Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
Gayford, Martin, “Hodgkin’s Abstracts.” www.bloomberg.com, 12 April.
Wright, Karen. “The later, greater Howard Hodgkin.” Telegraph Review, 5 April.
Wullschlager, Jackie. “With a song in his art.”TheFinancial Times, 5 April.
Teerman, Tim. “The colourful life of Howard Hodgkin.” www.timesonline.com, March.
Hollinghurst, Alan. “Orgy of Color.” The Guardian, March.
Artist's Studios. “Howard Hodgkin.” The Guardian, 26 April.
The Art Fund Helps Buy Hodgkin. “Masterpiece for Bath.” Artdaily.org, September.
Eyre, Hermione. “
If you don't
think philosophy can make you happy, you haven't read Seneca.” The
Independent, 3 September.
Carlson, Ben. Review: Howard Hodgkin at the Yale Center For British Art. Modern Painters, May.
Glover, Michael. “The Old Masters.” The Independent, 13 April.
Kimmelman, Michael. “Blasts Of Color, Evoking Memories.” The New York Times, 16 February
Eagan, Matt. “Explosion of Emotion.” Hartford Courant, 2 February.
Howard Hodgkin. “Prints at Abbot Hall Art Gallery Kendal.” www.24 Hour Museum.com 23 March.
“Mozart Dances.” The Times, London, 6 July.
Brown, Ismene.
“Mark Morris
Frolicking with Mozart.” The Telegraph, 6 July
Rosenblum, Robert. “A trumpet blast for Howard Hodgkin, the ‘painter laureate’.” The Art Newspaper, December.
Collings, Mathew. “Help The Lazy.” Modern Painters, September.
“Hodgkin: A life in colour.” THE JOURNAL(Newcastle), Jun 27, p. 34.
2006 Hensher, Philip. “He’s made splodges beautiful.” The Mail on Sunday, 25 June.
“The weasel Christopher Hirst.” The Independent, 24 June.
Sewell, Brian. “Hodgkin’s worst enemy? It turns out to be colour. “ The Evening Standard, 16 June.
Blacker, Terence. “When art slides into smug mockery.” The Independent, 16 June.
Güner, Fisun. “Not for every palette.” MetroLife, 14 June, p. 27.
Campbell-Johnston, Rachel. “A colorful case of overkill.” The Times(London), 13 June.
Dorment, Richard. “The late blooming of a master.” The Daily Telegraph, 13 June.
Searle, Adrian. “Quick, fetch a mop.” The Guardian, 13 June.
Brown, Mark. “Tate Tribute, Hodgkin On Show.” The Guardian, 13 June.
Gayford, Martin. “Diary of an evolution.” Telegraph Magazine, 3 June.
Litt, Toby. “Talking in colour.” Modern Painters, June.
Cooke, Rachel. “True Colours’, Observer, 26 May
Tóbín, Colm. “I Hate Painting.” The Guardian, 13 May
Preview: Howard Hodgkin at the Tate Modern. The Observer, 16 April.
Preview: Howard Hodgkin at the Irish Museum of Modern Art. Artforum, February.
“The Colour Co-Ordinator.” The Irish Times, 25 February
Foley,
Catherine. “Imma shows its true colours.” The Irish Times,
28 January.
David Acton: ‘Howard Hodgkin prints: a catalogue raisonné’ [review of monograph by Heenk], in Burlington Magazine, Mar. 2005, vol.147 no.1224, pp.192-194.
“Two Eyes for Colour.” Bath Chronicle, 12 August
Ana Finel
Honigman: ‘The color of
turmoil’
[review of New York exhib.], in Artnet Magazine (online), 2004.
Donald Kuspit:
‘Howard Hodgkin: Gagosian
Gallery’ [review of New York exhib.], in Artforum, Feb. 2004,
vol.42 no.6, pp.149-150.
Stephen Maine:
[review of monograph by
Heenk], in The Art Book, Mar. 2004, vol.11 no.2, pp.39-41.
Alan
Hollinghurst: ‘Howard Hodgkin’
[review of New York exhib.], in Modern Painters, Spring 2004,
vol.17 no.1, pp.116-118.
Tessa Sidey:
‘Hodgkin’ [review of
Heenk monograph], in Print Quarterly, June 2004, vol.21 no.2,
pp.208-211.
Louisa Buck: ‘The
nature of the beast’
[incl. review of Alan Cristea exhib.], in Art Newspaper, Mar.
2003, vol.13 no.34, p.30.
Geordie Greig:
‘Mind’s eye’, in Tatler, Apr. 2003, pp.198-202.
‘Meet Cliburn
2005 artist: Sir Howard
Hodgkin’, in Cliburn News: the Newsletter of the Van Cliburn
Foundation (online), Fall 2003.
David Cohen:
‘Gallery going’ [inc.
review of New York exhib.], in The
New York Sun, 20 Nov. 2003; revised version repr. in artcritical.com(online).
Daniel Kunitz: ‘The lost content’, in Modern Painters, Winter 2003, vol.16 no.4, pp.96-98.
P. Holmes:
‘Report card: Howard Hodgkin’,
in Art Review, May 2002, vol.53, p.43.
‘Ornamental
invention’, in Tate:
The Art Magazine, Summer 2002, no.29, p.29.
Michael White:
‘I’m going to scream,
I am’ [interview on stage-designs], in Sunday Telegraph, 9
June 2002.
Moira Jeffrey: ‘A
brush with the big
blue’ [review of Edinburgh exhib.], in The Herald, 9 Aug. 2002,
p.24.
Robert Clark:
‘Howard Hodgkin: Edinburgh’
[review of exhib.], in The Guardian, The Guide section, 10-16
Aug. 2002, p.34.
Charles Darwent:
‘Balloons in need
of a pin’ [review of Edinburgh exhib.], in The
Independent on Sunday, 11 Aug. 2002, Arts Supplement, p.10.
Laura Cumming:
‘Bigger, but definitely
not better’ [incl. review of Edinburgh exhib.], in The Observer,
11 Aug. 2002, Review Supplement, p.11.
Iain Gale:
‘Artist summons up the
sensational
in living colour’ [review of Edinburgh exhib.], in Scotland on
Sunday, 11 Aug. 2002.
Vicky Allan:
‘Howard’s way’ [interview],
in Sunday Herald, 11 Aug. 2002, p.3.
Giles Sutherland:
‘Writings on the
wall’ [incl. review of Edinburgh exhib.], in Sunday Herald,
11 Aug. 2002, Review Section, p.16.
Neil Cameron:
‘Howard Hodgkin: Dean
Gallery, Edinburgh’ [review of exhib.], in The Guardian, 12
Aug. 2002, p.17.
Duncan Macmillan:
‘Full of empty promise’
[incl. review of Edinburgh exhib.], in The Scotsman, 13 Aug.
2002, pp.12-13.
John Russell
Taylor: ‘Making a bigger
splash’ [incl. review of Edinburgh exhib.], in The Times, 14
Aug. 2002, section T2, pp.10-11.
‘Exhibition of
the week: Howard Hodgkin
– Large paintings 1984-2002’ [review of Edinburgh exhib.], in The
Week, 17 Aug. 2002.
James Beechey:
‘Seductive distillations
of melancholy’ [review of Edinburgh exhib.], in Financial Times,
17-18 Aug. 2002.
Philip Hensher:
‘It’s simply a National
disgrace’ [incl. review of Edinburgh exhib.], in Scottish Mail
on Sunday, 18 Aug. 2002, Review section, p.6.
Martin Gayford:
‘A slow developer who
works on a grand scale’ [review of Edinburgh exhib.], in Sunday
Telegraph, 18 Aug. 2002.
Martin Gayford:
‘Room for improvement’
[incl. review of Edinburgh exhib.], in The Spectator, 24 Aug.
2002, vol.289 no.9081, pp.37-38 (ref. p.38).
Andrew Brown:
‘Meagre feast’ [incl.
review of Edinburgh exhib.], in Modern Painters, Autumn 2002,
vol.15, pp.42-44.
Eddie Harrison:
[review of Edinburgh
exhib.], in Metro, 2 Sept. 2002.
Brian Cooper:
‘Hodgkin and the colour
of memories’ [review of Edinburgh exhib.], in Church of England
News, 3 Oct. 2002.
Matthias Thibaut:
‘Der maler der
Erinnerung:
Howard Hodgkin wurde 70 Jahre alt’, in Weltkunst, 15 Oct. 2002,
vol.72 no.11, pp.30-32.
* M.D. Cohen:
‘The Blue
Hill Art and Cultural Center / Pearl River: Line, letter or color as
a central element to imagery’, in Art New England, Dec. 2002 /
Jan. 2003, vol.24 no.1, pp.35-36.
Nicholas Wroe:
‘The colour of emotion:
The Guardian profile: Howard Hodgkin’, in The Guardian, Saturday
Review, 24 Mar. 2001, p.6.
Jonathan Meades:
‘True colours’
[interview],
in The Times Magazine, 31 Mar. 2001, pp.32-35, 37.
Ivo Kranzfelder:
‘Malerei als Reflexion
über die Psychologie der Darstellung’, in Künstler: Kritisches
Lexikon der Gegenwartskunst, 2. Quartal 2001, Ausgabe 54 Heft11,
pp.3-13.
Julian Mitchell:
‘Howard Hodgkin in
Milan: an artist at the height of his powers’ [review of exhib.],
in Modern Painters, Summer 2001, vol.14 no.2, pp.42-44.
Elisabeth
Mahoney: ‘Howard Hodgkin’
[review of Edinburgh exhib.], in The Guardian, 8 June 2001.
Tim Adams: ‘It’s
the vision thing’
[interview], in The Observer Review, 10 June 2001, p.3.
Barry Didcock: ‘A
knight’s tale’,
in Sunday Herald – Directory, 17 June 2001.
Michael Glover:
‘Conversations with
greatness’ [interview], in The Independent, 21 June 2001, p.11.
Richard Cork:
‘Howard’s way’, in The Times, 23-29 June 2001, p.23.
Paul Levy:
‘Hanging it Howard’s way’
[review of Dulwich exhib.], in Evening Standard, 28 June 2001.
Richard Dorment:
‘Splashes of
inspiration’
[revew of Dulwich exhib.], in Daily Telegraph, 11 July 2001.
Adrain Searle:
‘Rainbow warrior’
[review of Dulwich exhib.], in The Guardian, 17 July 2001,
pp.12-13.
Martin Gayford:
‘Zinging off the walls’
[review of Dulwich exhib.], in The Spectator, 21 July 2001,
vol.287
no.9024, p.39.
Martin Herbert:
‘Howard Hodgkin’
[review of Dulwich exhib.], in Time Out, 1-8 Aug. 2001, p.58
Brian Sewell: ‘A
Grand Old Darling
but definitely not GOD’ [review of Dulwich exhib.], in Evening
Standard, 10 Aug. 2001.
