vol.72
no.3, p.75.
William Feaver:
‘Hodgkin’s intelligence
tests’ [review of Oxford exhib.], in Observer Review, 21 Mar.
1976.
Bernard Denvir:
‘London letter’ [incl.
review of Paris exhib.], in Art International, Apr. 1973, vol.17
no.4, pp.42-47 (ref. pp.46-47).
Ellen Lubell:
‘Howard Hodgkin: Kornblee’
[review of New York exhib.], in Arts Magazine, Apr. 1973, vol.47
no.6, pp.81-82.
Sanford Schwarz:
‘New York letter’
[incl. review of New York exhib.], in Art International, May
1973, vol.17 no.5, pp.41-42.
Gregory Battcock:
‘New York’ [incl.
review of New York exhib.], in Art and Artists, June 1973, vol.8
no.3, pp.50-51.
Julien Clay: ‘La
peinture anglaise
aujourd’hui: Musée municipal d’art moderne Paris’ [review of
exhib.], in XX Siècle, Dec. 1973, no.41, pp.174-176.
Howard
Hodgkin: screenprints. Waddington Galleries II, London, 8 – 30 Mar.
1972 (PV card).
* Britisk
maleri 1945
to 1970. Kunstnerforbunder, Norway; British Council touring
exhib.; travelling to Trondhjems Kunstforening & Bergens
Kunstforening.
* Howard
Hodgkin, John
Hoskin. Arnolfini Gallery, Bristol, 1972.
* [group
show]. Kasmin Gallery, London, 1972.
Patrick
Caulfield, Howard Hodgkin,
Michael Moon (5 works by HH). Galerie Stadler, Paris, 21
Mar. – 15 Apr. 1972; incl. text by HH (in
French), on loose sheet.
S. [= Shelagh]
Hardie: ‘Howard Hodgkin,
John Hoskin’ [review of Bristol exhib.], in Arts Review, 1 July
1972, vol.24 no.13, p.398.
* [Howard
Hodgkin]. Park Square Gallery, Leeds, 1971.
H. Hodgkin. Galerie
Müller, Cologne, 15 Jan. – 25 Feb. 1971; card, 2p, illus;
biog., exhibs.
Critic’s
choice: 1971 selection
by Robert Melville (2 works; 1 illus.). Arthur Tooth &
Sons, London, 2 – 26 Mar. 1971.
Britisk
grafikk (1 work). Kunstnernes Hus, Oslo, 13 – 21 Mar. 1971.
Peter Fuller:
‘Howard Hodgkin’ [review
of Kasmin exhib.], in Arts Review, 10 Apr. 1971, vol.23 no.7,
p.206.
* John Russell:
‘The life
of colours’ [review of Kasmin exhib.], in Sunday Times, 11 Apr.
1971, p.29.
Judy Marle:
‘Hodgkin’ [review of
Kasmin exhib.], in The Guardian, 19 Apr. 1971.
Richard Cork:
‘The English game –
keeping all the options open’ [review of Kasmin exhib.], in Evening
Standard, 21 Apr. 1971, p.16.
Timothy Hilton:
‘UK commentary’ [incl.
review of Kasmin exhib.], in Studio International, June
1971, vol.181 no.934, pp.268-271.
William Feaver:
‘Art: Exhibitionism’,
in London Magazine, Aug.-Sept. 1971, vol.11 no.3, pp.112-120
(ref. p.119 & 2 illus. facing p.115).