John Harvey: ‘San
Francis and Howard
Hodgkin’ [incl. review of Dulwich exhib.], in Modern Painters,
Autumn 2001, vol.14 no.3, pp.52-3.
BS [= Barry
Schwabsky]: ‘Howard Hodgkin’
[review of Dulwich exhib.], in Artforum, Oct. 2001, vol.40 no.2,
p.170.
Richard Shone:
‘London: Moynihan,
Hodgkin,
Hume’ [incl. review of d’Offay exhb.], in Burlington Magazine, Feb.
2000, vol.142 no.1163, pp.119-121.
* John Tusa:
‘Lessons in
art and life: interview with Howard Hodgkin’, in The
Independent on Sunday, 7 May 2000.
Margaret Howard:
[review of BBC Radio
3 interview with John Tusa on 7 May 2000], in The Tablet, 20
May 2000.
* ‘Howard
Hodgkin’, in Sunday Telegraph, 28 May 2000
Michael Glover:
‘A passion for
pachyderms’,
in Art News, Summer 2000, vol.99 no.7, pp.170-171.
Richard Cork:
‘New, improved additional
values’ [review of National Gallery exhib.], in Times 2, 14
June 2000, pp.20-21; repr. as ‘Encounters: new art from old’ in
Richard Cork: Annus mirabilis: art in the year 2000, New Haven,
London: Yale University Press, 2003, pp.119-123 (ref. pp. 119-120).
Lynn Barber:
‘Hodgkin’s true colours’
[interview], in The Observer Magazine, 31 Oct. 1999, pp.44-45,
47-48, 51.
James Hall:
‘Howard Hodgkin: Anthony
d’Offay’ [review of exhib.], in World of Interiors, Nov.
1999, vol.19 no.11, pp.172-173.
Martin Gayford:
‘What’s it all about,
Sir Howard?’ [review of dOffay exhib.], in The Independent,
1 Nov. 1999, p.10.
‘London’s only
old master’, in Evening Standard, 10 Nov. 1999.
Jonathan Jones:
‘Desperate pleasures’
[interview], in The Guardian, 11 Nov. 1999, pp.12-13.
John McEwen: ‘All
correct in heaven’
[incl. review of d’Offay exhib.], in Sunday
Telegraph, 19 Dec. 1999, p.11.
Richard Cork:
‘Raging, ageing bull’
[review of d’Offay exhib.], in The Times, 19 Nov. 1999, p.51;
repr. as ‘Howard Hodgkin’ in Richard Cork: Breaking down the
barriers: art in the 1990s, New Haven, London: Yale University
Press,
2003, pp.447-450.
‘Every daub has
its day’ [incl. review
of d’Offay exhib.], in The Observer Review, 21 Nov. 1999, p.11.
Martin Gayford:
‘Great memories’
[review of d’Offay exhib.], in Daily Telegraph, 1 Dec. 1999,
p.26.
Frances Spalding
‘Seductive tease
from an outsider’ [review of d’Offay exhib.], in The Mail on
Sunday, 5 Dec. 1999.
Paul Levy: ‘First
he took Manhattan’
[revew of New York exhib.], in The
Independent, 7 May 1998.
Terry Grimley:
‘Modern art tastes catch
up with British pacemaker’, in Birmingham Post, 27 July 1998.
* A. Woods:
‘The
place where silence becomes objects: interview with Howard Hodgkin’,
in Transcript, vol.3 no.2, Oct. 1998.
‘Die Farbe
fluchtiger Emotion: Howard
Hodgkins Gemalde in der Hayward Gallery, London’ [review of exhib.],
in Neue Zürcher Zeitung, 27 Jan. 1997.
Sasha Grishkin:
‘A leader among today’s
British painters’ [review of Hayward exhib.], in The Canberra Times,
7 Feb. 1997.
Brian Fallon:
‘Hodgkin gets his due’
[review of Hayward exhib.], in The Irish Times, 19 Feb. 1997,
p.12.
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of Hayward exhib.], in Art Review, Mar. 1997,
vol.49, pp.26-28, 30.
Norbert Lynton:
‘Howard Hodgkin: Tuppence
coloured’ [review of Hayward exhib.], in Modern Painters, Spring
1997, vol.10 no.1, pp.109-111.
Caroline Boucher:
‘Frankly Howard’
[report of talk given at Whitechapel Art Gallery], in The Observer,
13 July 1997, p.11.
* [Howard
Hodgkin]. Susan Sheehan Gallery, New York, 1997.
David Sweet:
‘Issues in architecture’,
in Art and Design, 1996, vol.4 no.2, pp.182-192.
Richard Shiff,
A.M. Homes: ‘The subject
in question: Richard Shiff reviews “Howard Hodgkin: paintings”’
[review of New York exhib.; & untitled interview with A.M. Homes],
in Artforum, Jan. 1996, vol.34 no.5, pp.62-67.
Mario Naves: ‘The
pleasure trade: Howard
Hodgkin at the Met’ [review of New York exhib.], in The New Criterion,
Jan. 1996, vol.14 no.5, pp.49-51.
Robert Hughes:
‘Delight for its own
sake’ [review of New York exhib.], in Time, 22 Jan. 1996, vol.147
no.4.
Frank Kermode: ‘A
likely story’ [review
of Fort Worth exhib. Catalogue & Graham-Dixon monograph], in London
Review of Books, 25 Jan. 1996, p.11.
David Anfam: ‘New
York and Fort Worth:
Howard Hodgkin’ [review of exhib.], in Burlington Magazine, vol.138,
pp.151-152.
Janet Tyson:
‘Painting the town’
[review of Fort Worth exhib.], in Star (Fort Worth), 29 Mar.
1996.
William Boyd:
‘Abstract with memories’
[review of Fort Worth exhib.], in Modern Painters, Spring 1996,
vol.9 no.2, pp.36-39 (repr. in Writers on Howard Hodgkin, 2006,
pp.119-130).
Drew Milne:
‘Whose line is it anyway?’
[on contemporary poems responding to modern paintings, incl. Wendy
Mulford’s
poem on HH’s ‘The Bay of Naples’], in Tate: the art magazine,
Spring 1996, no.8, pp.48-53 (ref. pp.51-52).
Brooks Adams:
‘Hodgkin’s subtexts’
[review of Fort Worth exhib.], in Art in America, May 1996,
vol.84, pp.90-97, 125.
NR [= Nan
Rosenthal]: ‘Howard Hodgkin:
“Venice, evening”’, in The Metropolitan Museum of Art Bulletin, Fall
1996, vol.54 no.2 (‘Recent acquisitions: a selection: 1995-1996’),
pp.64-65.
Carmela Thiele:
‘Sconer Abend, klarer
Morgen’, in Art: das Kunstmagazin, Sept. 1996, no.9, pp.100-101.
‘Howard’s way’,
in Elle Decoration,
Nov. 1996.
Martin Gayford:
‘The lonely artist’
[interview], in Daily Telegraph, 23 Nov. 1996.
Peter Parker:
‘The secret world concealed
inside the paintings of Britain’s greatest colourist: Interview: Howard
Hodgkin’, in The New Statesman, 29 Nov. 1996, vol.125 no.4312,
pp.39, 41.
James Cary
Parkes: ‘Abstractly fabulous’,
in Gay Times, Dec. 1996, pp.28-30
Martin Gayford:
‘Is that a guest or
a gun turret?’ [review of Hayward exhib.], in Harpers & Queen,
Dec. 1996.
Celia Lyttleton:
‘Knowing me, knowing
hue’ [review of Hayward exhib.], in The Tatler, Dec. 1996,
p.42.
Andrew
Graham-Dixon: ‘Portrait of the
artist as an older man’ [review of Hayward exhib.], in Vogue,
Dec. 1996, p.196.
Tim Hilton: ‘In
the coded realm of
the senses’, in The Independent on Sunday, 1 Dec. 1996, p.14.
Adrian Searle:
‘Remembrance of sunsets
past’ [review of Hayward exhib.], in The Guardian, 3 Dec. 1996,
p.10.
Isabel Carlisle:
‘Don’t look at me
askance’ [review of Hayward exhibs.], in The Times, 3 Dec.
1996, p.44.
Charlie Porter:
‘Abstracts have perfect
line of vision’ [review of Hayward exhib.], in The Express,
6 Dec. 1996.
William Packer:
‘Loaded brushstrokes’
[review of Hayward exhib.], in Financial Times, 7-8 Dec. 1996.
Tim Hilton: ‘A
world of his own’
[review of Hayward exhib.], in The
Independent on Sunday, 8 Dec. 1996, p.24.
Philip Hensher:
‘A passionate, colourful
past’ [review of Hayward exhib.], in The Mail on Sunday, 8
Dec. 1996.
William Feaver:
‘Howard Hodgkin shows
his colours (but not in a black and white newspaper, he doesn’t’
[review of Hayward exhib.], in The Observer Review, 8 Dec. 1996.
X.B.: ‘Howard
Hodgkin’ [review of
Hayward exhib.], in The Big Issue, 9-15 Dec. 1996, pp.29-30.
Bryan Robertson:
‘Light fantastic’
[review of Hayward exhib.], in The Independent, 10 Dec. 1996,
pp.4-5.
Richard Cork:
‘The master and all he
surveys’ [review of Hayward exhib.], in The Times, 10 Dec.
1996, p.33.
Richard Dorment:
‘When colour makes
life sweet’ [review of Hayward exhib.], in Daily Telegraph,
11 Dec. 1996, p.19.
Alasdair Steven:
[review of Hayward
exhib.],
in Hammersmith Chronicle, 12 Dec. 1996.
Martin Gayford:
‘Colour conundrum’
[review of Hayward exhib.], in The Spectator, 14-21 Dec. 1996,
vol.277 no.8787, pp.80, 82.
Ian Ellis:
‘Howard Hodgkin deserves
to be given some space’ [letter in response to review of 8 Dec. 1996],
in The Independent on Sunday, 15 Dec. 1996, p.18.
John McEwen:
‘Tortoise outruns soulless
hare’ [incl. review of Hayward exhib.], in Sunday Telegraph,
15 Dec. 1996, p.9.
Waldemar
Januszczak: ‘Too bright for
his own good’ [review of Hayward exhib.], in Sunday Times,
15 Dec. 1996, Arts pp.8-9.
Sarah Kent:
‘Framed!’ [review of
Hayward exhib.], in Time Out, 18 Dec. 1996 – 1 Jan. 1997,
no.1374,
p.53.
Brian Sewell:
‘Stop me if you’ve
seen this one before’ [review of Hayward exhib.], in Evening Standard,
19 Dec. 1996, p.45.
‘Propelling the
past into the present’
[review of Hayward exhib.], in Highbury and Islington Express,
20 Dec. 1996, p.30.
‘Exhibition of
the week: Howard Hodgkin’
[review of Hayward exhib.], in The Week, 21 Dec. 1996, p.22.
Adam Nicolson:
‘Howard’s way’ [revew
of Hayward exhib.], in Sunday Telegraph Magazine, 29 Dec. 1996,
p.46.
Siri Huntoon:
‘Translating past into
painting’ [review of Graham-Dixon monograph], in Art News,
Feb. 1995, vol.94, p.75.
Lynn Barber: ‘An
abstraction of
opposites’,
in Art Review, Mar. 1995, vol.47, pp.28-29.
Andrew Deacker:
‘Art from the heart:
Howard Hodgkin’s intimate, luminous paintings turn heads at the Met’
[review of New York exhib.], in Diversion, Oct. 1995, pp.170-172,
175-176.
George Melrod:
‘Post-Pop pizzazz’,
in Art and Antiques, Nov. 1985, vol.18 no.10, pp.39-40.
Joanna Pitman:
‘Showing his colours’
[interview], in The Times Magazine, 4 Nov. 1995, pp.8-9, 11,
13, 15.
William Feaver:
‘Anthony d’Offay,
London, exhibit’ [review of d’Offay exhib.], in Art News, vol.93,
p.73.
Richard Shone:
‘London and New York:
Howard Hodgkin’ [review of Knoedler exhib.], in Burlington Magazine, Jan.
1994, vol.136 no.1090, pp.45-46.
Jeffrey Kastner:
‘Anthony d’Offay
Gallery, London’ [review of d’Offay exhib.], in Flash Art, Jan./Feb.
1994, vol.27 no.174, p.103.
Eric Gibson:
‘Howard Hodgkin’ [review
of Knoedler exhib.], in The New Criterion, Mar.1994, vol.12,
pp.41-42.
Lilly Wei:
‘Howard Hodgkin’s mandarin
pastimes’ [review of d’Offay & Knoedler exhibs.], in Art
in America, Apr. 1994, vol.82, pp.92-97.
Naves Mario: ‘The
British invasion
of New York’ [incl. review of Knoedler exhib.], in New Art Examiner, May
1994, vol.21, pp.33-35.
Jon Stock:
‘Jewels in his crown’
[interview on the occasion of British Museum exhib.], in Daily
Telegraph,
25 May 1994, p.19.
Richard Dorment:
‘Bump and grind of
Indian art’ [review of British Museum exhib.], in Daily Telegraph,
25 May 1994, p.19.
Iain Gale: ‘Small
is beautiful’ [review
of British Museum exhib.], in The Independent, 26 May 1994,
pp.10-11.
Sheila Canby:
‘New Mughal and Deccani
paintings in the Howard Hodgkin collection’ {review of British Museum
exhib.], in Apollo, June 1994, vol. 139 no.338, pp.61-62.
A. Bellerio:
‘India: antiche miniature
e dipinti’ [review of Verona exhib.], in F.M.R., June 1994,
no.86, pp.8-10.
* ‘Howard’s
way’, in Harper’s & Queen, July 1994, p.20.
Andrew
Graham-Dixon: ‘The way it was’,
in World of Interiors, July 1994, pp.86-89.
* Marco
Livingstone: ‘Howard’s
way’, in Vogue (UK), July 1994, p.26.
Sue Hubbard:
‘Brief history of paint’
[review of Serpentine exhib.], in The
New Statesman and Society, 1 July 1994, vol.7 no.309 (vol.123
no.4191),
pp.32-33.
A.S. Byatt: ‘The
colour of feeling’
[review of Graham-Dixon monograph], in The
Independent on Sunday, 10 July 1994, pp.30-31.
Andrew Billen:
‘The Life interview’,
in The Observer, Life, 10 July 1994, pp.10-14.
Andrew
Graham-Dixon: ‘Remembrance of
things past’ [reprint of ch.2 of Graham-Dixon monograph], in The
Independent, 19 July 1994, section II p.23.
Julian Bell: ‘The
great unpretender:
stripes, splodges, stipples and waves: the indescribable splendours
of Howard Hodgkin’ [review of Graham-Dixon monograph], in Times
Literary Supplement, 22 July 1994, no.4764, p.16.
Marina Vaizey:
‘Passion for the physical’
[incl. review of Graham-Dixon monograph], in The Times, 28 July
1994, p.41.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1995, vol.36 no.3, pp.103-112 (ref. pp.104-105).
David Sylvester:
‘An artist whose métier
is black and white’ [review of Graham-Dixon monograph], in Daily
Telegraph, 6 Aug. 1994, p.6.
NR {= Nan
Rosenthal]: ‘Howard Hodgkin:
“When did we go to Morocco?”’, in The Metropolitan Museum of
Art Bulletin, Fall 1994, vol.52 no.2 (‘Recent acquisitions: a
selection: 1993-1994’), p.78.
Alan Ross:
‘Painted memoirs’ [review
of Graham-Dixon monograph), in London Magazine, Oct. – Dec. 1994,
vol.34 nos.7/8, pp.138-139.
Andrew Motion:
‘Once more with feeling’
[review of Graham-Dixon monograph], in Modern Painters, Winter
1994, vol.7 no.4, pp.83-85.
* Jim Lewis:
‘Howard Hodgkin’,
in Harper’s Bazaar, Dec. 1994, pp.182-187.
* John Russell:
‘In New
Delhi, pursued by an enormous tree’, in The
New York Times, 28 Mar. 1993, p.33.
Heidi Burklin:
‘Howard Hodgkin: Glut
von Bordeaux auf der Zunge’, in Art: das Kunstmagazin, July 1993,
no.7, pp.18-24.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1993, vol.24 no.3, pp.107-111 (ref. pp.108-109).
Tom Lubbock:
‘Howard Hodgkin: for me’,
in Modern Painters, Autumn 1993, vol.6 no.3, pp.34-37.
* Paul Levy:
‘What’s
new from Freud and Hodgkin’, in The
Wall Street Journal, 18 Sept. 1993.
Edward
Lucie-Smith: ‘In profile: Howard
Hodgkin’ [interview, on occasion of d’Offay exhib.], in Art Review,
Oct. 1993, vol.45, pp.4-6.
John McEwen:
‘Colour too deep for
comfort’,
in Sunday Telegraph, 10 Oct. 1993, Review p.6.
Andrew
Graham-Dixon: ‘Truants of the
memory’, in The Independent Magazine, 16 Oct. 1993, pp.38-43,
45.
Laurence Marks:
‘Every one on board’
[interview], in The Observer, 17 Oct. 1993, Arts section p.8.
John Russell
Taylor: ‘Howard Hodgkin’
[review of d’Offay exhib.], in The Times, 22 Oct. 1993, p.35.
Esther Harris:
‘Artspeak’ [letter
in response to review in 16 Oct. 1993 issue], in The Independent
Magazine, 23 Oct. 1993.
Michael Champion:
‘Pretentious –
nous?’ [letter in response to review in 16 Oct. 1993 issue], in The
Independent Magazine, 23 Oct. 1993.
James Hall:
‘Souvenirs of life’ [review
of d’Offay exhib.], in The Guardian, 25 Oct. 1993, pp.4, 6.
Brian Sewell:
‘The mark of a lesser
spotted leopard’ [incl. review of d’Offay exhib.], in Evening
Standard, 28 Oct. 1993, pp.28-29; repr. as ‘Howard Hodgkin’
in The reviews that caused the rumpus, and other pieces. London:
Bloomsbury, 1994; pp.284-286; repr. in An alphabet of
villains. London: Bloomsbury, 1995; pp.107-109.
Giles Smith: ‘”A
stripe is a stripe,
a splodge is a splodge”’ [interview], in The Independent, Weekend,
30 Oct. 1993, p.52.
* Tim Hilton:
‘Obscure
objects of desire’ [review of d’Offay exhib.], in The
Independent on Sunday, 31 Oct. 1993, p.35.
Celia Lyttelton:
‘Howard’s way’
[revew of d’Offay exhib.], in The Tatler, Nov. 1993, p.24.
Richard Cork:
‘Painting from memory’
[review of d’Offay exhib.], in The Times, 2 Nov. 1993, p.41.
Daniel Farson:
‘Knight errant’ [incl.
review of d’Offay exhib.], in The Mail on Sunday Review, 7
Nov. 1993, p.34.
David Lillington:
‘Howard Hodgkin’
[review of d’Offay exhib.], in Time Out, 17-24 Nov. 1993, p.40.
* Martin
Filler: ‘Howard Hodgkin
is tired of being a minor artist’, in The New YorkTimes, 5 Dec.
1993, p.43.
* H R Crane
& Steven
Vita: ‘Interview’, in Veery (Chicago: The Foxglove Company),
1992, no.2, pp.1-2.
Raimund Stecker:
‘Venezianische Emotionen
– Howard Hodgkin, ein nicht nur englischer Maler’, in Die
Kunst-Bulletin, Jan. 1992, no.1, pp.19-25.
Heather Guthrie:
‘Focus on the artist’,
in Eastern Daily Press, 3 Feb. 1992.
Barbara MacAdam:
‘Speaking of the
unspeakable’
[review of book ‘The way we live now’], in Art News, Mar. 1992,
vol.91 no.3, p.20.
Zoe Heller:
‘Howard’s way’, in Harper’s & Queen, Apr. 1992, pp.152-156.
* Maggie
Parham: ‘Art for
AIDS sake’ [review of book ‘The way we live now’], in Evening
Standard Magazine, 8 May 1992, pp.76-77.
David Lee: ‘BBC
billboard project’,
in Arts Review, July 1992, vol.44, pp.234-235.
Andrew
Graham-Dixon: ‘Sudden shafts
of reality’ [on HH’s collection of Indian art], in The Independent,
27 Oct. 1992, p.14.
Frances Spalding:
‘An interview with
Howard Hodgkin’ [about Margery Fry & her house in Holland Park],
in The Charleston Magazine, Winter 1992 – Spring 1993, no.6,
pp.26-33.
Ulrich Wiesner:
‘Report from Europe:
new catalogues’ [incl. review of monograph by Topsfield & Beach],
in Oriental Art, Winter 1992/3, vol.38 no.4, pp.269-272 (ref.
pp.269-271).
* Tom Lubbock:
‘Howard
Hodgkin: small paintings 1975-89’ [review of British Council exhib.],
in Alba, Jan. – Feb. 1991, p.29.
Robert G.
Edelman: ‘Howard Hodgkin’
[review of Knoedler exhib.], in Art News, Feb. 1991, vol.90 no.2,
p.134.
Robert C. Morgan:
‘Howard Hodgkin’
[review of Knoedler exhib.], in Arts Magazine, Feb. 1991, vol.65
no.6, p.78.
Andrew
Graham-Dixon: ‘Heavy rain’,
in The Independent Magazine, 16 Feb. 1991, pp.36-37.
* Geordie
Greig: ‘The fine
art of healing’, in Sunday Times Magazine, 10 Mar. 1991,
pp.42-46.
* Aidan Dunne:
‘The Howard
way to make a breadboard sensual’, in The Sunday Tribune, 31 Mar.
1991, p.22.
Rosemary Simmons:
‘Master-class: Howard
Hodgkin: new hand-coloured prints’, in Printmaking Today, Spring
1991, no.2, pp.1, 7-8.
* Brian Fallon:
‘The colour
of saying’, in The Irish Times, 2 Apr. 1991, p.8.
Marina Vaizey: ‘A
map of the modern’
[incl. review of Waddington exhib.], in Sunday Times, 7 Apr.
1991.
‘Where they eat’
[HH’s choice of
restaurants], in Time Out, 17-24 Apr. 1991, p.36.
Cathy Courtenay:
‘Artist’s books:
‘The way we live now’’ [review of artist’s book], in Art
Monthly, May 1991, no.146, p.27.
Geoffrey Newman:
‘Rain man’, in Times Higher Education Supplement, 2 Aug. 1991.
* Robert
Hughes: ‘Aftershock
of the new’, in The Observer Magazine, 25 Aug. 1991, pp.22-25.
* James Hall:
‘The essence
of Paris’, in The Independent Magazine, 31 Aug. 1991, pp.42-45.
John Pollex:
‘Altered forms’, in Ceramic Review, Nov. – Dec. 1991, no.132,
pp.16-21.
Nicholas
Treadwell: ‘Nicholas Treadwell
on Hodgkin’, in The Independent, 30 Jan. 1990.
* Andrew
Graham-Dixon: ‘Velazquez:
the greatest living artist’, in Vogue (UK), Mar. 1990, vol.154,
pp.314-318, 368.
* Alistair
Hicks: ‘The
fire of London’, in Art and Auction, May 1990, vol.12,
pp.212-217.
* Andrew
Graham-Dixon: ‘Hanging
in the balance’ [interview], in The
Independent, 10 July 1990, p.11.
Guy Burn: [review
of Lumley Cazalet
exhib.],
in Arts Review, 13 July 1990, vol.42 no.14, pp.374-375.
[review of Nantes
exhib.], in L’Oeil,
July/Aug. 1990, nos.420-421, p.111.
* Alexandra
Enders: ‘At
home and abroad’, in Art and Antiques, Nov. 1990, vol.7, p.39.
* [review of
Nantes exhib.],
in Connaissance des Arts, Nov. 1990, no.465, p.28.
Robin Stemp:
[review of Cambridge
exhib.],
in Arts Review, 2 Nov. 1990, vol.42 no.22, p.600.
John Russell: ‘A
Hodgkin original’
[review of New York exhib.], in The New York Times Magazine,
11 Nov. 1990, pp.56-60, 62.
* Michael
Kimmelman: ‘Howard
Hodgkin / The British imagination: 20th-century paintinbgs,
sculpture and paintings’, in The New York Times, 23 Nov. 1990,
p.C4.
* Richard
Dorment: ‘Howard’s
way’, in Telegraph Weekend Magazine, 24 Nov. 1990, pp.50-55.
* Michael M.
Thomas: ‘He
behaved at the Pierre, got shocked at Bergdorf’s ...’, in The
New York Observer, 26 Nov. 1990, pp.1, 17.
Ian Brunskill:
‘Hodgkin steps out’
[review of British Council touring exhib.], in Artscribe
International, Nov. – Dec. 1990, no.84, pp.14-15.
Andreas Beyer:
‘Howard Hodgkin: Titelei’,
in Kunstforum, Nov.-Dec. 1990, Bd.110, pp.210-222.
* Mark Stevens:
‘Shades
of the past’, in Vanity Fair, Dec. 1990, vol.53, pp.172-173.
Richard Cork:
‘Painting to ease the
passing of time’ [interview on the occasion of Edinburgh erxhib.],
in The Times Saturday Review, 1 Dec. 1990, pp.16-17.
Andrew Gibbon
Williams: ‘Small works
of wisdom’ [review of Edinburgh exhib.], in The Times, 14 Dec.
1990, p.17.
Tom Lubbock:
‘Viewer virtuosity and
red herrings’ [review of Edinburgh exhib.], in The
Independent on Sunday, 16 Dec. 1990, p.19.
John McEwen:
‘Marriage of material
and temperament’ [incl. review of Edinburgh exhib.], in Sunday
Telegraph, 16 Dec. 1990.
Marina Vaizey:
‘Flying international
colours’ [incl. review of Edinburgh exhib.], in Sunday Times,
16 Dec. 1990, section 5, p.8.
Sir Richard
Francis: ‘Pictorial guide
to Venice’ [in series Picture Choice], in The
Independent, 18 Dec. 1990, p.21.
David Heaphy:
‘Art critic swallows
the Tate line’ [letter in response to review of 22 Dec. 1990], in The
Scotsman, 31 Dec. 1990.
* Andreas
Beyer: ‘Howard
Hodgkin: Galerie Michael Werner, Koln’, in Artis: Zeitschrift für
neue Kunst, Dec. 1990 – Jan. 1991, no.42, pp.70-71.
William Crozier:
‘Howard Hodgkin: the
artist’s eye’, in Modern Painters, Winter 1990/1991, vol.3
no.4, pp.16-19, 21.
* Brian Sewell:
‘Ivon Hitchens
and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews
that caused the rumpus, and other pieces. London: Bloomsbury, 1994;
pp.280-284.
Brooks Adams:
‘Review of exhibitions:
New York’ [incl. review of Knoedler exhib.], in Art in America, Jan.
1989, vol.77 no.1, pp.143-144.
Margaret Moorman:
‘Reviews: Howard
Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989,
vol.88 no.1, p.129.
Peggy Cyphers:
‘New York in review’
[incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989,
vol.63 no.5, p.106.
* Patricia G.
Walker: ‘Howard
Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover,
1 Jan. 1989, p.16.
* Mirabel
Cecil: ‘Howard’s
way’, in World of Interiors, Feb. 1989, pp.70-79.
* Christopher
Andreae: ‘Each
Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.],
in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11.
* Alistair
Hicks: ‘Howard
Hodgkin – the artist as collector’, in Antique, Summer 1989,
pp.21-24.
Jann Parry: ‘An
eye for a dance’
[on HH’s designs for the Royal Ballet], in The
Observer, 16 July 1989, p.39.
* Pauline
Peters: ‘The
collector’, in Telegraph Weekend Magazine, 28 Oct. 1989,
pp.18-27.
* Colin
Gleadell: ‘The
art market: Auction trends in the Eighties’, in Art International,
Winter 1989, vol.9, pp.72-75.
* Lynne Cooke:
‘Special
report: British art in the Eighties’, in Journal of Art, Nov.
1989, vol.2, pp.24-26.
David Sylvester:
‘Colour dialogue’
[interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125.
Margaret
Sheffield: ‘Frame ups (&
downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117).
* Andrew
Graham-Dixon: ‘On
the edge’, in The Independent, 5 Apr. 1988, p.13.
* William
Feaver: ‘Whoosh
in Venice’, in The Observer, 9 Apr. 1988, p.38.
* Geoffrey
Newman: ‘Celebrations
of radiance’, in Times Higher Education Supplement, 27 May 1988,
p.15.
* Brian Sewell:
‘Art’,
in Evening Standard, 9 Aug. 1988.
* David Sexton:
‘Howard’s
way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65.
Richard Dorment:
‘Drawn towards the
light’ [review of Waddington exhib.], in Daily Telegraph, 26
Aug. 1988, p.12.
Tim Hilton:
‘Beyond the boundary’
[review of Waddington exhib.], in The
Guardian, 31 Aug. 1988, p.17.
Peter Fuller:
‘Howard Hodgkin and Robert
Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn
1988, vol.1 no.3, pp.76-77.
* William
Feaver: ‘Hodgkin’s
Venice: the greedy eye attracted’, in World of Interiors, Sept.
1988, p.173.
Giles Auty:
‘Howard’s way’ [review
of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261
no.8356, p.30.
William Feaver:
‘Whoosh in Venice’
[review of Waddington exhib.], in The
Observer, 4 Sept. 1988, p.38.
Andrew
Graham-Dixon: ‘Drawing on life’
[incl. review of Waddington exhib.], in The
Independent, 6 Sept. 1988, p.16.
William Packer:
‘Overlaid with witty
eroticism’ [review of Waddington exhib.], in Financial Times, 6
Sept. 1988.
Alistair Hicks:
‘Beneath the surface’
[incl. review of Waddington exhib.], in The Times, 6 Sept. 1988,
p.16.
Mark Currah:
‘Howard Hodgkin,
Waddingtons’
[review of exhib.], in City Limits, 8-15 Sept. 1988, p.81.
Larry Berryman:
‘Howard Hodgkin’
[review of Waddington exhib.], in Arts Review, 9 Sept. 1988,
vol.40 no.18, p.616.
Michael Shepherd:
‘Hodgkin’s Venetian
hours’ [review of Waddington exhib.], in Sunday Telegraph,
11 Sept. 1988, p.19.
Marina Vaizey:
‘British shows of
strength’
[incl. review of Waddington exhib.], in Sunday Times, 11 Sept.
1988, p.C 11.
Michael Archer:
‘Howard Hodgkin’
[review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120,
pp.16-17.
* John Russell:
‘The poetic
renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The
New York Times, 14 Oct. 1988, p.C24.
The Saint
Louis Art Museum Annual
Report 1986, 1987, pp.4-5, 36.
David Sylvester:
‘Artist’s dialogue:
Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar.
1987, vol.44 no.3, pp.54, 62, 66, 70, 74.
Leslie
Geddes-Brown: ‘Preparing faces
for posterity: commissioning portraits’, in Country Life, 7
May 1987, no.1881 (19), pp.100-101.
* Frederick
Lowe: ‘None
but the brave deserves the fair’, in Yellow Silk, July 1987,
vol.23, pp.41-42, 44.
Timothy Hyman:
‘Mapping London’s
other landscape’, in Art International, Autumn 1987, no.1,
pp.51-61 (ref. pp.57, 60-61).
LSU [= Lora S.
Urbanelli]: ‘Howard
Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct.
1987, vol.74 no.2 (‘Museum Notes 1987’), p.43.
William Feaver:
‘London: allusions
veiled and classical’ [review of Whitechapel exhib.], in Art News,
Jan. 1986, vol.85 no.1, p.119.
‘Un prix pour
l’art’ [on award
of the Turner Prize], in Connaissance des Arts, Jan. 1986,
no.407,
p.96.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Jan. – Feb. 1986, vol.58 no.1, pp.6-10.
G. Hedley: ‘Less
haste, more Hodgkin’
[letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17
no.1, pp.16-18 (ref. p.17).
Susan Fisher:
‘Dolan Maxwell Gallery,
Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986,
vol.13, p.60.
Jed Perl: ‘Winter
notebook: recent
abstract painting’ [incl. review of John Good Gallery exhib.], in The
New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58).
Keith Clemens:
‘Artists and places
nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8,
pp.1, 12-14.
Gregory Burn:
[review of Odette Gilbert
Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15,
p.419.
Susan Gill:
‘Howard Hodgkin: Knoedler’
[review of New York exhib.], in Art News, Sept. 1986, vol.85
no.7, pp.115-119.
Gregory Galligan:
‘A small thing but
painting: the new work of Howard Hodgkin’, in Arts Magazine,
Sept. 1986, vol.61 no.1, pp.65-67.
E. Heartney: ‘New
editions’ [new
prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref.
p.105).
M. Moorman:
[review of new prints], in Art News, Oct. 1986, vol.85 no.8,
p.105.
* Judith
Dunham: ‘Howard
Hodgkin’s accumulated memories’, in Print News, Winter 1986,
no.8, pp.4-7, 25.
‘I begin pictures
full of hope: four
questions posed to Howard Hodgkin’ [interview with Luciana Mottola],
in 891: international artists’ magazine, Dec. 1986, vol.3 no.7,
pp.12-15.
* Jane Addams
Allen: ‘After
‘Year of the French’, can contemporary be far behind?’, in The
Washington Times Magazine, 4 Jan. 1985.
* Shirley
Gonzales: ‘Hodgkin’s
trip into ‘deep space’’ [review of New Haven exhib.], in New
Haven Register, 20 Jan. 1985.
* Naomi Ilzuka:
‘Splashing
abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4.
William Feaver:
‘Inside Europe: England’,
in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58).
Kenneth Baker:
‘Too much and/or not
enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum,
Feb. 1985, vol.23 no.5, pp.60-61.
‘Un peintre
anglais en vue’ [review
of New Haven exhib.], in Connaissance des Arts, Feb. 1985,
no.396,
p.16.
* Vivien
Raynor: ‘At Yale,
the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.],
in The New York Times, 10 Feb. 1985, p.C24.
* Bernard
Hanson: ‘Hodgkin
on view at Yale’ [review of New Haven exhib.], in The Hartford
Courant, 24 Feb. 1985, p.49.
Gregory Galligan:
‘Howard Hodgkin:
forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar.
1985, vol.59 no.7, pp.122-125.
Eric Gibson: ‘The
Hodgkin paradox’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25.
John Coleman:
‘Omnibus: the new art’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35.
Jeff Perrone:
‘Entrees: diaretics:
entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.],
in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref.
pp.80-81).
* Ursula Bode:
‘Gefallig
verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.],
in Hannoverische Allgemeine Zeitung, 24 Apr. 1985.
* Gisela
Burkamp: ‘Durch
und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische
Landeszeitung, 30 Apr. 1985.
David Sweet:
‘Howard Hodgkin at Yale
Center for British Arts [sic] and Larry Poons at Andre Emmerich, New
York’ [incl. review of New Haven exhib.], in Artscribe, May –
June 1985, no.53 (i.e. 52), pp.52-53.
Judith Higgins:
‘In a hot country’,
in Art News, Summer 1985, vol.84 no.6, pp.56-65.
* Roberto
Tassi: ‘Howard
Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June
1985, pp.160-165.
* Christine
Temin: ‘Hodgkin
paints sensual emotions’, in The Boston Globe, 27 June 1985.
Decorative
vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78.
* Timothy
Hyman: ‘Howard
Hodgkin: making a riddle out of the solution’, in Art and Design, Sept.
1985, vol.1, pp.6-11.
* Edward
Lucie-Smith: ‘Exhibitions’,
in Illustrated London News, Sept. 1985, vol.273, p.76.
* William
Feaver: ‘Art’,
in Vogue (UK), Sept. 1985, vol.142, pp.46, 52.
Laurence Marks:
‘Portrait of the artist
as a compulsive collector’, in The
Observer, 15 Sept. 1985, p.19.
Michael Shepherd:
‘Hodgkin at the new
Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept.
1985, p.15.
* William
Packer: ‘An anniversary
and return’, in Financial Times, 24 Sept. 1985, p.19.
John Russell
Taylor: ‘Toughness under
the lyric grace’ [incl. review of Whitechapel & Tate exhibs.],
in The Times, 24 Sept. 1985, p.9.
Alistair Hicks:
‘Talking about art’
[review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985,
vol.255 no.8203, pp.35-36.
Marina Vaizey:
‘The intimate room within’
[review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985,
p.42.
John Russell:
‘London and Yale, Hodgkin
at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct.
1985, vol.127 no.991, pp.729-730.
Brian Sewell:
‘The mark of a hypnotist’
[review of Whitechapel & Tate exhibs.], in The London Standard,
3 Oct. 1985, p.23.
John Spurling:
‘Dotted about the place’
[incl. review of Whitechapel & Tate exhibs.], in The
New Statesman, 4 Oct. 1985, vol.110 no.2845, p.32.
Frances Spalding:
‘The nub of feeling’
[review of Whitechapel & Tate exhibs.], in Times Literary
Supplement,
4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093).
Richard Cork:
‘Howard’s way’ [review of Whitechapel exhib.], in The Listener,
10 Oct. 1985,
vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New
spirit, new sculpture, new money: art in the 1980s. New Haven,
London: Yale University Press, 2003; pp.180-183.
Mary Rose
Beaumont: ‘Howard Hodgkin:
at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’
[review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20,
p.515.
Michael McNay:
‘Howard Hodgkin’ [review
of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10.
* Sally
Brampton: ‘Howard
Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86.
Andrew
Graham-Dixon: ‘The abstract
threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov.
1985, p.89, pp.28-29.
Anne McHardy: [on
the award of the Turner
Prize], in The Guardian, 13 Nov. 1985, p.32.
Alistair Hicks:
‘Galleries’ [incl.
comment on award of the Turner Prize], in The Times, 19 Nov.
1985, p.10.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10).
Charles Harrison:
‘Hodgkin’s moment’
[review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan.
1986, no.55, pp.62-64.
* Ally van der
Pauw: ‘Howard
Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec.
1985, pp.52-55.
* Oliver
Matthews: ‘Indian
paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.],
in Antique Collector, Mar. 1984, pp.58-59.
* Gijs Van
Hensbergen: ‘Howard’s
hues’, in Ritz, Mar. 1984, no.86, p.6.
Graham Hughes:
‘Four rooms: Anthony
Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review
of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4,
p.105.
James Burr: ‘The
most revealing things
we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr.
1984, vol.266 no.119, p.300.
Charlotte Ellis:
‘Four rooms’ [review
of Liberty’s exhib.], in The Architectural Review, Apr. 1984,
vol.175 no.1046, pp.62-63.
Richard Shone:
‘Four rooms’ [review
of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126
no.973, pp.244-247.
John Russell:
‘Maximum emotion with
a minimum of definition’ [review of New York exhib.], in The New
York Times, 15 Apr. 1984, p.H33.
John Russell:
‘The ‘emotional situations’
of Howard Hodgkin’ [review of New York exhib.], in International
Herald Tribune, 21-22 Apr. 1984, p.6.
* Michael
Brenson: ‘Art:
Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.],
in The New York Times, 27 Apr. 1984, p.C23.
Christiane
Bergob: ‘Letter from London’
[incl. review of Liberty’s exhib.], in Kunstforum International,
Apr./May 1984, no.3-4, pp.312-314.
* Kay Larson:
[review of
New York exhib.], in New York Magazine, 28 May 1984, p.94.
Jane Withers
& Anthony Fawcett: ‘The
man on the flip side’, in The Times, 29 May 1984, p.12.
[32m. recorded
interview with HH at his
exhibition in the British Pavilion at the 1984 Venice Biennale’],
in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts
at the Venice Biennale 1984’), audio-cassette 1 side 1.
Anthony Fawcett,
Jane Withers: ‘Howard
Hodgkin at the Venice Biennale’, in Studio International, [Summer]
1984, vol.197 no.1005, pp.16-17.
Hannah Vowles:
‘Taking liberties: Four
rooms exhibition’ [review of Liberty’s exhibn.], in Studio
International, [Summer] 1984, vol.197 no.1005, pp.26-27.
Max Wykes-Joyce:
‘Howard Hodgkin: prints
made in New York’ [review of Bath exhib.], in Art and Artists,
June 1984, no.213, p.27.
* Alexandra
Pringle: ‘Art:
Howard’s blend of images and textures’, in Harpers & Queen, June
1984, p.189.
* Patrick
Kinmonth: ‘Howard
Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141.
* Marina
Vaizey: ‘Dancing
among the ruins’ [review of Venice exhib.], in Sunday Times, 10
June 1984, p.39.
John McEwen:
‘Finding form at fifty’,
in Sunday Times Magazine, 10 June 1984, pp.38-41.
* John Russell
Taylor: ‘Myth
taking on the cloak of reality’ [review of Venice exhib.], in The
Times, 12 June 1984, p.9.
* William
Feaver: ‘Copy,
parody, variation, fake’, in The
Observer, 17 June 1984, p.19.
* William
Packer: ‘Venice
through the looking glass’, in Financial Times, 19 June 1984,
p.19.
Dirceu Brisola:
‘Os eleitos de Veneza’
[incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984,
pp.134-135.
* Terence
Mullaly: ‘Abstracts
in abundance – and in a setting to suit’, in Daily Telegraph, 23
June 1984, p.11.
Judith Bumpus: ‘A
dream of Venice’
[interview], in Art and Artists, July 1984, no.214, pp.14-17.
Robert Hughes:
‘Gliding over a dying
reef: the Venice Biennale’ [review of exhib.], in Time, 2 July
1984, vol.214, pp.76-77.
* Manuela
Hoelterhoff: ‘The
Venice Biennale: no paradise for art’, The Wall Street Journal, 31
July 1984, p.32.
‘Howard Hodgkin
and Patrick Caulfield
in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1,
4-6.
[text], in Il
Giornale della Biennale:
Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30.
Paul Levy:
‘Venice vidi vici’ [incl.
review of Venice exhib.], in Harpers
& Queen, Aug. 1984, p.32.
Annelie Pohlen:
‘A few highlights but
no festival’ [review of Venice exhib.], in Artforum, Sept. 1984,
vol.23 no.1, pp.103-106.
John Yau: ‘Howard
Hodgkin’ [incl.
review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1,
p.117.
Milton Gendel:
‘Report from Venice:
cultured pearls at the Biennale’, in Art in America, Sept. 1984,
vol.72 no.8, pp.45-53 (ref. pp.48-49).
William Feaver:
‘Venice: remembrance
of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136
(ref. p.136).
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of British Museum exhib.], in Art Review, Sept.
1994, vol.46, pp.15-17.
Liana Bortolon:
‘I misteriosi giardini
di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984,
vol.57 no.2271, pp.32-35.
Prudence Carlson:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1984, vol.72 no.9, pp.192-193.
Paul Richard:
‘Shining light: at the
Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington
exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4.
Jane Addams
Allen: ‘Howard Hodgkin:
letting it flow’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984, pp.C1-C2.
* Edward J.
Sozanski: ‘Magnetic
works of vibrant color’ [review of Washington exhib.], in The
Philadelphia
Enquirer, 23 Oct. 1984, p.4D.
Pamela Kessler:
‘Forty storied paintings
by Howard Hodgkin’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984.
John McEwen:
‘Late bloomer’ [review
of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68,
70, 73-74, 121.
* Gordon Burn:
‘The Tate’s
bold stroke for British art’, in Sunday Times Magazine, 11 Nov.
1984, p.45.
Bobbier Massie:
‘A palette of emotions’
[review of Washington exhib.], in The Washington Weekly, 12 Nov.
1984.
Leone Lawrence:
‘Howard Hodgkin’
[review of Washington exhib.], in New Art Examiner, Dec. 1984,
p.56.
Mark Stevens: ‘A
palette of emotions’
[review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82.
* Richard
Lacayo: ‘Returning
to the frame game’ [review of Washington exhib.], in Time, 3 Dec.
1984, p.72.
Mary S. Cohen:
‘The general effect
is one of celebration’ [review of Washington exhib.], in The
Christian
Science Monitor, 31 Dec. 1984, vol.77, pp.22-23.
Michael Clark:
‘Howard Hodgkin, The
Phillips Collection’ [review of Washington exhib.], in Washington
Review, Dec. 1984 – Jan. 1985, p.26.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Jan. – Feb. 1983, vol.13
no.6, pp.216-220 (ref. p.218).
John McEwen:
‘Howard Hodgkin: Indian
leaves’ [review of Tate & Jacobson exhibs.], in Studio
International,
Jan.-Feb. 1983, vol.196 no.998, p.57.
Ruth Bass:
‘Howard Hodgkin’ [review
of New York exhib.], in Art News, Feb. 1983, vol.82 no.2, p.146.
Richard
Armstrong: ‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Mar. 1983, vol.21 no.7,
p.71.
Robert Cran:
‘Hodgkin’s choice: an
exhibition of Indian drawings’ [review of Hayward exhib.], in Art
International, Sept. – Oct. 1983, vol.26 no.4, pp.27-28.
Renate Puvogel:
’13 britische Künstler:
eine Ausstellung über Malerei’ [incl. review of Aachen exhib.], in Das
Kunstwerk, Apr. 1982, vol.35 no.2, pp.67-68.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1982, vol.13
no.1, pp.21-25 (ref. p.22).
William Feaver:
‘Aspects of British
art today’ [review of Tokyo exhib.], in Flash Art, Summer 1982,
vol.16 no.108, p.71.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, July – Aug. 1982, vol.13
no.3, pp.97-101 (ref. p.98).
* Roger Bevan:
‘Howard
Hodgkin: Indian leaves’ [review of Tate exhib.], in Event, 22
Sept. 1982.
Frances Spalding:
‘Howard Hodgkin’
[review of Tate & Jacobson exhibs.], in Arts Review, 24 Sept.
1982, vol.34 no.20, p.484.
William Feaver:
‘Leaves from India’
[incl. review of Tate exhib.], in The
Observer, 26 Sept. 1982, p.32.
Marina Vaizey:
‘The spirit of India’
[incl. review of Tate exhib.], in Sunday Times, 26 Sept. 1982,
p.31.
Leslie
Geddes-Brown: ‘Painter of
perfection:
Leslie Geddes-Brown talks to Howard Hodgkin’, in Sunday Times,
26 Sept. 1982, p.31.
John Russell
Taylor: ‘Tradition remaining
strong and rich’ [incl. review of Tate & Bernard Jacobson exhibs.],
in The Times, 28 Sept. 1982, p.8.
* Richard
Cork: ‘Fragments
and figments’ [review of Tate exhib.], in The Standard, 14
Oct. 1982, p.23.
Andrew Motion:
‘Illusions of freedom’
[review of Tate exhib. & of ‘Indian leaves’ book], in Times
Literary Supplement, 22 Oct. 1982, no.4151, p.1160.
Geeta Kapur:
‘Hodgkin’s Indian leaves’
[review of Tate exhib.], in Art Monthly, Nov. 1982, no.61, p.10.
* John Russell:
‘Art: works
of Hodgkin displayed at Knoedler’s’ [review of New York exhib.],
in The New York Times, 19 Nov. 1982, p.C28.
* Robert
Hughes: ‘A peeper
into Paradise’ [review of Knoedler exhib.], in Time, 29 Nov.
1982, p.88; repr. in Nothing if not critical: selected essays
on art and artists, London: Collins Harvill, 1990, pp.281-285.
David Bindman:
‘The good old avant-garde’
[review of Royal Academy exhib.], in Times Literary Supplement, 23
Jan. 1981, no.4060, p.82.
Bernard Levin:
‘Mammoth footprints
seen in Piccadilly’ [review of Royal Academy exhib.], in The Times, 28
Jan. 1981, p.14.
Richard Cork:
‘Report from London:
‘The artist’s eye’’, in Art
in America, Feb. 1981, vol.69, pp.43-55 (ref. pp.44-45, 47).
James Faure
Walker: ‘Awkward moments’
[review of Royal Academy exhib.], in Artscribe, Feb. 1981, no.27,
pp.12-15 (ref. p.12).
* Eunice de
Souza: ‘Pursuing
culture’, in Economic Times, 22 Feb. 1981, p.3.
David Sweet: ‘The
decline of
composition’,
in Artscribe, Mar. 1981, no.28, pp.18-23 (ref. p.23).
Richard Shone:
‘London: A new spirit
in painting at the Royal Academy’ [review of exhib.], in Burlington
Magazine, Mar. 1981, vol.123 no.936, pp.182-185 (ref. pp.182, 185).
Pat Gilmour:
‘Howard Hodgkin’ [on
HH’s prints], in The Print Collector’s Newsletter, Mar. –
Apr. 1981, vol.12 no.1, pp.1-5.
Palmer D. French:
‘Diluted abstractions:
Richard Phipps, Howard Hodgkin’ [incl. review of San Francisco exhib.],
in Artweek, 25 Apr. 1981, vol.12 no.16, p.8.
William Feaver:
‘A ‘New spirit’
– or just a tired ghost?’ [review of Royal Academy exhib.], in Art
News, May 1981, vol.80 no.5, pp.114-118 (ref. pp.115-116).
* Hilton
Kramer: ‘Howard
Hodgkin’, in The New York Times, 8 May 1981, p.C18.
Roberta Smith:
‘Fresh paint?’ [review
of Royal Academy exhib.], in Art in America, Summer 1981, vol.69
no.6, pp.70-79 (ref. pp.72-73, 77).
Jesse Murry:
‘Reflections of Howard
Hodgkin’s theatre of memory’, in Arts Magazine, June 1981, vol.55
no.10, pp.154-157.
Edward
Lucie-Smith: ‘Howard Hodgkin:
the wild card in the post-modernist pack talks to Edward Lucie-Smith’,
in Quarto, July 1981, no.19, pp.15-17.
Ted Castle: ‘The
paint dream’ [incl.
review of Knoedler & Jacobson exhibs.], in Art Monthly, July/Aug.
1981, no.48, pp.11-13.
Deborah C.
Phillips: ‘New editions’
[review of Jacobson exhib.], in Art News, Sept. 1981, vol.80
no.7, p.161.
Kathryn Howarth:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1981, vol.69 no.8, pp.145-146.
Deborah C.
Phillips: ‘Howard Hodgkin’
[review of New York exhib.], in Art News, Nov. 1981, vol.80 no.9,
pp.200-202.
William Feaver:
‘The state of British
art: “It’s a bewilderment”’, in Art News, Jan. 1980, vol.79 no.1,
pp.62-68 (ref. p.67).
Adrian Searle:
‘London’ [incl. review
of Bristol exhib.], in Artforum, Jan. 1980, vol.18 no.5,
pp.76-77.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Jan. – Feb. 1980, vol.10
no.6, pp.196, 201-203 (ref. p.201).
Roger Berthoud:
‘Howard Hodgkin behind
the enemy lines’, in The Times, 17 Apr. 1980, p.11.
Marina Vaizey:
[incl. review of
Waddington
exhib.], in Sunday Times, 27 Apr. 1980, p.40.
Fenella Crichton:
‘London’ [incl.
review of Waddington exhib.], in Art and Artists, June 1980,
vol.15 no.2, pp.40-43.
John Russell
Taylor: ‘Temperament vividly
revealed in abstract’ [incl. review of Hayward exhib.], in The
Times, 2 Sept. 1980, p.7.
John McEwen:
‘Pastiches’ [ibncl.
review of Hayward exhib.], in The
Spectator, 13 Sept. 1980, vol.245 no.7940, pp.27-28.
* William
Feaver: ‘The
Liverpool lottery’ [review of Liverpool exhib.], in The
Observer, 30 Nov. 1980.
John McEwen:
‘Provincial’ [review
of Liverpool exhib.], in The Spectator, 6 Dec. 1980, vol.245
no.7952, p.27.
* Roman
Piechocinski: ‘John
Moores Liverpool Exhibition XII’ [review], in Arts Alive Merseyside, Dec.
1980 – Jan. 1981, p.4.
* William
Packer: ‘Hodgkin’s
eye at the National Gallery’ [review of exhib.], in Financial Times, 23
June 1979, p.14.
John Spurling:
‘Hangmen’ [incl. review
of National Gallery exhib.], in New
Statesman, 29 June 1979, vol.97 no.2519, pp.963-964.
* Noel Riley:
‘Highlights:
Hodgkin’s eye’, in Antique Dealer and Collectors Guide, July
1979, p.63,
Richard Shone:
‘Current and forthcoming
exhibitions: London’ [review of National Gallery exhib.], in Burlington
Magazine, July 1979, vol.121 no.916, pp.455-459 (ref. p.456).
* Emmanuel
Cooper: ‘A personal
choice’ [review of National Gallery exhib.], in Morning Star, 2
July 1979, p.4.
* Edward
Lucie-Smith: ‘Getting
it all together’ [review of National Gallery exhib.], in Evening
Standard, 4 July 1979, p.32.
* Francis
Watson: ‘London
reviews: The artist’s eye’ [review of National Gallery exhib.],
in Arts Review, 6 July 1979, vol.31, p.357.
* Waldemar
Januszczak: ‘The
artist’s eye’ [review of National Gallery exhib.], in The
Guardian, 6 July 1979, p.8.
John McEwen:
‘Artist’s eye’ [review
of National Gallery exhib.], in The Spectator, 7 July 1979,
vol.243
no.7877, p.25.
* Andrew
McKenzie: ‘Painter’s
view of his work’, in Sheffield Morning Telegraph, 10 July 1979,
p.4.
Louis Collis
& Lavinia Learmont:
‘London’ [review of National Gallery exhib.], in Art and Artists, Aug.
1979, vol.14 no.4 (no.159), pp.42-48 (ref. p.42).
* Michael
Shepherd: ‘Hodgkin’s
eye’ [review of National Gallery exhib.], in What’s On in London, 10
Aug. 1979.
Suzanne Boorsch:
‘New editions’,
in Art News, Sept. 1979, vol.78 no.7, pp.42-43.
* William
Feaver: ‘Loitering
with deep intent’, in The Observer, 16 Sept. 1979, p.15.
Glenn Sujo:
‘Narrative painting, 2:
at Arnolfini’ [review of Bristol exhib.], in Art Monthly, Oct.
1979, no.30, pp.19-21.
Fenella Crichton:
‘England: London’
[review of National Gallery exhib.], in Pantheon, Oct.-Dec. 1979,
vol.37 no.4, p.326.
* Suzanne
Muchnic: ‘British
artists painting the town’, in Los Angeles Times, 9 Nov. 1979,
section IV, pp.1, 10.
Tim Hilton:
‘Anthologist’ [review
of ICA exhib.], in The Spectator, 16 Sept. 1978, vol.241 no.7837,
p.25.
Linda Lee Bolton:
‘Howard Hodgkin’
[incl. review of Riverside exhib.], in Arts Review, 13 Oct. 1978,
vol.30 no.20, p.551.
* Waldemar
Januszczak: ‘A
train that has run out of steam but refuses to stop for more coal’,
in The Guardian, 29 Nov. 1978, p.12.
John McEwen:
‘Four British painters’
[i.e. John Hoyland, John Walker, Stephen Buckley & HH], in Artforum,
Dec. 1978, vol.17 no.4, pp.50-55.
Timothy Hyman:
‘Howard Hodgkin
interviewed
by Timothy Hyman’, in Artscribe, Dec. 1978, no.15, pp.25-28.
* William
Feaver: ‘A matter
of ways and means’, in The Observer, 3 Dec. 1978.
John McEwen:
‘Abstract prizes’ [incl.
review of Liverpool exhib.], in The
Spectator, 9 Dec. 1978, vol.241 no.7849, pp.36-37.
* William
Packer: ‘Critics
choice at the ICA’, in Financial Times, 16 Dec. 1978.
* Richard Cork:
‘The fresh
emerges which may help to change British art ...’, in The
Guardian, 20 July 1977, p.10.
* Norbert
Lynton, Francis
Golding, Paul Overy: ‘How newspaper critics paint art’, in The
Guardian, 23 July 1977, p.6.
* William
Feaver: ‘Full
house’, in The Observer, 24 July 1977, p.24.
* Michael
Shepherd: ‘The
better half’, in Sunday Telegraph, 24 July 1977, p.14.
* Edward
Lucie-Smith: ‘Squeaks
from the South Bank’, in Evening Standard, 28 July 1977, p.16.
John McEwen:
‘Hardy annual’ [review
of Hayward exhib.], in The Spectator, 30 July 1977, vol.239
no.7778,
p.28.
* Marina
Vaizey: ‘The best
of British’, in Sunday Times, 31 July 1977, p.39.
Malcolm
Quantrill: ‘London letter’
[incl. review of Tate exhib.], in Art International, July –
Aug. 1977, vol.21 no.4, pp.68-72 (ref. p.69).
Frances Spalding,
Janey Daley: ‘Hayward
Annual part II: two views’ [reviews of exhib.], in Arts Review, 5
Aug. 1977, vol.29 no.16, pp.508-509.
Tim Hilton:
‘South Bank-ruptcy’ [review
of Hayward exhib.], in Times Literary Supplement, 5 Aug. 1977,
no.3934, p.960.
Richard Shone:
‘Gallery: painting and
performance’ [incl. review of Hayward exhib.], in Architectural
Review, Sept. 1977, vol.162 no.967, pp.184-186 (ref. p.184).
James Faure
Walker: ‘Ways of disclosing:
mapping the Hayward Annual’ [review of exhib.], in Artscribe,
Sept. 1977, no.8, pp.20-26.
* Bruce
Bernard: ‘Personalities
of British painting’, in Sunday Times Magazine, 4 Sept. 1977,
pp.34-41.
* John Russell:
‘Tenacity
keeps British art alive’, in The New York Times, 25 Sept. 1977,
p.D33.
Noel Frackman:
‘Howard Hodgkin / Stanley
Boxer [et al.]’ [incl. review of New York exhib.], in Arts
Magazine, Nov. 1977, vol.52 no.3, p.29.
Donald B. Kuspit:
‘Howard Hodgkin at
Emmerich’ [review of exhib.], in Art in America, Nov.-Dec.
1977, vol.65 no.6, pp.134-135.
Leo Rubinfein:
‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Dec. 1977, vol.16,
p.68.
* ‘Emmerich in
Zürich:
Hodgkin und Hockney’, in Basler Zeitung, 31 Dec. 1977, vol.30
no.327.
* William
Feaver: ‘Hodgkin’s
intelligence tests’ [review of Oxford exxhib.], in The Observer, 21
Mar. 1976, p.30.
William Packer:
‘Keith Vaughan and
Howard Hodgkin’ [incl. review of Oxford exhib.], in Financial Times,
30 Mar. 1976, p.3.
Paul Overy:
‘Josef Albers: round and
round the square’ [incl. review of Oxford exhib.], in The Times, 30
Mar. 1976, p.14.
Lynda Morris:
‘Hodgkin and Caulfield’
[incl. review of Oxford exhib.], in The Listener, 1 Apr. 1976,
vol.95 no.2451, p.417.
Marina Vaizey:
‘Kaleidoscopes’ [incl.
review of Oxford exhib.], in Sunday Times, 4 Apr. 1976, p.39.
James Burr:
‘Round the galleries: bold
banalities’ [review of Serpentine exhib.], in Apollo, May.
1976, vol.103 no.171, p.444.
Bryan Robertson:
‘Art’ [incl. review
of Serpentine & Waddington exhibs.], in Harpers & Queen,
May 1976, p.76.
William Feaver:
‘Arte Milanese’ [incl.
review of Oxford exhib.], in Vogue (UK), May 1976, vol.133 no.7
(no.2130), p.16.
* William
Feaver: ‘Over
and out’, in Observer, 9 May 1976, p.27.
Paul Overy:
‘Moores the pity: time
to change the rules?’ [review of Liverpool exhib.], in The Times, 11
May 1976, p.13.
* Jane
Clifford: ‘Exhibition
shows patrons generosity’, in Daily Telegraph, 13 May 1976,
p.6.
Harold Osborne:
‘Howard Hodgkin’
[review of Serpentine exhib.], in Arts Review, 14 May 1976,
vol.28
no.10, p.239.
John McEwen:
‘Winning’ [incl. review
of Waddington, Serpentine & Liverpool exhibs.], in The Spectator,
15 May 1976, vol.236 no.7716, p.29.
Richard Cork:
‘Every blob counts!’
[review of Serpentine exhib.], in Evening Standard, 20 May 1976;
repr. as ‘Howard Hodgkin’ in Richard Cork: Everything seemed
possible: art in the 1970s’, New Haven, London: Yale University
Press, 2003, pp.221-224.
Marina Vaizey:
‘British understatement’,
in Sunday Times, 23 May 1976, p.35.
Caroline Tisdall:
‘Howard Hodgkin’
[review of Serpentine exhib.], in The
Guardian, 27 May 1976.
Barbara Wright:
‘John Moores Liverpool
Exhibition 10’, in Arts Review, 28 May 1976, vol.28 no.11, p.264.
Richard Morphet:
‘Howard Hodgkin’
[review of Oxford exhib.], in Studio International, May/June
1976, vol.191 no.981, p.297.
Bernard Denvir
& Lavinia Learmont:
‘London’ [review of Serpentine exhib.], in Art and Artists,
June 1976, vol.11 no.3, pp.40-41.
Fenella Crichton:
‘London letter’,
in Art International, Summer 1976, vol.20 no.6, p.14.
Jasia Reichardt:
‘Howard Hodgkin and
portraiture’ [review of Newcastle exhib.], in Architectural Design, July
1976, vol.46 no.7, p.444.
John McEwen:
‘Howard Hodgkin at the
Serpentine Gallery’ [review of London exhib.], in Art in America, July/Aug.
1976, vol.64 no.4, pp.110, 113.
Toni del Renzio:
‘Pop’, in Art
and Artists, Aug. 1976, vol.11 no.5, pp.14-19 (ref. pp.18-19).
William Feaver:
‘The view from Europe:
England: Involvement, assiduity and an openness of mind’, in Art
News, Oct. 1976, vol.75 no.8, pp.33-35.
Timothy Hyman:
‘Howard Hodgkin’ [letter
clarifying errors in article in issue of May – June 1975], in Studio
International, July – Aug. 1975, vol.190 no.976, p.88.
William Feaver:
‘All this and real
beer, too’ [incl. review of Bristol exhib.], in The
Observer, 19 Oct. 1975.
John McEwen:
‘Howard Hodgkin’ [review
of Bristol exhib.], in The Spectator, 8 Nov. 1975, no.7689,
p.611.
* Marina
Vaizey: ‘The arts:
signs of life’, in Sunday Times, 29 Sept. 1974, p.35.
* Richard Cork:
‘Trapped
in the old-boy net’, in Evening Standard, 10 Oct. 1974, pp.24-25.
* Marina
Vaizey: ‘British
allsorts’, in Financial Times, 19 Feb. 1972, p.173.
* Hilton
Kramer: ‘Howard
Hodgkin’ [review of New York exhib.], in The New York Times, 24
Feb. 1973, p.25.
Gerrit Henry:
‘Reviews and previews’
[incl. review of New York exhib.], in Art News, Mar. 1973, vol.72
no.3, p.75.
William Feaver:
‘Hodgkin’s intelligence
tests’ [review of Oxford exhib.], in Observer Review, 21 Mar.
1976.
Bernard Denvir:
‘London letter’ [incl.
review of Paris exhib.], in Art International, Apr. 1973, vol.17
no.4, pp.42-47 (ref. pp.46-47).
Ellen Lubell:
‘Howard Hodgkin: Kornblee’
[review of New York exhib.], in Arts Magazine, Apr. 1973, vol.47
no.6, pp.81-82.
Sanford Schwarz:
‘New York letter’
[incl. review of New York exhib.], in Art International, May
1973, vol.17 no.5, pp.41-42.
Gregory Battcock:
‘New York’ [incl.
review of New York exhib.], in Art and Artists, June 1973, vol.8
no.3, pp.50-51.
Julien Clay: ‘La
peinture anglaise
aujourd’hui: Musée municipal d’art moderne Paris’ [review of
exhib.], in XX Siècle, Dec. 1973, no.41, pp.174-176.
S. [= Shelagh]
Hardie: ‘Howard Hodgkin,
John Hoskin’ [review of Bristol exhib.], in Arts Review, 1 July
1972, vol.24 no.13, p.398.
Peter Fuller:
‘Howard Hodgkin’ [review
of Kasmin exhib.], in Arts Review, 10 Apr. 1971, vol.23 no.7,
p.206.
* John Russell:
‘The life
of colours’ [review of Kasmin exhib.], in Sunday Times, 11 Apr.
1971, p.29.
Judy Marle:
‘Hodgkin’ [review of
Kasmin exhib.], in The Guardian, 19 Apr. 1971.
Richard Cork:
‘The English game –
keeping all the options open’ [review of Kasmin exhib.], in Evening
Standard, 21 Apr. 1971, p.16.
Timothy Hilton:
‘UK commentary’ [incl.
review of Kasmin exhib.], in Studio International, June
1971, vol.181 no.934, pp.268-271.
William Feaver:
‘Art: Exhibitionism’,
in London Magazine, Aug.-Sept. 1971, vol.11 no.3, pp.112-120
(ref. p.119 & 2 illus. facing p.115).
* Edward
Lucie-Smith: ‘Force
of tradition’, in Sunday Times, 20 Sept. 1970, p.30.
Eric Rowan:
‘Private lives’ [review
of Bristol exhib.], in The Times, 1 Oct. 1970, p.15.
Bryn Richards:
‘Howard Hodgkin’ [review
of Bristol exhib.], in The Manchester Guardian, 2 Oct. 1970.
* John Russell:
‘Quality
and quantity’, in Sunday Times, 30 Mar. 1969, p.57.
Simon Field:
‘London: objects – more
or less’ [incl. review of Kasmin exhib.], in Art and Artists,
Apr. 1969, vol.4 no.1, pp.56-58.
Robert Melville:
‘Problem solved’
[incl. review of Kasmin exhib.], in The
New Statesman, 4 Apr. 1969, vol.77 no.986, p.490.
Guy Brett: ‘On
and off the square’
[incl. review of Kasmin exhib.], in The Times, 10 Apr. 1969,
p.7.
* Norbert
Lynton: [review
of Kasmin exhib.], in The Manchester
Guardian, 11 Apr. 1969.
* Ian Dunlop:
‘April bulge
in art-exhibitions’, in Evening Standard, 14 Apr. 1969, p.17.
* Nigel
Gosling: ‘Prime
Pop ancestors’, in The Observer, 20 Apr. 1969, p.26.
* ‘Kasmin:
Howard Hodgkin’
[review of exhib.], in Art and Antiques, 26 Apr. 1969, vol.1,
p.13.
Pat Gilmour:
‘Graphics reviews’ [incl.
review of prints at Alecto Gallery], in Arts Review, 26 Apr.
1969, vol.21 no.8, p.277.
John Russell:
‘London’, in Art
News, May 1969, vol.68 no.3, p.43.
R.C. Kennedy:
‘London letter’ [incl.
review of Kasmin exhib.], in Art International, Summer 1969,
vol.13 no.6, pp.43-47.
* Keith Sutton:
‘Galleries’,
in London Look, 11 Mar. 1967, p.44.
Guy Brett:
‘Painter’s series of shaped
canvases’ [review of Tooth exhib.], in The Times, 11 Mar. 1967,
p.7.
* Nigel
Gosling: ‘Heroic
pessimism on a bicycle’, in The Observer, 12 Mar. 1967, p.25.
* David
Thompson: ‘Art:
Howard Hodgkin’, in Queen, 15 Mar. 1967, no.428, p.24.
Bryan Robertson:
‘Howard’s end?’
[review of Tooth exhib.], in The Spectator, 24 Mar. 1967, vol.218
no.7239, pp.347-348.
Edward
Lucie-Smith: ‘London’ [incl.
review of Tooth exhib.], in Studio International, Apr. 1967,
vol.137 no.888, pp.196-198.
Norbert Lynton:
‘London’ [incl. review
of Tooth exhib.], in Art International, 20 Apr. 1967, vol.11
no.4, pp.46-47.
John Russell:
‘London’ [incl. review
of Tooth exhib.], in Art News, May 1967, vol.68 no.3, pp.18, 57,
61-64 (ref. p.62, ‘Hodgkin local
colors’).
* Franz
Schulze: ‘London’s
boisterous new art’, in Chicago Daily News, 6 Mar. 1965, p.5.
Robert Melville:
‘Objets d’art’
[incl. review of Tooth exhib.], in Architectural Review, Apr.
1965, vol.137, pp.291-293.
‘Howard Hodgkin’,
in Ark: the
Journal of the Royal College of Art, Summer 1965, no.38, pp.18-21
(4 illus., 2 in col.).
John Russell:
‘The London Summer season’
[incl. review of Tooth exhib.], in Art in America, June 1965,
vol.53 no.3, pp.130-133.
Jasia Reichardt:
‘La jeune génération
en Grande Bretagne’, in Aujourd’hui, July 1965, vol.9 no.50,
pp.68-81 (ref. pp.76-77) .
* Patricia Boyd
Wilson: ‘The
home forum’, in The Christian Science Monitor, 17 July 1965,
vol.57, p.8.
* Roger
Berthoud: ‘One-man
show by one of our best’ [review of Tooth exhib.], in Evening
Standard, 24 Jan. 1964, p.5.
* ‘London day
by day: all
shapes and sizes’, in Daily Telegraph, 25 Jan. 1964, p.8.
Roger Coleman:
‘Up with the Jones’s’
[review of Tooth exhib.], in Arts Review, 25 Jan. – 8 Feb.
1964, vol.16 no.1, p.4 (col. illus.).
* Michael
Levey: ‘Twist
and shout’, in Sunday Times, 26 Jan. 1964, p.32.
Norbert Lynton:
‘Great high spirits’
[incl. review of Tooth exhib.], in The New Statesman, 31 Jan.
1964, vol.67 no.1716, pp.179-180.
James Burr:
‘Round the London galleries:
Born of stress’ [incl. review of Tooth exhib.], in Apollo,
Feb. 1964, vol.79 no.24, pp.145-148 (ref. pp.146-147).
* Edwin
Mullins: ‘Unknown
master’ [review of Tooth exhib.], in Sunday Telegraph, 2 Feb.
1964, p.13.
* Robert
Wraight: ‘On galleries:
Buskin’ with Ruskin’, in The Tatler, 5 Feb. 1964, no.251,
p.283.
* Peter Stone:
‘A potential
Renoir’, in Jewish Chronicle, 6 Feb. 1964, p.33.
‘Mr. Howard
Hodgkin’ [review of Tooth
exhib.], in The Times, 6 Feb. 1964, p.6.
Roger Coleman:
‘Up with the Jones’
[incl. review of Tooth exhib.], in Arts Review, 8 Feb. 1964,
vol.16 no.1, p.4.
Gene Baro: ‘Some
London galleries’
[incl. review of Tooth exhib.], in Arts Magazine, Mar. 1964,
vol.38 no.6, p.15.
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, Apr. 1964, vol.8
no.3, p.73.
Jasia Reichardt:
‘Pop Art and after’,
in Art International, 25 Feb. 1963, vol.7 no.2, pp.42-47 (ref.
p.47).
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, Mar. 1963, vol.7
no.3, pp.55-59, 64 (ref. p.58.).
Robert Melville:
[incl. review of Tooth
exhib.], in Architectural Review, Apr. 1963, vol.133 no.794,
pp.288-290.
Edward
Lucie-Smith: ‘The orators’
[incl. review of Whitechapel exhib.], in The Listener, 6 June
1963, vol.49 no.1784, p.970.
J.P.Hodin: [incl.
review of Tooth
exhib.],
in Quadrum, Summer 1963, vol.14, pp.161-164 (ref. p.163).
* Edward
Lucie-Smith: ‘The
impact-makers’, in Vogue (UK), Aug. 1963, vol.120, pp.58-59.
* Jane
Stockwood: ‘Sometimes it makes a good portrait’, in Harper’s
Bazaar, Nov. 1963, pp.107-108, 110.
Edward
Lucie-Smith: ‘White magic’
[incl. review of ICA exhib.], in The
New Statesman, 16 Feb. 1962, vol.63 no.1614, p.240.
[David Thompson]:
‘Two young figurative
painters’ [review of ICA exhib.], in The Times, 21 Feb. 1962,
p.13.
Conroy Maddox:
‘Two young figurative
painters’ [review of ICA exhib.], in Arts Review, 24 Feb. – 10
Mar. 1962, vol.14 no.3, p.19.
Nevile Wallis:
‘Symbolists of our time’
[review of ICA exhib.], in The Observer, 25 Feb. 1962.
Keith Sutton:
‘Round the London art
galleries’ [incl. review of ICA exhib.], in The Listener, 1 Mar.
1962, vol.47 no.1718, p.382.
* John Russell:
‘The world
of art: Henry Moore in Manhattan’, in Sunday Times, 8 Apr. 1962,
p.39.
Denis Bowen:
‘William Brooker and Howard
Hodgkin’ [review of Tooth exhib.], in The Arts Review, 20 Oct.
– 3 Nov. 1962, vol.14 no.20, p.19.
Edwin Mullins:
‘Sculpture and mechanics’
[incl. review of Tooth exhib.], in Apollo, Nov. 1962, vol.76
no.9, pp.712-714.
Robin [sic = Robyn] Denny: ‘London letter’ [incl. review of Tooth exhib.],
in Das Kunstwerk, Nov. – Dec. 1962, vol.16 no.5-6, pp.70-80
(ref. pp.78, 80).
G.S. Whittet:
‘Nature still gets in
the picture’ [incl. review of Tooth exhib.], in Studio, Dec.
1962, vol.164 no.836, pp.250-252 (ref. p.252).
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, 20 Dec. 1962,
vol.6 no.10, pp.41-44 (ref. p.43).